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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Page: 1 2 3 4 5...10 Hits 1 – 20 of 181 1 Professor Ecos Gespensterkunde: Literaturessay zu "Der ewige Faschismus" von Umberto Eco Dogà, Ulisse In: Soziopolis: Gesellschaft beobachten (2022) BASE Show details 2 Skandalisieren, stereotypisieren, normalisieren : Diskurspraktiken der Neuen Rechten aus sprach- und literaturwissenschaftlicher Perspektive Pappert, Steffen (Herausgeber); Schlicht, Corinna (Herausgeber); Schröter, Melani (Herausgeber). - Hamburg : Helmut Buske Verlag, 2021 UB Frankfurt Linguistik Show details 3 Da concomitância entre direitos humanos e direito: sobre a base fundacional da democracia como um sistema público de direito com caráter antifascista Danner, Leno Francisco; Danner, Fernando In: Griot: Revista de Filosofia ; 21 ; 1 ; 379-409 (2021) BASE Show details 4 An “empire” without imperialism? A study of the Soviet-colonial dialectic from the October Revolution to its defeat Strandlund, Tyson Riel. - 2021 BASE Show details 5 Coros y Danzas: Musical Folklore and Spanish Identity in the Early Franco Regime (1939-53) ... Jordan, Daniel David. - : Apollo - University of Cambridge Repository, 2020 BASE Show details 6 Coros y Danzas: Musical Folklore and Spanish Identity in the Early Franco Regime (1939-53) Jordan, Daniel David. - : University of Cambridge, 2020. : Music, 2020. : Hughes Hall, 2020 BASE Show details 7 The F-Word Frisch, Katrin. - : Humboldt-Universität zu Berlin, 2019 BASE Show details 8 Experiments in Theory: The Transatlantic Development of Social Science and Critical Theory, 1930-1950 Clavey, Charles H.. - 2019 BASE Show details 9 Verdad y muerte. Filosofía frente a cosmovisión en el primer Heidegger (1919-1929) Farrerons Sánchez, Jaume. - : Universitat de Barcelona, 2019 In: TDX (Tesis Doctorals en Xarxa) (2019) BASE Show details 10 Anti-Fascist Aesthetics from Weimar to MoMA: Siegfried Kracauer & the Promise of Abstraction for Critical Theory Seijo, Maxximilian. - : Digital Commons @ University of South Florida, 2019 In: Graduate Theses and Dissertations (2019) BASE Show details 11 The art dialectic in Passolini’s Salò or the the 120 days of Sodom ; La dialéctica del arte en Salò o los 120 días de Sodoma de Pier Paolo Pasolini Álamo Pérez, Isaac; García Amezaga, Nekane In: Matèria. Revista internacional d'Art; No 14-15 (2019); 219-242 ; 2385-3387 ; 1579-2641 (2019) Abstract: In this article we address an analysis of Pier Paolo Pasolini’s Salò or the 120 days of Sodom, a film adaptation of the unfinished novel Les cent-vingt journées de Sodome by the Marquis de Sade. In Salò, Pasolini places the story in a different historical frame —a village close to Salò, headquarters of the Italian Social Republican, the last bastion of fascism (1943-1945)— and turns sadistic sexuality into fascist sexuality as a political allegory against the power structure, a critique he extends to bourgeois democracies and to the society of neoliberal consumption. Our work seeks to analyse the adaptation of the novel to the filmic medium; explore the notion of sexuality as political allegory; and examine the figure of the Pianist, Pasolini’s original contribution. To this end, we focus, on one hand, on Michel Foucault’s and Giogio Agamben’s notion of somatopolitics as government technology of bodies —in its two versions: thanatopolitics and biopolitics— and, on the other hand, on Adorno’s writings, through which we approach the radicalization of enlightenedreason as instrumentalization by totalitarian regimes. Finally, from this perspective, we consider the character of the Pianist and the music she performs in the film as a figure of resistance against power. Her suicide suggests to us a new interpretation of Salò as an allegory of the “death of art” or the impossibility of writing poetry after Auschwitz. ; En Salò (1975), Pasolini presenta un análisis crítico de la sociedad europea neoliberal con la adaptación fílmica de la novela inacabada del Marqués de Sade Les cent-vingt journées de Sodome. Pasolini, situando el argumento en un marco histórico diferente -una villa cercana a Salò, capital de la República Social Italiana, último bastión del fascismo (1943-1945)- propone trazar una cierta continuidad entre la Ilustración, los regímenes totalitarios (nazismo y fascismo) y las democracias neoliberales criticando el ejercicio y abuso del poder por parte de la burguesía. El objetivo de este artículo es considerar desde el punto de vista adorniano la dialéctica del arte en la película, especialmente el papel crítico que ocupa la música, esencial para comprender el sentido global e iluminar una interpretación del contexto histórico a través de la contraposición de un “arte positivo” conectado con la política y el ejercicio del poder, con un “arte negativo” como ejercicio crítico en el que se expresa la angustia del ser humano oprimido en la cultura y que conduce a la Muerte del Arte. Keyword: Adorno; Agamben; análisis audiovisual; audiovisual analysis; biopolítica; biopolitics; critical theory; fascism; fascismo; Foucault; Giorgio Agamben; Marqués de Sade; Michel Foucault; música; musical; Pasolini; Pier Paolo Pasolini; Sade; sexualidad; sexuality; tanatopolítica; Teoría Crítica; thanatopolitics; Theodor Adorno URL: https://revistes.ub.edu/index.php/materia/article/view/27607 https://doi.org/10.1344/Materia2019.14-15.12 BASE Hide details 12 Verdad y muerte. Filosofía frente a cosmovisión en el primer Heidegger (1919-1929) Farrerons Sánchez, Jaume. - : Universitat de Barcelona, 2019 BASE Show details 13 Diskursanalyse von Benito Mussolinis Reden in den Jahren 1918-1943 anhand ausgewählter Beispiele Magnini, Massimiliano. - 2019 BASE Show details 14 Die puristischen Bestrebungen in der Sprachpolitik des italienischen Faschismus Amster, David. - 2019 BASE Show details 15 Developing Middlebrow Culture in Fascist Italy: The Case of Rizzoli’s Illustrated Magazines F. Guidali. - : Universiteit Gent, 2019 BASE Show details 16 Braiding Critical Theory: Frankfurt School and Indigenous Critical Traditions Chewter, Erin. - 2019 BASE Show details 17 How fascism works : the politics of us and them Stanley, Jason. - New York : Random House, 2018 BLLDB UB Frankfurt Linguistik Show details 18 Show me What Democracy Looks Like: Brechtian Dramaturgy and the Modern Protest Theater Gardiner, Victoria. - : eScholarship, University of California, 2018 In: Gardiner, Victoria. (2018). Show me What Democracy Looks Like: Brechtian Dramaturgy and the Modern Protest Theater. UC Santa Cruz: Theater Arts. Retrieved from: http://www.escholarship.org/uc/item/1x68c2rw (2018) BASE Show details 19 The Nation as Hegemonic Project ... Miley, Thomas. - : Apollo - University of Cambridge Repository, 2018 BASE Show details 20 ‘Prochainement: Arizona Jim contre Cagoulard’: framing the future of the Front populaire in Jean Renoir’s Le Crime de Monsieur Lange (1936) Nevin, Barry In: Articles (2018) BASE Show details Page: 1 2 3 4 5...10

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