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1	From Incunabula to Book History: Ethiopia, Eritrea and the Search for their Printed Past
	Zaccaria, Massimo
	In: Aethiopica; Bd. 24 (2021); 141–174 ; Aethiopica; Vol. 24 (2021); 141–174 ; 2194-4024 ; 1430-1938 ; 10.15460/aethiopica.24.0 (2022)
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2	[Ressenya del llibre] Julià-Muné, Joan (2019): Un segle de lingüística catalana: de la Lletra de convit a la GCC (1901- 2002). Lleida: Edicions de la Universitat de Lleida, 256 p
	Feliu, Francesc
	In: Estudis romànics, 2022, vol. 44, p. 493-495 ; Ressenyes publicades (D-FLC) (2022)
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3	LE NOM PROPRE HISTORIQUE COMME RESSORT ARGUMENTATIF DANS LES DISCOURS ÉPIDICTIQUES SUR L'ART ; O nome próprio histórico como meio argumentativo nos discursos epidíticos sobre a arte
	Krylyschin, Marina
	In: https://hal-univ-paris3.archives-ouvertes.fr/hal-03242578 ; 2021 (2021)
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4	East Slavonic Sources of the First Serbian Primer Composed by Gabriel Stefanović Venclović (1717) ; Восточнославянские источники первого сербского букваря Гавриила Стефановича Венцловича (1717 г.)
	Polonski, Dmitri G.; Ramazanova, Dzhamilia N.
	In: Slověne = Словѣне. International Journal of Slavic Studies; Vol 10, No 1 (2021); 157-185 ; 2305-6754 ; 2304-0785 (2021)
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5	In Rooms of Their Own: How Coterie Culture Shaped Literary Modernism
	Taylor, Michelle Alexis. - 2021
	Abstract: In Rooms of Their Own investigates the socio-literary practices and material cultures of the modernist coterie (i.e., the intellectual-artistic group or clique) in order to demonstrate modernism’s attraction to and dependence upon the creative and intellectual affordances of amateurism. Through a survey literary works that enjoyed a limited or restricted audience — such as parlor theatricals, epistolary verse, and private publications — alongside professionally published writings, this project argues that coterie culture and practice continually restored a sense of play and presence to a literary culture increasingly committed to professionalism and posterity. Each chapter examines a different aspect of coterie culture and its role in shaping modernist literature more broadly: it begins by looking at T. S. Eliot’s use of coterie (in)discretion as a means of destabilizing literary taste and escaping the institution’s purview, connecting his understudied contributions to Noctes Binanianae to Four Quartets to show how coterie indiscretion, as a form of “folly,” is offered in Four Quartets as a kind of moral justification for modernist practices. It then examines how the coterie’s mediation of audience, its straddling of the public/private divide, allowed Virginia Woolf to model new ways of relating to her readers in both Orlando and Freshwater. In the third chapter, Nancy Cunard, the underrated and controversial celebrity poet, publisher, activist, and heiress, models how coterie can turn influence — a dyadic model of a struggle to assert dominance and power over the influential, often dead, writer — into something I call “confluence,” a more horizontal way of understanding style as a force of intimacy and attachment; her example also demonstrates the limits, or at least the potential limitations, of the coterie’s practices of affiliation as it butts up against large racial and class disparities. The final chapter considers the maligned legacy of the modernist coterie as it was shaped by a subgenre I call the “kunstlerroman-à-clef,” a novel that satirizes contemporary literary culture while making reference to real historical persons (in the mode of the roman-à-clef). These novels depicted the coterie as perverse, insular, superficial, and antagonistic to the exercise of the individual’s genius. On the other hand, contemporary women’s autofiction imagines the modernist coterie as a force for preserving individual genius, even as it searches after the kinds of literary community described throughout this project; such novels demonstrate our need for these underexamined models of literary sociality and restricted production, consumption, and circulation. In Rooms of Their Own demonstrates that even the most institutionally-embedded modernists relied on the transhistorical cultural model of the coterie for the alternatives it offered to the institution’s mediation of cultural life, suggesting that amateurism and professionalism might not be opposites so much as the nodes of a dialectic that could sustain our contemporary cultural moment.
	Keyword: amateurism; book history; coterie; English literature; intimacy; material culture; modernism
	URL: https://nrs.harvard.edu/URN-3:HUL.INSTREPOS:37370221
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6	Celestina in Venice: Piety, Pornography, Poligrafi
	Kallendorf, Hillaire
	In: Celestinesca; Vol. 27 (2003); 75-106 ; 2695-7183 ; 0147-3085 (2021)
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7	Translations In Print and Many-Headed Hydras: A Study of Rewriting in 'Sepan Cuantos.' (1959-2013)
	Atala Garcia, Lili. - : Université d'Ottawa / University of Ottawa, 2021
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8	Similarities between “The Secret History of the Mongols” and Turkish Epic (“Moğolların Gizli Tarihi” destanı ile türk destanı arasındaki benzerlikler)
	NASIROVA, Lamiya
	In: ALTRALANG Journal; Vol 2 No 02 (2020): ALTRALANG Journal Volume: 02 Issue: 02 / December 2020; 207-226 ; 2710-8619 ; 2710-7922 (2020)
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9	The Copy Effect in Translation: On Formal Similarity and the Book Historic Perspective
	Fraser, Ryan. - : Association canadienne de traductologie, 2020. : Érudit, 2020
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10	Первые азбуки и буквари по французскому языку в России XVIII – первой половины XIX века ... : First french alphabet books and primers in Russia in XVIII – first half of the XIX century ...
	Колобкова, А.А.. - : ФГБНУ «Институт педагогики, психологии и социальных проблем», 2020
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11	"The books to the illiterate?" Romani publishing activities in the Soviet Union, 1927-1938
	Shapoval, Viktor
	In: Social Inclusion ; 8 ; 2 ; 346-357 ; Gypsy policy and Roma activism: from the interwar period to current policies and challenges (2020)
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12	'Fair copies?’ Titus Oates and the forging of literary politics in Seventeenth-Century England
	Robinson, Isabel. - : The University of Edinburgh, 2020
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13	Азбуковник справщика Московского печатного двора Давида Замарая: время и слово ; The Azbukovnik of David Zamaray, a Proofreader of the Moscow Print Yard: Time and Word
	Юдин, А. А.; Yudin, А.. - : Уральский федеральный университет, 2020
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14	Adventures in Research: Alex Gillespie ; View to the U: An eye on UTM research
	Gillespie, Alexandra; DeMarco, Carla. - : Office of the Vice Principal, Research, University of Toronto Mississauga, 2020
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15	L’auteur au temps du recueil : repenser l’autorité et la singularité poétiques dans les premiers manuscrits à collections auctoriales de langue d’oïl (1100-1340).
	Stout, Julien. - 2020
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16	El Paso Women’s History Coloring Book Volume II / Historia de las Mujeres de El Paso: Cuaderno de Colorear Volumen II
	El Paso Women’s History Coloring Book Committee
	In: Books (2020)
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17	Captatio benevolentiae: A Different History of the Early Romanian Psalters
	Agrigoroaei, Vladimir
	In: Vernacular Psalters and the Early Rise of Linguistic Identities: The Romanian Case ; https://halshs.archives-ouvertes.fr/halshs-02271939 ; V. Agrigoroaei; I. Sasu; A. Dumitran; F. Bogdan. Vernacular Psalters and the Early Rise of Linguistic Identities: The Romanian Case, 1, Dark Publishing, pp.7-8, 2019, Museikon STudies, 9786069475157 (2019)
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18	Il privilegio del Messale riformato. Roma e Venezia fra censura espurgatoria e tensioni commerciali ...
	Ottone, Andrea. - : Zenodo, 2019
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19	Il privilegio del Messale riformato. Roma e Venezia fra censura espurgatoria e tensioni commerciali ...
	Ottone, Andrea. - : Zenodo, 2019
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20	The logic of circular reasoning in the exegesis of XX-century, and its overcoming. ...
	Kosek, Wojciech. - : Zenodo, 2019
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