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Abstract artworks 'speak' to fewer people and have less to 'say' than figurative works ...
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Sullivan Karen. - : NAKALA - https://nakala.fr (Huma-Num - CNRS), 2021
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Why Would We Rather Peg Out Than Simply Die?—How Do game Metaphors Help Us Deal with Death Across Languages and Cultures?
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Everyone "leaves" the world eventually: culture-based homogeneity and variation in Death Is Departure
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Chinese L2 acquisition of sense relatedness for shàng “to go up”
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Being-clauses in Historical Corpora and the US Second Amendment
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Comparing word sense distinctions with bilingual comparable corpora: a pilot study of adjectives in English and Spanish
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Comparing word sense distinctions with bilingual comparable copora: a pilot study of adjectives in English and Spanish
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Integrating constructional semantics and conceptual metaphor
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Are dead artists' paintings more lively? - Agency in description of artworks before and after an artist's death
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Why suave movimiento isn't 'smooth movement': a corpus comparison of polysemous adjectives in English and Spanish
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With the future coming up behind them: evidence that time approaches from behind in Vietnamese
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If you study a word do you use it more often? Lexical repetition priming in a corpus of Natural Semantic Metalanguage publications
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Judging a book by its cover (and its background): effects of the metaphor intelligence is brightness on ratings of book images
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Abstract:
Visual metaphors have been the focus of experimental and corpus studies aiming to determine whether metaphors are conceptual or purely linguistic. However, in visual metaphor research, experimental and corpus approaches have each been directed at a distinct set of visual metaphors. Psychological experiments have focused on primary metaphors, whereas corpus studies have concentrated on non-primary metaphors. The current study suggests that when non-primary metaphors are examined experimentally, cognitive effects appear only when the metaphor is contextually relevant. intelligence is brightness, for example, is not relevant when the potential source of intelligence is inaccessible. In this study, images of open books with bright backgrounds are rated as more likely to represent works of genius than open books with darker backgrounds. When books are closed, their ‘genius’ is inaccessible and intelligence is brightness has no effect.
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Keyword:
1213 Visual Arts and Performing Arts; 3315 Communication; Complex mapping; Conceptual metaphor theory; Pictorial metaphor; Primary metaphor; Visual priming
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URL: https://espace.library.uq.edu.au/view/UQ:349386
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Visibility and economy as dimensions of metaphoric language
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