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| 61 |
O romance, leituras da história: a saga de Cristóvão Colombo em terras americanas
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| 62 |
Dhamma Aboard Evolution: a Canonical Study of Aggñña Sutta in relation to Science
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| 63 |
Un fals aparegut en el «Tirant lo Blanch»
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In: Caplletra. Revista Internacional de Filologia; Núm. 44 (2008); 55-78 (2014)
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| 64 |
El juego de la parodia en la escritura de Anne F. Garréta
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In: Çedille 9, 83-92 (2013) (2013)
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| 65 |
Parody as evaluation: about a television sketch in Spanish
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Ruiz Gurillo, Leonor. - : Universidad de Alicante. Departamento de Filología Española, Lingüística General y Teoría de la Literatura, 2013
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| 66 |
Means and Methods of Parody ; Средства и приемы пародирования ; Засоби та прийоми пародіювання
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In: Pitannâ lìteraturoznavstva; № 88 (2013): Pytannia literaturoznavstva; 48-68 ; Pitannâ lìteraturoznavstva; № 88 (2013): Питання літературознавства; 48-68 ; Питання літературознавства; № 88 (2013): Питання літературознавства; 48-68 ; 2306-2908 (2013)
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Abstract:
A parody as a genre is characterized by only its inherent laws of construction and creation, the purpose of this article is to investigate the most popular parody implements and techniques that are used by Ukrainian authors very often. The object and purpose of parody, artistic tastes and writer’s skill determine parodist selection of specific tools and techniques.The parody text analysis is used in this article, the descriptive method is used in unfamiliar texts and the brightest parody examples are introduced in the scientific revolution. Also the functional approach is used the problem of understanding the text.The accent is on the fact that the parody applies the work facilities, which is parodied. Parodist mimics the style of prototext, altering it so that it is recognizable, but ridiculed. As a rule the most characteristic elements of the style are taken – a favorite method, propensity to a particular functional style, desirable usage of lexical items, syntactic structures etc. To achieve the goal parodist can use a lower object style of parody, to introduce new material into the text of the original works.The benefits of this study lies in the fact that for the first time the most popular methods and Ukrainian parodist are described. Consequently the most popular implements and techniques of Ukrainian authors are hyperbola, grotesque, metaphor, absurdity, alogizm, quotations, phonetic (alliteration, assonance, voice parallelism), syntactic (repetition, refrain, gradation), morphological facilities and receptions etc. ; Описываются наиболее употребляемые средства и приемы, которые используют украинские пародисты, создавая свои произведения. Среди самых популярных – гипербола, гротеск, метафора, абсурд, алогизм, цитаты, фонетические (аллитерация, ассонанс, звуковой параллелизм), морфологические, лексические, синтаксические (повтор, рефрен, градация) средства и приемы и т. д. ; Аналізуються найбільш вживані засоби та прийоми української пародії. З-поміж таких – гіпербола, гротеск, метафора, абсурд, алогізм, фонетичні (алітерація, асонанс, звуковий паралелізм), морфологічні, лексичні, синтаксичні (повтор, рефрен, градація) засоби та прийоми, цитати тощо.
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Keyword:
hyperbola; lexical; literary parody; metaphor; morphological; phonetic; syntactic facilities and receptions; гипербола; гіпербола; лексические; лексичні; литературная пародия; літературна пародія; метафора; морфологические; морфологічні; синтаксические средства и приемы; синтаксичні засоби та прийоми пародіювання; фонетические; фонетичні
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URL: http://pytlit.chnu.edu.ua/article/view/73203
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| 67 |
\"Só me interessa o que não é meu\": a dimensão paródica do verso oswaldiano em Pau Brasil ; \"Só me interessa o que não é meu\": the parodic dimension of Oswald de Andrade's verse in Pau Brasil
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| 68 |
American ethnic humor in prime time animation, comedy film, and television sketch comedy
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| 69 |
Repetition and Difference: Parodic Narration in Kander and Ebb's "The Scottsboro Boys"
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| 70 |
Reconsidering communicative competence in Web 2.0 environments: "Asians in the library" and four parodic responses on YouTube
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| 71 |
M. Mujica Láinez: humor paródico y réplica literaria frente a lo alterno. "De milagros y de melancolías"
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In: Lingüística y Literatura, ISSN 0120-5587, Vol. 34, Nº. 63, 2013, pags. 95-115 (2013)
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| 72 |
Le roman de l’adultère : du mythe littéraire au palimpseste
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In: Voix Plurielles; Vol 10 No 2 (2013); 244-256 ; Voix Plurielles; Vol. 10 No 2 (2013); 244-256 ; 1925-0614 (2013)
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| 73 |
Les Don Juan français contemporains : de la crise du héros à celle de l’écriture
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In: Voix Plurielles; Vol 10 No 2 (2013); 257-272 ; Voix Plurielles; Vol. 10 No 2 (2013); 257-272 ; 1925-0614 (2013)
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| 74 |
Joyce the Postmodernist: A Glance at Finnegans Wake
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In: K@ta: A Biannual Publication on the Study of Language and Literature, Vol 15, Iss 2, Pp 93-100 (2013) (2013)
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| 75 |
Backward Glance at James Joyce: Finnegans Wake’s Postmodernist Devices
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In: Studies in Literature and Language; Vol 7, No 2 (2013): Studies in Literature and Language; 63-71 ; 1923-1563 ; 1923-1555 (2013)
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| 79 |
Les modalités du détournement proverbial : entre contraintes et libertés
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In: ISSN: 0249-6267 ; EISSN: 2274-0511 ; Modèles linguistiques ; https://hal.archives-ouvertes.fr/hal-01697072 ; Modèles linguistiques, Association Modèles linguistiques/Editions des dauphins, 2012, XXXI (62), pp.147 - 172. ⟨10.4000/ml.237⟩ (2012)
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| 80 |
Le théâtre hindi aujourd'hui ; Le théâtre hindi aujourd'hui: scnénographie des cultures et du langage
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In: Théâtres d'Asie et d'Orient ; https://halshs.archives-ouvertes.fr/halshs-00750356 ; Feuillebois Pierunek Eve. Théâtres d'Asie et d'Orient, Peter Lang, pp.233-257, 2012 (2012)
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