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Métaphores prédicatives et modernité du français dans l'écriture romanesque de Henri Djombo
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In: Revue des etudes africaines ; https://hal-auf.archives-ouvertes.fr/hal-00982137 ; Revue des etudes africaines, 2014 (2014)
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| 62 |
Metaphores prédicatives et modernité du français dans l'écriture romanesque de Henri Djombo
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In: Revue des etudes africaines ; https://hal-auf.archives-ouvertes.fr/hal-00986235 ; Revue des etudes africaines, 2014 (2014)
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| 63 |
Identity in the Anglo-Indian Novel: "The Passing Figure" and Performance ...
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| 64 |
Application of the Deconstructive Discourse as a Generative Thinking Framework
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In: http://rave.ohiolink.edu/etdc/view?acc_num=kent1399283791 (2014)
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| 65 |
Creative implications of deconstruction: the case of jazz music, photography, and architecture ...
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| 67 |
La dialéctica como deconstruccion del dogmatismo jurídico. ; As dialectic deconstruction legal dogmatism
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In: Revista de Educación y Derecho.; No 10 (2014): Epistemología y docencia jurídica en México ; Revista de Educación y Derecho; No 10 (2014): Epistemología y docencia jurídica en México ; EDUCATION AND LAW REVIEW; No 10 (2014): Epistemología y docencia jurídica en México ; 2386-4885 ; 2013-584X (2014)
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| 68 |
Identity in the Anglo-Indian Novel: "The Passing Figure" and Performance
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| 69 |
Creative implications of deconstruction: the case of jazz music, photography, and architecture
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| 70 |
In the wilderness
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In: Electronic Theses and Dissertations (2014)
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| 71 |
Sexuated Topology and the Suspension of Meaning: A Non-Hermeneutical Phenomenological Approach to Textual Analysis
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| 72 |
A Structural Semiotic Perspective on Narratology
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In: Studies in Literature and Language; Vol 9, No 2 (2014): Studies in Literature and Language; 43-49 ; 1923-1563 ; 1923-1555 (2014)
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| 73 |
La princesse revisitée : icônes et avatars du féminin dans les Drames de princesses d'Elfriede Jelinek
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In: EISSN: 1961-991X ; Textes & Contextes ; https://halshs.archives-ouvertes.fr/halshs-01243057 ; Textes & Contextes, Université de Bourgogne, Centre Interlangues TIL, 2013, Avatars du conte au XXe et XXIe siècle, https://preo.u-bourgogne.fr/textesetcontextes/index.php?id=409 ; https://preo.u-bourgogne.fr/textesetcontextes/ (2013)
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| 75 |
Deconstructing boundaries and meaning within/across professional learning
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| 76 |
LEGOLANG: técnicas de deconstrucción aplicadas a las tecnologías del lenguaje humano ; LEGOLANG: deconstruction techniques applied to human language technologies
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| 77 |
What Mystics May Come: Forming More Perfect Unions from Pragmatism to Posthumanism
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Abstract:
At the turn of the twentieth century, after the American Civil War but before the World Wars, William James and others drew on the wisdom of the World’s religious traditions, especially the “mystical languages of unsaying,” to construct the modern category of mysticism in part to provide a common core around which divided peoples might rally in the hopes of forming a more perfect union both religiously and politically. Over one hundred years later, postmodern theorists turn to unknowingness at the heart of our most cherished knowledge of ourselves and our world as a resource rather than a threat to aid in our efforts to honor others. My dissertation examines such recent appropriations of ancient unsaying, but moves beyond the merely linguistic and logical to analyze the embodied and emplaced through comparing what I call mystical and mundane modes of undoing, such as Jamesian pragmatic participation in a pluralistic universe (Chapter 1); orthodox and heterodox, Eastern and Western embodiments of cosmic vibrations from ancient gnosis, through Christian mystical theology, to Allen Ginsberg’s poetry (Chapter 2); the yearning for more life meaning in African American religiosity represented by Howard Thurman, Langston Hughes, and Sojourner Truth (Chapter 3); and democratic theorizing from feminists to posthumanists (Chapter 4). With creative collisions of apparently disparate thinkers who nevertheless share similar dynamics of embracing “spiritual but not religious” practices, I seek to move discussions of the mystical forward through developing resources for understanding and transforming dynamics of oppression such as gender, race, class, species, and other issues of embodied difference. Using Jacques Derrida as a bridge figure, I counter what I call the linguistic misread of deconstruction to advocate for more aware participation in an embodied mode of experiencing a generative vulnerability that is absolutely universal. Understood anew, embodied finitude may provide resources for promoting justice by uniting around a different kind of common core—a common core of no common core. Indeterminateness, then, may mean daring to unknow ourselves and our others through participation in a mystery beyond clear cut divisions—immanent and transcendent, material and immaterial, male and female, human and animal.
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Keyword:
African American religion; Allen Ginsberg; Animal studies; Animals; Apophaticism; Deconstruction; Democracy; Dionysius the Areopagite; Donna Haraway; Ghosts; Gregory of Nyssa; Howard Thurman; Jacques Derrida; John of the Cross; Judith Butler; Karl Marx; Langston Hughes; Luce Irigaray; Mystical theology; Mysticism; Philosophy of Religion; Posthumanism; Pragmatism; Queer theory; Sojourner Truth; Spiritual senses; Teresa of Avila; William James
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URL: https://hdl.handle.net/1911/77446
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| 78 |
Les Don Juan français contemporains : de la crise du héros à celle de l’écriture
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In: Voix Plurielles; Vol 10 No 2 (2013); 257-272 ; Voix Plurielles; Vol. 10 No 2 (2013); 257-272 ; 1925-0614 (2013)
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| 79 |
Le jeu de mots De la construction esthétique à la déconstruction transgressive
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In: https://hal.univ-brest.fr/hal-01115431 ; Jean-Pierre Dupouy ; Ghislaine Lozachmeur ; Frédérique Mengard ; Mohamed Saki. France. UBO, 2012, 9782908195170 (2012)
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Préface Le jeu de motsDe la construction esthétique à la déconstruction transgressive
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In: Le jeu de motsDe la construction esthétique à la déconstruction transgressive ; https://hal.univ-brest.fr/hal-01130005 ; Jean-Pierre Dupouy ; Ghislaine Lozachmeur ; Frédérique Mengard ; Mohamed Saki. Le jeu de mots De la construction esthétique à la déconstruction transgressive, 1, UBO HCTI, pp.11-21, 2012, 9782908195170 (2012)
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