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Schreiben (Raymond Roussel, Georges Perec) und Übersetzen
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Abstract:
The author analyses some of the metalinguistic forms that can be found in the works of Roussel and Perec (respectively in the short story "Parmi les Noirs" and in the novel "La disparition"). Particular attention is then paid to certain features of the lipogram. The playful nature of these practices inscribes itself in the realm of linguistic criticism, nourished by the adoption of formal constraints (for instance, the abandonment of the vocal ‘e’ in "La disparition" by Perec), which must moreover be explicitly incorporated into the content of the text. ; Si analizzano alcune forme metalinguistiche in Roussel e Perec, e in particolare si osservano alcune caratteristiche del lipogramma. La natura ludica di queste pratiche si integra in un discorso di critica del linguaggio, alimentato dall’adozione di vincoli formali (per esempio, nella "Disparition" di Perec, la rinuncia alla vocale e) che vengono inoltre esplicitamente incorporati nel contenuto del testo.
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Keyword:
Formal constraints and writing; Language criticism; Lipograms
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URL: http://hdl.handle.net/10077/6260
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"Unsere ganze Philosophie ist Berichtigung des Sprachgebrauchs" : Friedrich Nietzsches Lichtenberg-Rezeption im Spannungsfeld zwischen Sprachkritik (Rhetorik) und historischer Kritik (Genealogie)
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BLLDB
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UB Frankfurt Linguistik
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