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Health monitoring among asylum seekers and refugees: a state-wide, cross-sectional, population-based study in Germany
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In: Emerging Themes in Epidemiology ; 16 ; 1-21 (2021)
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| 2 |
The MELLIE Project: Intercultural Collaborative Storytelling
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In: Studies in Arts and Humanities ; 4 ; 2 ; 123-133 (2021)
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From Figure to Figure: A Reflection On Telling And Listening
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In: Studies in Arts and Humanities ; 4 ; 2 ; 134-138 (2021)
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Social prescribing for migrants in the United Kingdom: A systematic review and call for evidence.
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| 5 |
Refugees in Canada and Germany: From Research to Policies and Practice
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In: 25 ; GESIS-Schriftenreihe ; 244 (2020)
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Alphabetisierung und Deutscherwerb von Geflüchteten: Deutschkenntnisse und Förderbedarfe von Erst- und Zweitschriftlernenden in Integrationskursen
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In: 1-2018 ; BAMF-Kurzanalyse ; 13 (2020)
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| 7 |
Making Chó bò*: Troubling Việt speak : Collaborating, translating, and archiving with family in Australian contemporary art.
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| 8 |
An Ethnographic Study of Deaf Refugees Seeking Asylum in Finland
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In: Societies ; Volume 9 ; Issue 1 (2019)
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Refugees, Asylum Seekers and Education for Citizenship and Social Justice
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In: School of Interdisciplinary Global Studies Sarasota Manatee Campus Faculty Publications (2016)
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| 11 |
L’emprise de la torture : les troubles langagiers des demandeurs d’asile face aux attentes institutionnelles
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In: Langage et société, N 158, 4, 2016-10-27, pp.89-105 (2016)
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| 14 |
My Share of the Sky: Review 2
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In: RadioDoc Review (2014)
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Abstract:
This documentary by the celebrated Danish producer Rikke Houd, in collaboration with Iranian journalist Sheida Jahanbin, is a work of art. It is also a powerful piece of documentary journalism that measures the pulse of a young couple’s emigration from Iran and their attempts to settle in Norway. The narration by Sheida Jahanbin, our guide to establishing a new life as an asylum seeker, is lent a profound dimension by being choreographed in a sophisticated ‘hocketing’ with the voiced-over translation, which acts as Sheida’s Norwegian voice. This is an inspired device, which also serves as a metaphor in a story about communication, translation and transition. This documentary communicates both the circumstances of how a young couple escapes the horrors of imprisonment, suffering the anguish of exile and difficulties of assimilation, and, remarkably, it conveys the sense of how it feels to endure these trials. It’s both a map of what has to be gone through and a poetic reflection on that migration. There are countless potential narratives in this documentary – relating to history, poetry, activism, social care, personal dislocation – but the achievement of My Share of the Sky is to fulfil all of them. And more. Memory and dream or nightmare carry as much weight as reportage. A yearning for expression saturates this documentary, as is brilliantly encoded into every detail of the production. There is at work here a deeply empathetic intelligence that measures 'how' and 'why' as accurately as 'what'. Through an exemplary use of the unique palette available to the radio feature maker, My Share of the Sky demonstrates how fact and feeling, journalism and art, the everyday and the elevated can dance together in a profound expressive form. The program was a finalist in the Prix Europa 2012. DOWNLOAD FULL REVIEW (2,200 words) AND EMBEDDED AUDIO CLIPS at ‘Download’ icon top right of page.
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Keyword:
asylum seeker; Audio Arts and Acoustics; Digital Humanities; European Languages and Societies; hocket; Iran; Norway; Radio; radio documentary
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URL: https://ro.uow.edu.au/rdr/vol1/iss2/11
https://ro.uow.edu.au/cgi/viewcontent.cgi?article=1025&context=rdr
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| 15 |
Kritik der Urteilskraft - wie die Asylprüfung Unentscheidbares in Entscheidbares überführt
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In: Migration steuern und verwalten: Deutschland vom späten 19. Jahrhundert bis zur Gegenwart ; 12 ; IMIS-Schriften ; 423-458 (2012)
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| 16 |
'Race', Nation and Belonging in Ireland
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In: Irish Journal of Applied Social Studies (2011)
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