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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Page: 1 2 3 4 5...7 Hits 1 – 20 of 121 1 As Elegias de Buckow, de Bertolt Brecht: tempos sombrios depois da guerra Tercio Redondo In: Pandaemonium Germanicum: Revista de Estudos Germanísticos, Vol 24, Iss 44 (2021) (2021) BASE Show details 2 Für sich selbst sprechen : die "dramatischen Romane" des 18. Jahrhunderts Mevissen, Yulia. - Heidelberg : Universitätsverlag Winter, 2020 BLLDB UB Frankfurt Linguistik Show details 3 What Remains: The Practice and Presence of Felix Gonzalez-Torres Yee, Jessica Olivia In: Master's Theses (2020) BASE Show details 4 Encenando a modernização europeia: Toni Erdmann, de Maren Ade Marcos César de Paula Soares; Patrícia de Almeida Kruger In: Pandaemonium Germanicum: Revista de Estudos Germanísticos, Vol 23, Iss 39 (2020) (2020) BASE Show details 5 Modaler Raum der Konditionalität aus kontrastiver Sicht : = Modal spaces of conditionality: contrastive view Kostrova, O. A. In: Studia Germanica Gedanensia. - Gdańsk : Uniw. 41 (2019), 73-83 BLLDB Show details 6 L’Espace Provocateur : Croisements entre le théâtre de Mnouchkine et de Brecht ... : Provocative Space: Intersections between the theatre of Mnouchkine and Brecht ... Mezebish, Sophie. - : Maryland Shared Open Access Repository, 2019 BASE Show details 7 La historització del teatre de Bertolt Brecht Reverendo Mascort, Albert; Gallén Miret, Enric; Universitat Autònoma de Barcelona. Facultat de Filosofia i Lletres. - 2019 BASE Show details 8 El Brecht de Formosa : entre l’escenari eficaç i la concisió poètica ; Brecht by Formosa : between effective staging and poetic conciseness van Lawick, Heike In: Quaderns: revista de traducció; Núm. 26 (2019); p. 93-107 ; 1138-5790 (2019) BASE Show details 9 Brecht gebrauchen Kammler, Clemens (Herausgeber); Brecht, Bertolt. - Seelze : Friedrich, 2017 BLLDB UB Frankfurt Linguistik Show details 10 O cânone traduzido na literatura infantil : uma leitura dialética de Brecht para crianças ; The canon translated in children's literature : a Brecht´s dialectic reading for children Lima, Lia Araujo Miranda de; Sousa, Germana Henriques Pereira de. - : Universidade de Brasília, Programa de Pós-Graduação em Literatura, 2017 BASE Show details 11 The Western Genre and Gun Violence in United States Culture: Using Theatre as a Laboratory for Social Critique Wolfe, Ariella. - 2017 BASE Show details 12 Feliu Formosa: traductor i home de lletres ; Feliu Formosa, translator and man of letters van Lawick, Heike In: Quaderns: revista de traducció; Núm. 24 (2017); p. 117-133 ; 1138-5790 (2017) BASE Show details 13 Bertolt Brecht: Philosophical Inquiry through Epic Theatre Izso, Jaycob In: Student Research Symposium (2016) BASE Show details 14 We Are Standing in the Nick of Time: Translative Relevance in Anne Carson's "Antigonick" Alonso, Michelle In: FIU Electronic Theses and Dissertations (2016) BASE Show details 15 A “didática” nas peças didáticas de Bertolt Brecht: ensino em cena Gonçalves, Natália Kneipp Ribeiro. - : Universidade Estadual Paulista (UNESP), 2016 BASE Show details 16 Der tote Maurer stirbt : Brechts Gedicht "Die Kelle" im Kontext des spanischen Bürgerkriegs Henning, Dieter In: Wirkendes Wort. - Trier : WVT, Wissenschaftlicher Verl. Trier 64 (2014) 2, 203-229 OLC Linguistik Show details 17 A parábola teatral de Bertolt Brecht: tese ou antítese? Grubisich, Teresa Maria. - : Universidade Estadual Paulista (UNESP), 2014 BASE Show details 18 ‘Venturing Beyond’: Ernst Bloch, Bertolt Brecht, and the Utopian Literarization of Production Awbrey, Olivia. - : University of Oregon, 2014 BASE Show details 19 Exhibit A: An Application of Verbatim Theatre Dramaturgy Moore, Melanie K.. - 2013 Abstract: This research-creation thesis describes and analyzes the dramaturgical methodologies of verbatim theatre – a form of documentary theatre that uses transcripts as the dominant source of its dialogue – through the practical exercise of play writing. This paper marks the theoretical component of my thesis, which analyzes both the dramaturgical process and the historical context of my play Exhibit A. Using verbatim transcripts from legal evidence for its dialogue, the play examines the psychology of two teenage boys responsible for the brutal rape and murder of an 18-year-old Canadian woman in 2010. As documentary theatre emphasizes socio-political themes, this thesis considers the dramaturgical, aesthetic, and ethical considerations of verbatim theatre through my experience as a playwright and researcher. Acknowledging both the historical antecedents of documentary theatre and its contemporary examples, this thesis will define an original typology of verbatim theatre entitled the “Subcategories of Verbatim Theatre”. These subcategories are identified as Tribunal, Literary, Historical Drama, Expository and Participatory. Each privileges different types and usages of documents, which are further defined as being primarily related to “text” or “aural” based testimony. The thesis relates the dramaturgical principles of each subcategory to artistic choices made in Exhibit A. A description of the various incarnations of verbatim and documentary theatre, as well as an analysis of my experience as a documentary playwright examines the dramatic representation of reality as highly constructed in this form of theatre where the selection and editing of a documentary play's archive is a creative process that is not dissimilar from the creation of fictional drama. In that sense, the documentary genre can be said to present a dramatic representation of the playwright's subjective version of the truth. Exhibit A thus stands as my creative reconstruction of the evidence presented in the Kimberly Proctor murder trial. Keyword: Bertolt Brecht; documentary theatre; dramaturgy; Erwin Piscator; Naturalism; Peter Weiss; playwriting; psychopathy; theatre; verbatim; verbatim theatre; verbatim theatre subcategories URL: http://hdl.handle.net/10393/24118 BASE Hide details 20 Exhibit A: An Application of Verbatim Theatre Dramaturgy Moore, Melanie K.. - : Université d'Ottawa / University of Ottawa, 2013 BASE Show details Page: 1 2 3 4 5...7

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