| 1 |
Theater and Peacebuilding in Post-Conflict Settings: Participants’ Experiences in the Morning Star Theater Program in South Sudan
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In: Antioch University Full-Text Dissertations & Theses (2022)
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| 2 |
Vedantic Basis and Praxis of the Integral Advaita of Sri Aurobindo
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In: Monsoon: South Asian Studies Association Journal (2022)
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| 3 |
Tusha Hiti: The Origin and Significance of the Name
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In: Monsoon: South Asian Studies Association Journal (2022)
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| 4 |
Diversity, Equity, and Inclusion: Perspectives from Contemporary India and 6th Century Jain Yoga
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In: Monsoon: South Asian Studies Association Journal (2022)
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| 5 |
Ganges in Indian Sculpture and Literature: Mythology and Personification
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In: Monsoon: South Asian Studies Association Journal (2022)
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| 6 |
Digital and Spatial Humanities Mapping: Eurasia-Pacific Early Trade and Belief Linkages
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In: Monsoon: South Asian Studies Association Journal (2022)
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| 7 |
UNO at Edinburgh: Devised Physical Theatre in Cross-Cultural Contexts
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In: Student Research and Creative Activity Fair (2020)
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| 8 |
Cinematic Representation of Ethnic Minorities in PRC and Postcolonialism
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In: CLCWeb: Comparative Literature and Culture (2020)
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| 9 |
Why I Write in Yiddish
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In: CLCWeb: Comparative Literature and Culture (2020)
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| 10 |
Poetry in Response to the “Disengagement Plan”: Identity, Poetics and Politics
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In: CLCWeb: Comparative Literature and Culture (2020)
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Abstract:
This article will examine the corpus of poems written in the years 2004-2005, in response to the Israeli government’s Disengagement plan that unilaterally evacuated all Israeli communities from Gush Katif in the southern Gaza Strip. These poems are explored as a political speech act, whose purpose is to bring about an extra-linguistic outcome: to impact upon the feelings and thoughts of the addressees, as well as to influence them in relation to issues of identity and social affiliation. Indeed, these poems are part of a long and complex tradition of Hebrew political poetry, characterized not only by a response to political events but also by poets’ attempts to inspire change and shape attitudes—particularly regarding political issues that have moral implications. In this context of this tradition of political poetry, it could be assumed that the poetry written in response to the Disengagement plan would seek to participate in the extensive public protest and to bring about political change. I will argue, however, that this poetry was not political poetry, which sought to bring about an actual pragmatic change, but rather a type of political poetry that sought instead to confront and to process the implications of the anticipated political reality on an Israeli citizen’s identity and consciousness.
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Keyword:
American Studies; and Sexuality Studies; Arts and Humanities; Comparative Literature; culture and sociology; Disengagement plan; Education; European Languages and Societies; Feminist; Film and Media Studies; Gender; Modern Literature; Other Arts and Humanities; Other Film and Media Studies; political poetry; protest poetry; Reading and Language; Rhetoric and Composition; Social and Behavioral Sciences; Television; the Mashiv Haruah group; Theatre and Performance Studies
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URL: https://docs.lib.purdue.edu/clcweb/vol22/iss1/4
https://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=3699&context=clcweb
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| 11 |
Readymade or Made [to be] Ready, Replicant or Surplus: Social Reproduction and the Biopolitics of Abstraction Prefigured in Contemporary Art
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In: CLCWeb: Comparative Literature and Culture (2020)
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| 12 |
Kofifi/Covfefe: How the Costumes of "Sophiatown" Bring 1950s South Africa to Western Massachusetts in 2020
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In: Masters Theses (2020)
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| 13 |
Moon Over Buffalo Playbill
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In: Playbill and Promotion (2019)
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| 14 |
The Performance of Racialized Bodies and Brecht’s Operatic Anthropology
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In: World Languages and Cultures Publications (2019)
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| 15 |
The lighting programmer as creative collaborator
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In: Behind the Scenes: Journal of Theatre Production Practice (2019)
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| 16 |
On Editing Jacinto Cordeiro's Los doce de Ingalaterra
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2019)
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| 17 |
Constructed Languages and Their Role in Drama
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In: Honors Theses and Capstones (2019)
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| 18 |
Pura Belpré’s Puppetry at the NYPL Children’s Rooms: 1921-1982
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In: Living Objects: African American Puppetry Essays (2019)
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| 19 |
Subjectivity, Institutions and Language in Contemporary Israeli Film
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In: CLCWeb: Comparative Literature and Culture (2019)
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| 20 |
Mimicry: A Short Play
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In: Journal of Southeast Asian American Education and Advancement (2019)
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