Page: 1... 5 6 7 8 9 10 11 12 13... 25
| 161 |
CHILCHILA THUMDO DANCE DESCRIBING HEORISM ; CHILCHILA_THUMDO_20151218-005 ; Documenting narrations of personal experiences of the process of initiation into manhood in Terik language of Kenya
|
|
MWALIMU SUM. - : Benson Oduor Ojwang, 2015. : Maseno University, 2015
|
|
BASE
|
|
Show details
|
|
|
| 162 |
ENDEBESS THUMDO DANCE PRAISING MOTHERS ; ENDEBESS_THUMDO_20151211-008 ; Documenting narrations of personal experiences of the process of initiation into manhood in Terik language of Kenya
|
|
AMATA DICK. - : Benson Oduor Ojwang, 2015. : Maseno University, 2015
|
|
BASE
|
|
Show details
|
|
|
| 163 |
Writing and dancing the body: from contradiction to complementarity
|
|
|
|
BASE
|
|
Show details
|
|
|
| 164 |
The Spiritual Liberation of Music, Dance, and Ritual: Verbal- Versus Non-Verbal Communication in J. M. Coetzee’s Foe
|
|
Foxcroft, Nigel. - : The Société d'Étude des Pays du Commonwealth / Society for the Study of Commonwealth Countries, 2015
|
|
BASE
|
|
Show details
|
|
|
| 165 |
Instructor interview for Place-Based WAC/WID writing instruction in Hawaiian Studies, clip 9 of 11
|
|
|
|
BASE
|
|
Show details
|
|
|
| 166 |
Paradigms of Communication in Performance and Dance Studies
|
|
|
|
In: CLCWeb: Comparative Literature and Culture (2015)
|
|
BASE
|
|
Show details
|
|
|
| 167 |
Honeybee linguistics : a comparative analysis of the waggle dance among species of Apis
|
|
|
|
BASE
|
|
Show details
|
|
|
| 168 |
Linguistic imperialism : a study of language and yoruba rituals in Wole Soyinka’s Death and the king’s horseman
|
|
|
|
BASE
|
|
Show details
|
|
|
| 169 |
Discussion on Role and Functions of Props in Dance
|
|
|
|
In: Cross-Cultural Communication; Vol 11, No 3 (2015): Cross-Cultural Communication; 110-112 ; 1923-6700 ; 1712-8358 (2015)
|
|
BASE
|
|
Show details
|
|
|
| 171 |
Choreographing a New World: Katherine Dunham and the Politics of Dance
|
|
|
|
Abstract:
This dissertation analyzes the intellectual and political contributions of choreographer Katherine Dunham (1909-2006). As an African American woman, Dunham broke several barriers of race and gender, first as an anthropologist conducting ethnographic fieldwork in the Caribbean in the 1930s, and second as the artistic director of a major dance company that toured the United States, Latin America, Europe, Asia, and Australia from the 1930s through the 1960s. She also wrote several scholarly books and articles, opened multiple schools, and served on the boards of numerous arts organizations. Although Dunham's contributions to anthropology and dance are vitally important, "Choreographing a New World" emphasizes her political engagement. Through actions both onstage and off, she helped strengthen the transnational ties of black social movements from the New Negro Movement to the Black Power Movement. In particular, the dissertation contends that Dunham made dance one of the primary forces in the creation and perpetuation of the African diaspora. She herself attempted to live diaspora by forging personal connections across racial, linguistic, national, class, and cultural borders. In order to shift the focus to Dunham's intellectual and political engagement, "Choreographing a New World" turns to previously untapped archival sources. This dissertation is the first scholarly work on Dunham to examine archives from the U.S. State Department, Office of Economic Opportunity, Bernard Berenson Papers, Rockefeller Foundation Records, Langston Hughes Papers, and Rosenwald Foundation Papers, among other archives. It combines insights from these archives with choreographic analysis, interviews with Dunham's former dancers and students, and embodied participant-observation research at the annual International Katherine Dunham Technique Seminars from 2010 to 2013. Overall, "Choreographing a New World" not only provides a new perspective on Dunham, but also raises important questions about dance as an intellectual and political activity, especially within an African diasporic context.
|
|
Keyword:
African American dance; African Americans; Choreography; Dance; Dance and race; Dance--Political aspects; Dunham; History; Katherine
|
|
URL: https://doi.org/10.7916/D8251G9K
|
|
BASE
|
|
Hide details
|
|
|
| 172 |
The Image as Moving Trace. From the Gestural to the Imagetic Body ; "L’image comme trace en mouvement. Du corps du geste au corps de l’image"
|
|
|
|
In: ISSN: 1720-5298 ; Lexia - Rivista di semiotica ; https://hal.archives-ouvertes.fr/hal-01163498 ; Lexia - Rivista di semiotica, Aracne, 2014, IMMAGINI EFFICACI - Efficacious images, pp.549 - 568 (2014)
|
|
BASE
|
|
Show details
|
|
|
| 173 |
L'image comme trace en mouvement ; L'image comme trace en mouvement: Du corps du geste au corps de l'image
|
|
|
|
In: ISSN: 1720-5298 ; Lexia - Rivista di semiotica ; https://hal-unilim.archives-ouvertes.fr/hal-01148757 ; Lexia - Rivista di semiotica, Aracne, 2014, Immagini efficaci, pp.535-553. ⟨10.4399/978885487680426⟩ ; http://www.aracneeditrice.it/aracneweb/index.php/pubblicazione.html?item=9788854876804 (2014)
|
|
BASE
|
|
Show details
|
|
|
| 175 |
Multiple Intelligences and Dance Education for Young Children
|
|
|
|
BASE
|
|
Show details
|
|
|
| 176 |
Et si la danse pouvait contribuer à développer le vocabulaire de jeunes enfants?
|
|
|
|
BASE
|
|
Show details
|
|
|
| 177 |
KIPTALIL THUMDO THE DANCE OF THE VILLAGE HERO ; KIPTALIL-THUMDO_20141216-001 ; Documenting narrations of personal experiences of the process of initiation into manhood in Terik language of Kenya
|
|
MUSA MOKIT. - : Benson Oduor Ojwang, 2014. : Maseno University, 2014
|
|
BASE
|
|
Show details
|
|
|
| 178 |
GAMBA THUMDO DANCE SHOWING LEADERSHIP SKILLS ; GAMBA-THUMDO_20141220-003 ; Documenting narrations of personal experiences of the process of initiation into manhood in Terik language of Kenya
|
|
KILETE SAMMY. - : Benson Oduor Ojwang, 2014. : Maseno University, 2014
|
|
BASE
|
|
Show details
|
|
|
| 179 |
CHEBILAT THUMDO DANCE PRAISING WARRIORS ; CHEBILAT_THUMDO_20141222-004 ; Documenting narrations of personal experiences of the process of initiation into manhood in Terik language of Kenya
|
|
PATRICK KOECH. - : Benson Oduor Ojwang, 2014. : Maseno University, 2014
|
|
BASE
|
|
Show details
|
|
|
| 180 |
CHEBILAT THUMDO DANCE PRAISING THE FIRST BORN SONS ; CHEBILAT_THUMDO_20141214-010 ; Documenting narrations of personal experiences of the process of initiation into manhood in Terik language of Kenya
|
|
BOYS. - : Benson Oduor Ojwang, 2014. : Maseno University, 2014
|
|
BASE
|
|
Show details
|
|
|
Page: 1... 5 6 7 8 9 10 11 12 13... 25 |
|
