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1
Comorbidity and cognitive overlap between developmental dyslexia and congenital amusia
In: ISSN: 0264-3294 ; EISSN: 1464-0627 ; Cognitive Neuropsychology ; https://hal.archives-ouvertes.fr/hal-02158506 ; Cognitive Neuropsychology, Taylor & Francis (Routledge), 2019, 36 (1-2), pp.1-17. ⟨10.1080/02643294.2019.1578205⟩ (2019)
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2
Defining the biological bases of individual differences in musicality
In: The origins of musicality (Cambridge, 2018), p. 221-250
MPI für Psycholinguistik
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3
Neural overlap in processing music and speech
In: The origins of musicality (Cambridge, 2018), p. 205-220
MPI für Psycholinguistik
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4
Réactions des bébés au chant et à la parole : impacts sur l’attention et l’affect
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5
Fear across the senses: brain responses to music, vocalizations and facial expressions
Aubé, William; Angulo-Perkins, Arafat; Peretz, Isabelle. - : Oxford University Press, 2015
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6
Traitement des émotions évoquées par les expressions faciales, vocales et musicales à la suite d’un traumatisme craniocérébral
Drapeau, Joanie. - 2015
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7
Neurobiological, Cognitive, and Emotional Mechanisms in Melodic Intonation Therapy
Merrett, Dawn L.; Peretz, Isabelle; Wilson, Sarah J.. - : Frontiers Media S.A., 2014
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8
Melodic Intonation Therapy: Back to Basics for Future Research
Zumbansen, Anna; Peretz, Isabelle; Hébert, Sylvie. - : Frontiers Media S.A., 2014
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9
The Combination of Rhythm and Pitch Can Account for the Beneficial Effect of Melodic Intonation Therapy on Connected Speech Improvements in Broca’s Aphasia
Zumbansen, Anna; Peretz, Isabelle; Hébert, Sylvie. - : Frontiers Media S.A., 2014
Abstract: Melodic intonation therapy (MIT) is a structured protocol for language rehabilitation in people with Broca’s aphasia. The main particularity of MIT is the use of intoned speech, a technique in which the clinician stylizes the prosody of short sentences using simple pitch and rhythm patterns. In the original MIT protocol, patients must repeat diverse sentences in order to espouse this way of speaking, with the goal of improving their natural, connected speech. MIT has long been regarded as a promising treatment but its mechanisms are still debated. Recent work showed that rhythm plays a key role in variations of MIT, leading to consider the use of pitch as relatively unnecessary in MIT. Our study primarily aimed to assess the relative contribution of rhythm and pitch in MIT’s generalization effect to non-trained stimuli and to connected speech. We compared a melodic therapy (with pitch and rhythm) to a rhythmic therapy (with rhythm only) and to a normally spoken therapy (without melodic elements). Three participants with chronic post-stroke Broca’s aphasia underwent the treatments in hourly sessions, 3 days per week for 6 weeks, in a cross-over design. The informativeness of connected speech, speech accuracy of trained and non-trained sentences, motor-speech agility, and mood was assessed before and after the treatments. The results show that the three treatments improved speech accuracy in trained sentences, but that the combination of rhythm and pitch elicited the strongest generalization effect both to non-trained stimuli and connected speech. No significant change was measured in motor-speech agility or mood measures with either treatment. The results emphasize the beneficial effect of both rhythm and pitch in the efficacy of original MIT on connected speech, an outcome of primary clinical importance in aphasia therapy.
Keyword: Neuroscience
URL: http://www.ncbi.nlm.nih.gov/pubmed/25157222
https://doi.org/10.3389/fnhum.2014.00592
http://www.ncbi.nlm.nih.gov/pmc/articles/PMC4127945
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10
Les bénéfices du chant dans la réadaptation de l’aphasie
Zumbansen, Anna. - 2014
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11
Développement du chant et profil d'amusie congénitale chez l'enfant
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12
Corrélats neuronaux sous-jacents aux expressions émotionnelles : une comparaison entre musique, voix et visage
Aubé, William. - 2014
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13
Vocal pitch shift in congenital amusia (pitch deafness)
In: Brain & language. - Orlando, Fla. [u.a.] : Elsevier 125 (2013) 1, 106-117
OLC Linguistik
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14
Amusic does not mean unmusical: Beat perception and synchronization ability despite pitch deafness
In: Cognitive neuropsychology. - Abingdon : Routledge, Taylor & Francis Group 30 (2013) 5, 311-331
OLC Linguistik
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15
Pitch discrimination without awareness in congenital amusia: Evidence from event-related potentials
In: Brain and cognition. - San Diego, Calif. [u.a.] : Elsevier Science 81 (2013) 3, 337-344
OLC Linguistik
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16
The “Musical Emotional Bursts”: a validated set of musical affect bursts to investigate auditory affective processing
Paquette, Sébastien; Peretz, Isabelle; Belin, Pascal. - : Frontiers Media S.A., 2013
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17
Amusics can imitate what they cannot discriminate
In: Brain & language. - Orlando, Fla. [u.a.] : Elsevier 123 (2012) 3, 234-239
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OLC Linguistik
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18
Modularity in music relative to speech : framing the debate
In: Language and music as cognitive systems (Oxford, 2012), p. 310-314
MPI für Psycholinguistik
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19
Music, language, and modularity in action
In: Language and music as cognitive systems (Oxford, 2012), p. 254-268
MPI für Psycholinguistik
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20
Musique et langage : spécificités, interactions et associations spatiales
Lidji, Pascale. - 2012
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