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Immersive Experience: Evoking the Elements of Contemplative Space in Japanese Architecture ...
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Corr, Brian. - : The Australian National University, 2018
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Abstract:
This research project investigates the creation of immersive contemplative viewing experiences within my visual arts practice by identifying and adapting the fundamental elements of Japanese contemplative space into my aesthetic and conceptual lexicon. Contemplative experience is an intrinsic aspect of the human experience which has become increasingly scarce in this age of perpetual overstimulation and increasing secularisation. The primary goal of the research project is to provide a significant opportunity for new audiences to engage in meaningful contemplative experience informed by the centuries-old principles of yūgen 幽玄, ma 間, and hikari to kage 光と影 within Japanese architecture. The studio-based research first explores the creation of contemplative objects constructed with glass, followed by a series of maquettes of potential immersive contemplative environments. The research culminates with the immersive installation, Lux Mandala, which utilises the material characteristics of glass microspheres to ...
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Keyword:
Brian Corr; contemplative space; glass; glory; hikari to kage; immersive environments; installation; Japanese architecture; Lux Mandala; ma; sculpture; Tadao Ando; yūgen
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URL: https://openresearch-repository.anu.edu.au/handle/1885/148884 https://dx.doi.org/10.25911/5d611e85a6c85
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Advanced Subspace Techniques for Modeling Channel and Session Variability in a Speaker Recognition System
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In: DTIC (2012)
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Cognitive Tools for Humanoid Robots in Space
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In: DTIC AND NTIS (2004)
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A Post-Processing Algorithm for Time Domain Pitch Trackers.
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In: DTIC AND NTIS (1983)
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INVESTIGATIONS OF THE CONSTANT GEOMAGNETIC FIELD (ALL-UNION CONFERENCE IN LENINGRAD).
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In: DTIC AND NTIS (1967)
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VOICE COMMUNICATION PROBLEMS IN SPACECRAFT AND UNDERWATER OPERATIONS
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In: DTIC AND NTIS (1966)
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INFLUENCE OF SELECTED VIBRATIONS UPON SPEECH (RANGE OF CPS AND RANDOM)
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In: DTIC AND NTIS (1963)
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