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Continuing Orality and the Environment in Korean Literature: Writing as a Mode of Oral Performance in the Twentieth Century to the Present
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| 83 |
Comparing the Processes of Bible Translation and Bible Storytelling
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| 84 |
Preliminary Questions to Consider When Looking at an Oral Translation Approach
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| 85 |
Audio Dramas for Scripture Engagement: A participatory oral approach
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| 86 |
How's it going bros: ; PewDiePie's memeing in tertiary orality
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| 87 |
La formació d’un lèxic especialitzat en terra de frontera: el cas de la fitonímia popular de Crevillent
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| 88 |
Construção da concordância nominal em produções orais de aprendentes de PL2 ; Construction of the nominal agreement in oral productions of Portuguese as a foreign and second language learners
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| 89 |
O jogo como estratégia de revisão e de consolidação das aprendizagens no âmbito da Unidade Didática numa LE : Espanhol
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| 90 |
Como a oralidade desperta o protagonismo dentro da sala de aula ; How orality awakens the protagonism within the classroom
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Dias, Cláudia. - : Universidade Tecnológica Federal do Paraná, 2018. : Curitiba, 2018. : Brasil, 2018. : Ensino de Língua Portuguesa e Literatura, 2018. : UTFPR, 2018
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| 91 |
Marcas interacionais em rodas de conversa na educação infantil ; Interactional marks in circle time in early childhood education
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Memmel, Susanne Elfriede. - : Biblioteca Digital de Teses e Dissertações da USP, 2018. : Universidade de São Paulo, 2018. : Faculdade de Educação, 2018
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| 92 |
El español de América en el paisaje lingüístico genovés. El pretérito perfecto compuesto en las narraciones de estudiantes latinoamericanos
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In: Lingue e Linguaggi; Volume 25 (2018) - Special Issue; 323-345 (2018)
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| 93 |
L’elocutio en 1 Corinthiens : inventaire, stratégie et herméneutique
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| 96 |
Distinctive features of orality in a microlanguage: the Italian language in the plenary sessions of the European parliament. Some preliminary observations
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Bertozzi, Michela. - : Universitat Jaume I, 2018. : Universitat de València, 2018. : Universitat d' Alacant, 2018
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| 97 |
“SCORES FOR A PARTICULAR CHEMICAL ORCHESTRA”: THE ‘COMMEDIA’ AND THE MATTER OF SOUND IN OSIP MANDELSTAM’S ‘CONVERSATION ABOUT DANTE’
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In: Bibliotheca Dantesca: Journal of Dante Studies (2018)
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| 98 |
L’origine et le changement dans l’œuvre d’Eliseo Verón
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In: Communication & langages, N 196, 2, 2018-08-28, pp.39-54 (2018)
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Abstract:
Dans la Semiosis social 2, Eliseo Verón revisite les notions fondamentales de la sémiotique en reformulant la question de l’origine et du changement dans la sémiose de l’Homo sapiens et la question de la médiatisation qui configurent une topique centrée sur l’écoulement du temps. Ainsi, le fait que l’origine et le changement soient développés d’un point de vue historique donne lieu à des hypothèses discursives précises dans différents domaines. Oscar Traversa montre que ces idées étaient déjà présentes ou esquissées dans l’œuvre de Verón et plus particulièrement entre La Sémiosis sociale (1987) et La Semiosis social 2 (2013). Pour mener à bien cette synthèse, Verón assigne aux notions contemporaines du darwinisme et aux théories de la complexité un espace singulier qui mérite ici d’être commenté. ; In La Semiosis social, 2, the problem of the origin and change in the Homo sapiens semiosis and mediatization become a topic focused in the passing of Time and the essential notions of Semiotics are resumed from this very same perspective. Thus, both origin and change are carried out from a historical point of view, leading even to precise discursive hypotheses in several areas. In this paper it will be pointed out that, in different moments and parts of his work, those aspects were showed or suggested, especially that concerning the main line which articulates La Semiosis social with La Semiosis social, 2; to achieve this synthesis, Verón assigns a unique space to the contemporary notions of darwinism and to the theories of complexity, which will be partially discussed here. ; El problema del origen y el cambio en la semiosis del Homo sapiens y la mediatización se tornan, en La Semiosis social, 2, en un tópico centrado en el decurso del tiempo, las nociones fundamentales de la semiótica se retoman desde esa misma perspectiva. Es así que tanto el origen como el cambio son desenvueltos desde un punto de vista histórico, dando lugar incluso, en distintas áreas a precisas hipótesis discursivas. En el presente escrito señalaremos que esas variantes, en diferentes lugares y momentos de su obra se hacían presentes o se esbozaban, en especial lo concerniente a la línea principal que articula La Semiosis social (1987) con La Semiosis social, 2 (2013). Para lograr esta síntesis, Verón, asigna a las nociones contemporáneas del darwinismo y a las teorías de la complejidad un espacio singular que parcialmente comentaremos.
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Keyword:
autopoïèse; autopoiesis; communication; complexité; complexity; Darwinism; darwinisme; écriture; evolution; évolution; médiatisation; mediatisation; oralité; orality; sémiose; semiosis; writing
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URL: https://doi.org/10.3917/comla1.196.0039
https://www.cairn.info/article.php?ID_ARTICLE=COMLA1_196_0039
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| 99 |
Comment éditer un cours ? L’exemple de la collaboration de Louis Havet et d’Antoine Meillet
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In: Langages, N 209, 1, 2018-03-20, pp.35-57 (2018)
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| 100 |
Latin parlé / latin écrit : de la symbiose à la diglossie
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In: Langages, N 208, 4, 2018-01-15, pp.17-28 (2018)
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