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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Page: 1 2 Hits 1 – 20 of 39 1 Study of central exclusive [Image: see text] production in proton-proton collisions at [Formula: see text] and 13TeV Sirunyan, A. M.; Tumasyan, A.; Adam, W.... In: Eur Phys J C Part Fields (2020) BASE Show details 2 New Perspectives on the Aging Lexicon Wulff, D. U.; De Deyne, S.; Jones, M. N.. - : Elsevier, 2019 BASE Show details 3 Leave No Trace and crafting: Are you being crafty and careful? North CJ; Jones M; Moore D. - 2017 BASE Show details 4 Search for dark matter produced in association with heavy-flavor quark pairs in proton-proton collisions at [Formula: see text] Sirunyan, A. M.; Tumasyan, A.; Adam, W.. - : Springer Berlin Heidelberg, 2017 BASE Show details 5 The language of leadership in Laos Jones, M.; Connell, J.; Case, P.. - : Sage, 2017 BASE Show details 6 Institutional shareholder activism in Nigeria: An accountability perspective Uche, C.; Adegbite, E.; Jones, M.. - : Elsevier, 2016 BASE Show details 7 Reflexive ethnographic research practice in multilingual contexts Martin-Jones, M.; Martin, D.; Andrews, J.. - : Routledge, 2016 BASE Show details 8 What automaticity deficit? Activation of lexical information by readers with dyslexia in a RAN Stroop-switch task Snowling, M; Jones, M; Moll, K In: Symplectic Elements at Oxford ; Added by author ; ORA review team (2015) BASE Show details 9 The Feasibility of Using Acoustic Markers of Speech for Optimizing Patient Outcomes during Randomized Amplitude Variation in Deep Brain Stimulation: A Proof of Principle Methods Study. Vogel, AP; McDermott, HJ; Perera, T. - 2015 BASE Show details 10 Woody Allen’s (Post) Modern Nostalgia Games: The Critical Rhetoric of Cinema as Time Machine Llinares, Dario. - : MacFarland Press, 2015 Abstract: The films of Woody Allen often indulge in flights of the temporal imagination. This regularly takes the form of a central character’s self-reflexive, critical examination of past experiences laced with a tone of nostalgic reminiscence. In Annie Hall (1977) Alvy Singer’s “overactive imagination” presents an exaggerated childhood set under the Coney Island rollercoaster and populated by movie star lookalikes, demonic teachers and idiosyncratic family members. We get to accompany Alvy and Annie as they figuratively stroll through her encounters with her past boyfriends and turning points in their relationship. Such moments are also often tied aesthetically to an idealised vision of New York, a city that, for Allen, seems to represent an eternal anchoring point for both his emotional and cinematic identity. These romanticised incursions into the past cannot be defined as time-travelling in a technical sense, but are a rhetorical device that facilitates existential musings into memory which, in turn, psychologically contextualise actions or feelings taking place in the present. In not conforming to a realist logic of time and space this allows a playful and often contradictory exploration of the fundamental subjectivity of reminiscences - highlighting that in film, as in life, the past is a construction of unreliable fragments. In this chapter, however, I want to focus on two of Allen’s films in which the protagonists are represented as going through a physical journey of time travel. Sleeper employs a generic time-travel device: Allen is frozen in cryostasis and awoken in the future, facilitating a parody of the science-fiction through formal homage to the silent slapstick of Buster Keaton. In Midnight in Paris time-travelling is a rather more fantastically whimsical affair: while drunkenly flâneuring round the nocturnal streets of Paris, Allen’s screen surrogate, Owen Wilson, is magically transported back to the 1920s where he encounters the greats of modernist art and literature. Both films, one through form and the other through content, paradoxically offer, on the one hand, a critique of naïve romanticism and the artistic mindset that tends towards nostalgic idealisation. Yet, on the other, they deploy and even amplify his familiar tendency for the loving recreation of time, place and mood, which thus feed emotional needs of the characters. Using the postmodernist line of Jameson and Hutcheon, who explore the contradictory dynamics of parody in the installing and undermining of artistic originality, this chapter explores Allen’s time-travelling double-play of critical examination and nostalgic longing. I will analyse the dialectics created by the time-travel scenarios in Sleeper and Midnight in Paris, discussing how they operate through a dialogue with past art and cinematic forms, which is simultaneously questioning and reverential. Through this context I will interrogate the ideological confrontation between nostalgia and parody though Allen’s use of time-travel as a cinematic mechanism, and, in turn, argue that his representations of existential anxieties reflect the human condition in its fragile relationship to past, present and future. Keyword: P300 Media studies; P303 Film Studies URL: http://eprints.brighton.ac.uk/15593/1/Woody_Allen_s_Post_Modern_Nostalgia_Game.pdf http://eprints.brighton.ac.uk/15593/ BASE Hide details 11 Enhancing the postgraduate research culture and community Billot, JM; Jones, M; Banda, M. - : Higher Education Research and Development Society of Australasia (HERDSA), 2013 BASE Show details 12 Studying Language and Society: Contemporary Developments at the Intersection of Sociology and Sociolinguistics Gibb, R; Lambert, P. - : Legenda, 2013 BASE Show details 13 An Introduction to Phonetic Technology Huckvale, MA In: In: Jones, M and Knight, R-A, (eds.) The Bloomsbury Companion to Phonetics. (208 - 226). Bloomsbury Academic: London. (2013) (2013) BASE Show details 14 What does the Nonce Borrowing Hypothesis hypothesize? POPLACK, SHANA; Jones, M. C.; Myers-Scotton, C.... In: Bilingualism. - Cambridge : Univ. Press 15 (2011) 3, 644-648 OLC Linguistik Show details 15 Sign language and the politics of deafness WOLL, B; Adam, R In: In: Martin-Jones, M and Blackledge, A and Creese, A, (eds.) The Routledge Handbook of Multilingualism. (? - ?). Routledge: London UK. (2011) (2011) BASE Show details 16 Remix and reuse of source code in software production Jones, M. Cameron. - : University of Illinois at Urbana-Champaign, 2010 BASE Show details 17 Criminology in the professions: turning academic benchmarks into employability skills Jameson, Jill; Strudwick, Katie; Bond-Taylor, Sue. - : Centre for Sociology, Anthropology and Politics, 2010 BASE Show details 18 Remix and reuse of source code in software production Jones, M. Cameron. - 2010 BASE Show details 19 Your Life in Their Pocket: Students' Behaviors Regarding Confidential Patient Information Jethwa, S; Bryant, P; Singh, S... In: Family Medicine , 41 (5) 327 - 331. (2009) (2009) BASE Show details 20 Prevalence of anxiety disorders among adults seeking speech therapy for stuttering Iverach, L; O'Brian, S; Jones, M. - : Pergamon, 2009 BASE Show details Page: 1 2

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