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Prosodic Boundary Prediction Model for Vietnamese Text-To-Speech
In: Proc. Interspeech 2021 ; Interspeech 2021 ; https://hal.archives-ouvertes.fr/hal-03329116 ; Interspeech 2021, Aug 2021, Brno, Czech Republic. pp.3885-3889, ⟨10.21437/interspeech.2021-125⟩ (2021)
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Prosodic Disambiguation Using Chironomic Stylization of Intonation with Native and Non-Native Speakers
In: Proceedings Interspeech 2021 ; Interspeech 2021 ; https://hal.archives-ouvertes.fr/hal-03329111 ; Interspeech 2021, Aug 2021, Brno (virtual), Czech Republic. pp.516-520, ⟨10.21437/Interspeech.2021-182⟩ (2021)
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Perceptual equivalence of the Liljencrants-Fant and linear-filter glottal flow models
In: ISSN: 0001-4966 ; EISSN: 1520-8524 ; Journal of the Acoustical Society of America ; https://hal.archives-ouvertes.fr/hal-03322875 ; Journal of the Acoustical Society of America, Acoustical Society of America, 2021, 150 (2), pp.1273-1285. ⟨10.1121/10.0005879⟩ ; https://doi.org/10.1121/10.0005879 (2021)
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Voks: Digital instruments for chironomic control of voice samples
In: ISSN: 0167-6393 ; EISSN: 1872-7182 ; Speech Communication ; https://hal.archives-ouvertes.fr/hal-03009712 ; Speech Communication, Elsevier : North-Holland, 2020, 125, pp.97 - 113. ⟨10.1016/j.specom.2020.10.002⟩ (2020)
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5
Les instruments chanteurs
In: ISSN: 1263-8072 ; Acoustique et Techniques : trimestriel d'information des professionnels de l'acoustique ; https://hal.archives-ouvertes.fr/hal-02025861 ; Acoustique et Techniques : trimestriel d'information des professionnels de l'acoustique, Neuilly-sur-Seine : Centre d'information et de documentation sur le bruit, 2019, 89, pp.36-43 (2019)
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6
T-Voks: the Singing and Speaking Theremin
In: NIME 2019 International Conference on New Interfaces for Musical Expression ; https://hal.archives-ouvertes.fr/hal-02197063 ; NIME 2019 International Conference on New Interfaces for Musical Expression, UFRGS, Jun 2019, Porto Alegre, Brazil. pp.110-115 ; http://www.nime.org/proceedings/2019/nime2019_022.pdf (2019)
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T-Voks: the Singing and Speaking Theremin ...
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T-Voks: the Singing and Speaking Theremin ...
Abstract: T-Voks is an augmented theremin that controls Voks, a performative singing synthesizer. Originally developed for control with a graphic tablet interface, Voks allows for real-time pitch and time scaling, vocal effort modification and syllable sequencing for pre-recorded voice utterances. For T-Voks the theremin's frequency antenna modifies the output pitch of the target utterance while the amplitude antenna controls not only volume as usual but also voice quality and vocal effort. Syllabic sequencing is handled by an additional pressure sensor attached to the player's volume-control hand. This paper presents the system architecture of T-Voks, the preparation procedure for a song, playing gestures, and practice techniques, along with musical and poetic examples across four different languages and styles. ...
URL: https://zenodo.org/record/3672886
https://dx.doi.org/10.5281/zenodo.3672886
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9
Les instruments chanteurs
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10
Paradigmatic variation of vowels in expressive speech: Acoustic description and dimensional analysis
In: ISSN: 0001-4966 ; EISSN: 1520-8524 ; Journal of the Acoustical Society of America ; https://hal.archives-ouvertes.fr/hal-01914497 ; Journal of the Acoustical Society of America, Acoustical Society of America, 2018, 143, pp.109-122. ⟨10.1121/1.5018433⟩ (2018)
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11
Jouer avec les doubles artificiels de la voix: Cantor digitalis et Vokinesis.Conférence-concert
In: La voix à double tranchant ; https://hal.archives-ouvertes.fr/hal-02009009 ; La voix à double tranchant, Solipsy, pp.185-203, 2018, Voix et psychanalyse 2017, 978-2-84932-106-5 (2018)
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12
Le contrôle des instruments chanteurs
In: Congrès Français d’Acoustique, CFA 2018 ; https://hal.archives-ouvertes.fr/hal-02008980 ; Congrès Français d’Acoustique, CFA 2018, Apr 2018, Le Havre, France. pp.1249-1255 (2018)
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13
Le contrôle des instruments chanteurs
D'Alessandro, Christophe; Feugère, Lionel; Perrotin, Olivier. - : Société Française d'Acoustique, 2018
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14
Adjusting the Frame: Biphasic Performative Control of Speech Rhythm
In: Proceedings of Interspeech 2017 ; https://hal.sorbonne-universite.fr/hal-01672232 ; Proceedings of Interspeech 2017, Aug 2017, Stockholm, Sweden. pp.864-868 (2017)
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15
Vokinesis: Syllabic Control Points For Performative Singing Synthesis ...
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Vokinesis: Syllabic Control Points For Performative Singing Synthesis ...
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17
Vocal effort modification for singing synthesis
In: INTERSPEECH 2016 ; Annual Conference of the International Speech Communication Association (INTERSPEECH 2016) ; https://hal.archives-ouvertes.fr/hal-01712564 ; Annual Conference of the International Speech Communication Association (INTERSPEECH 2016), Sep 2016, San Francisco, United States. pp.1235-1239, ⟨10.21437/Interspeech.2016-1096⟩ (2016)
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18
Emergence de la vocalité : la glossolalie et le musical
In: colloque L’émergence en musique : dialogue des sciences ; https://hal.archives-ouvertes.fr/hal-01712656 ; colloque L’émergence en musique : dialogue des sciences, 2016, Université de Versailles Saint Quentin, France (2016)
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19
Seeing, listening, drawing: interferences between sensorimotor modalities in the use of a tablet musical interface
In: ISSN: 1544-3558 ; ACM Transactions on Applied Perception ; https://hal.sorbonne-universite.fr/hal-01672241 ; ACM Transactions on Applied Perception, Association for Computing Machinery, 2016, 14 (2), pp.1 - 19. ⟨10.1145/2990501⟩ (2016)
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20
Target Acquisition vs. Expressive Motion: Dynamic Pitch Warping for Intonation Correction
In: ISSN: 1073-0516 ; EISSN: 1557-7325 ; ACM Transactions on Computer-Human Interaction ; https://hal.sorbonne-universite.fr/hal-01672238 ; ACM Transactions on Computer-Human Interaction, Association for Computing Machinery, 2016, 23 (3), pp.17. ⟨10.1145/2897513⟩ (2016)
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