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Michel Vovelle. Une biographie intellectuelle
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In: ISSN: 0003-4436 ; EISSN: 1952-403X ; Annales historiques de la Révolution française ; https://hal-ens-lyon.archives-ouvertes.fr/ensl-03255644 ; Annales historiques de la Révolution française, Armand Colin, 2021, 2021-2 (404), pp.23-35 ; https://www.cairn.info/revue-annales-historiques-de-la-revolution-francaise-2021-2-page-23.htm (2021)
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Political Corrections: The Revolutionary Context and English Retranslations of Johann Georg Zimmermann’s Vom Nationalstolze [On National Pride] (1768)
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Tarkka, Laura. - : Association canadienne de traductologie, 2021. : Érudit, 2021
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Berta Lasks 'Die Befreiung' (1926): Betrachtungen zum Verhältnis von Frausein und Revolution
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In: GENDER - Zeitschrift für Geschlecht, Kultur und Gesellschaft ; 13 ; 1 ; 124-137 (2021)
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An “empire” without imperialism? A study of the Soviet-colonial dialectic from the October Revolution to its defeat
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La langue politique et la Révolution française. L’univers discursif des notions-concepts
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In: https://hal-ens-lyon.archives-ouvertes.fr/ensl-02525667 ; 2020 (2020)
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El lenguaje político y la Revolución francesa : el universo discursivo de las nociones-conceptos
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In: El Mundo en Movimento. El concepto de Revolución en Iberoamérica y el Atlantico norte (siglos XVII-XX) ; https://hal-ens-lyon.archives-ouvertes.fr/ensl-02533153 ; Wasserman, Fabio. El Mundo en Movimento. El concepto de Revolución en Iberoamérica y el Atlantico norte (siglos XVII-XX), Miño y Davila Editores, pp.71-102, 2019, Crisis y nacimientos, 978-84-17133-55-9 (2019)
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Pour une fin des analogies : « gouvernement révolutionnaire » et « état d'exception » dans la Révolution française
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In: L’exception politique en révolution. Pensées et pratiques (1789-1917) ; https://hal-ens-lyon.archives-ouvertes.fr/ensl-02275569 ; Biard, Michel; Ducange, Jean-Numa. L’exception politique en révolution. Pensées et pratiques (1789-1917), Presses universitaires de Rouen et du Havre, pp.16-24, 2019, Changer d'époque, 979-10-240-1297-1 ; http://grhis.univ-rouen.fr/grhis/?p=14917 (2019)
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Le temps du dialogue. Michel Vovelle (1933-2018)
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In: ISSN: 0003-4436 ; EISSN: 1952-403X ; Annales historiques de la Révolution française ; https://halshs.archives-ouvertes.fr/halshs-02555491 ; Annales historiques de la Révolution française, Armand Colin, 2019, 2019/1, pp.17-19 (2019)
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Рожденные революцией: мемы революционной эпохи в языке и культуре современности ... : Born by the Revolution: Memes of the Revolution in the Language and Culture of the 21st Century ...
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Herbert marcuse's repudiation of dialectics: From reason and revolution to one-dimensional thinking
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In: Science and Society, vol 82, iss 3 (2018)
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Michel Foucault et le moment dynastique: de l'Ancien Régime à la Révolution française
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In: ISSN: 1967-7499 ; EISSN: 2492-7457 ; Ecrire l'histoire ; https://hal.archives-ouvertes.fr/hal-01952011 ; Ecrire l'histoire, CNRS Editions, 2018 ; https://journals.openedition.org/elh/1203 (2018)
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Hervé Leuwers, Robespierre, Fayard, 2014, 458 pages ; Jean-Clément Martin, Robespierre. La fabrication d’un monstre, Perrin, 2016, 364 pages [CR de lecture]
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In: ISSN: 0994-4524 ; EISSN: 1969-6728 ; Actuel Marx ; https://hal.archives-ouvertes.fr/hal-01878466 ; 2018, ⟨10.3917/amx.064.0208⟩ (2018)
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Serge Bianchi, Marat. « L’Ami du peuple », Paris, Belin, 2017, 410 pages [CR de lecture]
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In: ISSN: 0003-4436 ; EISSN: 1952-403X ; Annales historiques de la Révolution française ; https://hal.archives-ouvertes.fr/hal-01878125 ; 2018 (2018)
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Fatzer: revolução e contrarrevolução na Alemanha ; Fatzer: Revolution and Counter-revolution in Germany
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Mantovani, Pedro. - : Biblioteca Digital de Teses e Dissertações da USP, 2018. : Universidade de São Paulo, 2018. : Faculdade de Filosofia, Letras e Ciências Humanas, 2018
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The Mind of the New Socialist Student in the Chinese Revolutionary Imagination, 1949-1958
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Forces of Chaos and Anarchy: Rock Music, the New Left and Social Movements, 1964 to 1972
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Abstract:
This dissertation engages an unresolved debate on the rock aesthetic in New Left Review, between Perry Anderson and David Fernbach while pointing toward a new dialectical social theory with which to analyze cultural form in general and music in particular. The debate was in the first instance methodological, formal/technical vs. lyrical contextual analysis. Within this methodological debate we see inscribed the misunderstanding the sixties New Left had of the sixties counterculture, and thus the conditions of possibility for a missed encounter. Rock music was neither a direct instantiation of the times, as Anderson implies, nor was it an entirely new form that must be schematized sui generis with a new set of axioms, as suggested by Fernbach. Indeed, it was both and then some. In engaging this debate, I use canonical figures of the era as my primary case studies as well as what I call my excursions miniature analyses that capture the broader point I am making in my cognitive mapping of the cultural production of the long sixties. From this projects standpoint, it was the Left that missed an encounter with the counterculture, not the counterculture that missed an encounter with the Left. To continue this engagement, I have deployed what I have called a theory of the missed encounter. I engage what could have taken place, that is to say, if the implicit metaphysical and practical connection between rock music culture and the Left had been consummated, by examining why this could not have taken place, why there was a missed encounter. As against the more commonly theorized Popular Front and Punk eras which I stipulate as consummated encounters, the sixties, aesthetically and politically did not coalesce in the same sense. The Missed Encounter, for me, is a heuristic, a point-of-departure. I presume, thus, with my own analysis that once one goes beyond mythology, a missed encounter is readily apparent. The purpose of my rethinking of the rock music canon is not positivist proof of a missed encounter, rather it is to formulate the sixties question through the premises of its existence.
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Keyword:
Affect Theory; American History; Beach Boys; Black Panthers; Bob Dylan; British History; Communications Studies; Critical Theory; Cultural Studies; Culture and Society; Ellen Meiksins Wood; Frankfurt School; Grateful Dead; Jewish Mysticism; Left History; Leon Trotsky; Louis Althusser; Lukacs; Marx; Marxism; Marxist Theory; Max Shachtman; Modernism; Music; Music History; Musicology; Occult; Philosophy; Phish; Political Economy; Political Marxism; Political Science; Political Theology; Pop Culture; Popular Front; Postmodernism; Psychedelic History; Queer Theory; Realism; Revolution; Rosa Luxemburg; Shachtman; Social History; Social Movements; Social Reproduction; Soviet History; The Beatles; The Kinks; The Rolling Stones; The Who; Trotskyism; Utopia; Velvet Underground; Vladimir Lenin; Walter Benjamin
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URL: http://hdl.handle.net/10315/34468
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Pratiques de catégorisation et jeunesse en régime totalitaire. Le cas de la Hongrie (1948-1956)
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In: EISSN: 1769-7425 ; Glottopol ; https://hal.archives-ouvertes.fr/hal-01574627 ; Glottopol, Université de Rouen, Laboratoire Dylis, 2017, pp.90-110 ; http://glottopol.univ-rouen.fr/index.html (2017)
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Mediating Gesture in Theory and Practice ... : Geste als Medium in Theorie und Praxis ...
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The Organic Composition of Big Mama
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In: Sociology Publications (2017)
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Ideologies of Arab Media and Politics: a Critical Discourse Analysis of Al Jazeera Debates on the Yemeni Revolution
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