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Quand proférer, c’est faire : resignifications des filles « ingouvernables » chez Josée Yvon, Chloé Savoie-Bernard et Catherine Lalonde
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Abstract:
Fondé sur la force performative de l’injure qui travaille l’écriture de trois poètes québécoises, ce mémoire s’intéresse aux stratégies discursives grâce auxquelles elles renversent la stigmatisation du féminin inscrite dans le discours haineux. Les « fées mal tournées », « plotes de riches », « crisse de folles », « bâtardes », « sorcières » et « chiennes » sont légion dans Filles-commandos bandées (1976) de Josée Yvon, Royaume scotch tape (2015) de Chloé Savoie-Bernard et La dévoration des fées (2017) de Catherine Lalonde. Les poètes font toutes trois entendre des voix qui se réapproprient des injures pour les « resignifier », au sens où l’entend Judith Butler dans Le pouvoir des mots (1997). À la fois injuriées et injurieuses, elles s’emparent du pouvoir qui anime l’insulte pour la dévier, y aménagent des significations inattendues et la transforment même parfois en un lieu positif d’identification. Reprenant à leur compte les injures reçues, les écrivaines les entremêlent aux personnages puissants de l’Amazone, de la sorcière et de la fée, et façonnent des figures qui rejettent les corsets dans lesquels on tente d’enserrer non seulement leur corps, mais également leur discours. Parfois violentes, vulnérables, souffrantes ou effrayantes, ces « filles » brillent d’une souveraine irrévérence. Ainsi, elles apparaissent toutes comme des incarnations de la « femme ingouvernable » (1995) de Kathleen Rowe, symbole d’insoumission. Emportés par les affects qui les habitent, leurs corps excessifs, désirants, désacralisés et parfois grotesques, voire abjects, sont traversés de pulsions et de fantasmes violents. Ce mémoire se penche donc sur les manières dont les « filles » d’Yvon, de Savoie-Bernard et de Lalonde s’approprient le pouvoir de la colère et, en se positionnant entre vulnérabilité et ingouvernabilité, se font à la fois menaçantes et rassembleuses. ; Based on the performative force of insults that shapes the writing of three Quebec poets, this dissertation explores the discursive strategies through which they reverse the stigmatization of women embedded in injurious speech. Such vocabulary as “fées mal tournées”, “plotes de riche”, “crisse de folles”, “bâtardes”, “sorcières” and “chiennes” is plentiful in Filles-commandos bandées (1976) by Josée Yvon, Royaume scotch tape (2015) by Chloé Savoie-Bernard and La dévoration des fées (2017) by Catherine Lalonde. The poets all create voices that reclaim insults in order to “re-signify” them, as Judith Butler conceives in Excitable Speech (1997). Being both the insulted and the insulting, they seize the power that animates insults to deflect them, endowing them with unexpected meanings and transforming them into neutral and even positive terms of identification. Taking up the insults received, the writers intertwine them with the powerful characters of the Amazon, the witch and the fairy, and shape figures who reject the corsets that enclose not only their body, but also their speech. These “girls”, at times violent, vulnerable, suffering or frightening, all shine with sovereign irreverence. In that, they appear to be incarnations of Kathleen Rowe’s Unruly Woman (1995), a symbol of insubordination. Carried away by the affects that inhabit them, their excessive, desiring, desacralized and sometimes grotesque, even abject bodies, are filled with impulses and violent fantasies. This research thus examines the ways in which the “girls” of Yvon, Savoie-Bernard and Lalonde appropriate the power of anger and, positioning themselves between vulnerability and ungovernability, reveal themselves as both threatening and unifying.
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Keyword:
contemporary Quebec poetry; écriture des femmes; études de genre; feminism; féminisme; femme ingouvernable; gender studies; injure; insult; linguistic performativity; Literature - Canadian / Littérature - Canadienne (UMI : 0355); performativité langagière; poésie québécoise contemporaine; unruly woman; women’s writing
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URL: http://hdl.handle.net/1866/25063
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| 42 |
The influence of culture and family towards the decision to pursue study abroad: a case study of Malaysian public universities
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Trust and commitment in maintaining marriage among teachers in commuting marriage in Kota Kinabalu Sabah
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Víctimas y victimarios de feminicidio en el lenguaje de la prensa escrita mexicana
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In: Comunicar: Revista científica iberoamericana de comunicación y educación, ISSN 1134-3478, Nº 63, 2020, pags. 51-60 (2020)
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Ecological Crisis And Exploitation Of Women in Margaret Atwood’s Surfacing
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In: Journal Polingua: Scientific Journal of Linguistics, Literature and Education, Vol 9, Iss 2, Pp 59-64 (2020) (2020)
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The Image of Bedouin Woman in European Travelogue Literature in 19th
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Post-reform gender politics : how do Chinese internet users portray Theresa May on Zhihu
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A social constructionist approach to female entrepreneurs' media representation and experiences in Saudi Arabia
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Por una geopolitica feminista de la traduccion : escritoras (gallegas) traducidas en el mercado editorial britanico
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Castro, Olga. - : Universitat de Barcelona * Grup de Recerca Consolidat sobre Estudis de Traduccion y Multiculturalitat, 2020
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‘Seeing’ the women, peace and security agenda : exploring the visual (re)production of WPS through UK Government National Action Plans
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Images and imagination : automated analysis of priming effects related to autism spectrum disorder and developmental language disorder
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Love as mission: the senses of marriage in the female mail of Myrna/Nelson Rodrigues ; O amor como missão: os sentidos do casamento no correio feminino de Myrna/Nelson Rodrigues
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TRANSITIVITY ANALYSIS OF AFGHAN WOMEN IN ÅSNE SEIERSTAD’S THE BOOKSELLER OF KABUL
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Contribution of family risk, emergent literacy and environmental protective factors in children’s reading difficulties at the end of second-grade
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Las violaciones en Haití : aspectos psicológicos y sociológicos de los delitos sexuales
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Положение женщины в обществе: основные этапы эволюции темы в драматургии Г.А. Джонса ... : Principal Stages of Theme «Woman’s Position in the Society» Evolution in H.A. Jones’ Works ...
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Factors Influencing Social Media Usage in the US
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