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Analyzing the impact of speaker localization errors on speech separation for automatic speech recognition
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In: EUSIPCO 2020 - 28th European Signal Processing Conference ; https://hal.inria.fr/hal-02355669 ; EUSIPCO 2020 - 28th European Signal Processing Conference, Jan 2021, Amsterdam / Virtual, Netherlands. ⟨10.23919/Eusipco47968.2020.9287541⟩ ; https://eusipco2020.org/ (2021)
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Orofacial somatosensory inputs change the auditory categorization in perceptual adaptation training
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In: 13th Annual Meeting of the Society for the Neurobiology of Language ; https://hal.archives-ouvertes.fr/hal-03460304 ; 13th Annual Meeting of the Society for the Neurobiology of Language, Oct 2021, Virtual, United States (2021)
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First Align, then Predict: Understanding the Cross-Lingual Ability of Multilingual BERT
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In: https://hal.inria.fr/hal-03161685 ; 2021 (2021)
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First Align, then Predict: Understanding the Cross-Lingual Ability of Multilingual BERT
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In: EACL 2021 - The 16th Conference of the European Chapter of the Association for Computational Linguistics ; https://hal.inria.fr/hal-03239087 ; EACL 2021 - The 16th Conference of the European Chapter of the Association for Computational Linguistics, Apr 2021, Kyiv / Virtual, Ukraine ; https://2021.eacl.org/ (2021)
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Language recognition on unknown conditions: the LORIA-Inria-MULTISPEECH system for AP20-OLR Challenge
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In: Interspeech ; https://hal.archives-ouvertes.fr/hal-03228823 ; Interspeech, Aug 2021, Brno, Czech Republic (2021)
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Language recognition on unknown conditions: the LORIA-Inria-MULTISPEECH system for AP20-OLR Challenge
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In: https://hal.archives-ouvertes.fr/hal-03228823 ; 2021 (2021)
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Saliva Pepsin Concentration of Laryngopharyngeal Reflux Patients Is Influenced by Meals Consumed Before the Samples
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In: ISSN: 0023-852X ; Laryngoscope ; https://hal.archives-ouvertes.fr/hal-03141469 ; Laryngoscope, Wiley, 2021, 131 (2), pp.350-359. ⟨10.1002/lary.28756⟩ (2021)
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| 8 |
Frameless fictions: embodiment, affect, and unruly encounters in VR and virtual environments
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Abstract:
This thesis considers the embodied and affective potentials of Virtual Reality (VR) and virtual environments in contemporary technoculture. Focusing on VR’s ‘re-emergence’ in the consumer market (2016-present), the thesis addresses and examines some of the more ambivalent and unruly encounters that this technology makes possible. In so doing, it defines taxonomies of the kinds of unruly experiences users might have of digital media more broadly, including compromised agency, boundaries of access, displacement, proximate glitches, and embodied horror—experiences which are incredibly varied despite the increasing appeal to a homogeneous ‘immersion’ in their marketing, and the cultural and even academic discourses which surround them. There remains an incapacity to frame experiences of VR in a way not yet prescribed through familiar experience, embodied grammars, or sufficient grammars of discourse. Offering a reconfiguration of the popularisation of ‘framelessness’ in the VR space as being synonymous with the transparency of hardware interfaces, Frameless Fictions instead speaks back to the concept of frames and enframing in philosophy and phenomenological enquiry (e.g. Heidegger 1954), which describe the human tendency to cognitively frame things for an ordering of use within the bounds of (inherently reductive) human understanding. VR’s popular ‘frames’ maintain focus on transcendence, transparency, limitlessness, and user empowerment. This work argues that we might learn more about VR’s unique capacities if we consider its potentials for looking beyond, and unsettling, human subjectivity. The work evaluates and interprets a number of multimedia texts, including fictional representations (novels, films, advertising materials, VR applications, and videogames) to argue for a critical approach to virtual environments which considers how framelessness emerges through specific affective experiences. To this end, the work explores VR through a number of different lenses, including body-horror, the flesh, glitch and error, the unhuman, the weird, and proximal horror. This thesis’ focus on embodied affect attempts to forge the production of some of the grammars relating to disorientating, unanticipated, and ontologically complex experiences of virtual environments which pose generative challenges to human agency and access.
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Keyword:
B Philosophy (General); PR English literature; T Technology (General)
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URL: http://etheses.bham.ac.uk//id/eprint/11545/7.hassmallThumbnailVersion/Williams2021PhD.pdf
http://etheses.bham.ac.uk//id/eprint/11545/
http://etheses.bham.ac.uk//id/eprint/11545/7/Williams2021PhD.pdf
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| 9 |
What do disyllabic words tell us about syllable structure, vowel quality, and stress in English?
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| 11 |
Priorities, visions, identities, and normative approaches: a corpus-driven discourse analysis of the official discourse between China and the EU (1994-2019)
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Edinburgh Cognitive and Behavioural ALS Screen (ECAS) in the assessment of early onset dementia
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| 13 |
Quo vadis? Epigraphy, language, and people in the making of Roman Italy
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| 14 |
Becoming woman in the land of women: investigating the paradigm of the individual versus the collective in contemporary feminist utopianism
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Bilingualism meets autism: an investigation of executive functions profiles in English-Arabic children
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| 17 |
RNN Language Model Estimation for Out-of-Vocabulary Words
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In: Lecture Notes in Artificial Intelligence ; https://hal.archives-ouvertes.fr/hal-03054936 ; Lecture Notes in Artificial Intelligence, Springer, In press, 12598, ⟨10.1007/978-3-030-66527-2_15⟩ (2020)
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| 19 |
L2 writers referencing corpora to address accuracy: a qualitative analysis of learners' lexicogrammatical error corrections
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(S)mothered in translation? (Re)translating the female Bildungsroman in the twentieth century in English and French
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