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1
Comorbidity and cognitive overlap between developmental dyslexia and congenital amusia
In: ISSN: 0264-3294 ; EISSN: 1464-0627 ; Cognitive Neuropsychology ; https://hal.archives-ouvertes.fr/hal-02158506 ; Cognitive Neuropsychology, Taylor & Francis (Routledge), 2019, 36 (1-2), pp.1-17. ⟨10.1080/02643294.2019.1578205⟩ (2019)
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2
Defining the biological bases of individual differences in musicality
In: The origins of musicality (Cambridge, 2018), p. 221-250
MPI für Psycholinguistik
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3
Neural overlap in processing music and speech
In: The origins of musicality (Cambridge, 2018), p. 205-220
MPI für Psycholinguistik
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4
Réactions des bébés au chant et à la parole : impacts sur l’attention et l’affect
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5
Fear across the senses: brain responses to music, vocalizations and facial expressions
Aubé, William; Angulo-Perkins, Arafat; Peretz, Isabelle. - : Oxford University Press, 2015
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6
Traitement des émotions évoquées par les expressions faciales, vocales et musicales à la suite d’un traumatisme craniocérébral
Drapeau, Joanie. - 2015
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7
Neurobiological, Cognitive, and Emotional Mechanisms in Melodic Intonation Therapy
Merrett, Dawn L.; Peretz, Isabelle; Wilson, Sarah J.. - : Frontiers Media S.A., 2014
Abstract: Singing has been used in language rehabilitation for decades, yet controversy remains over its effectiveness and mechanisms of action. Melodic Intonation Therapy (MIT) is the most well-known singing-based therapy; however, speculation surrounds when and how it might improve outcomes in aphasia and other language disorders. While positive treatment effects have been variously attributed to different MIT components, including melody, rhythm, hand-tapping, and the choral nature of the singing, there is uncertainty about the components that are truly necessary and beneficial. Moreover, the mechanisms by which the components operate are not well understood. Within the literature to date, proposed mechanisms can be broadly grouped into four categories: (1) neuroplastic reorganization of language function, (2) activation of the mirror neuron system and multimodal integration, (3) utilization of shared or specific features of music and language, and (4) motivation and mood. In this paper, we review available evidence for each mechanism and propose that these mechanisms are not mutually exclusive, but rather represent different levels of explanation, reflecting the neurobiological, cognitive, and emotional effects of MIT. Thus, instead of competing, each of these mechanisms may contribute to language rehabilitation, with a better understanding of their relative roles and interactions allowing the design of protocols that maximize the effectiveness of singing therapy for aphasia.
Keyword: Neuroscience
URL: https://doi.org/10.3389/fnhum.2014.00401
http://www.ncbi.nlm.nih.gov/pmc/articles/PMC4040885
http://www.ncbi.nlm.nih.gov/pubmed/24917811
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8
Melodic Intonation Therapy: Back to Basics for Future Research
Zumbansen, Anna; Peretz, Isabelle; Hébert, Sylvie. - : Frontiers Media S.A., 2014
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9
The Combination of Rhythm and Pitch Can Account for the Beneficial Effect of Melodic Intonation Therapy on Connected Speech Improvements in Broca’s Aphasia
Zumbansen, Anna; Peretz, Isabelle; Hébert, Sylvie. - : Frontiers Media S.A., 2014
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10
Les bénéfices du chant dans la réadaptation de l’aphasie
Zumbansen, Anna. - 2014
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11
Développement du chant et profil d'amusie congénitale chez l'enfant
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12
Corrélats neuronaux sous-jacents aux expressions émotionnelles : une comparaison entre musique, voix et visage
Aubé, William. - 2014
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13
Vocal pitch shift in congenital amusia (pitch deafness)
In: Brain & language. - Orlando, Fla. [u.a.] : Elsevier 125 (2013) 1, 106-117
OLC Linguistik
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14
Amusic does not mean unmusical: Beat perception and synchronization ability despite pitch deafness
In: Cognitive neuropsychology. - Abingdon : Routledge, Taylor & Francis Group 30 (2013) 5, 311-331
OLC Linguistik
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15
Pitch discrimination without awareness in congenital amusia: Evidence from event-related potentials
In: Brain and cognition. - San Diego, Calif. [u.a.] : Elsevier Science 81 (2013) 3, 337-344
OLC Linguistik
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16
The “Musical Emotional Bursts”: a validated set of musical affect bursts to investigate auditory affective processing
Paquette, Sébastien; Peretz, Isabelle; Belin, Pascal. - : Frontiers Media S.A., 2013
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17
Amusics can imitate what they cannot discriminate
In: Brain & language. - Orlando, Fla. [u.a.] : Elsevier 123 (2012) 3, 234-239
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OLC Linguistik
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18
Modularity in music relative to speech : framing the debate
In: Language and music as cognitive systems (Oxford, 2012), p. 310-314
MPI für Psycholinguistik
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19
Music, language, and modularity in action
In: Language and music as cognitive systems (Oxford, 2012), p. 254-268
MPI für Psycholinguistik
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20
Musique et langage : spécificités, interactions et associations spatiales
Lidji, Pascale. - 2012
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