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Applying Intertextuality to Chinese Traditional Animation Making in a Global Context: Using Jingwei Reclamation as an Example
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Babel, ou l’origine de la parole dispersée ... : Mythe, hypermythe et mythe littéraire ...
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Ganges in Indian Sculpture and Literature: Mythology and Personification
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In: Monsoon: South Asian Studies Association Journal (2022)
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Circe, Medea and Phaedra’s dramatic monologues in Claribel Alegria: neither witches, nor madwomen ; Los monólogos dramáticos de Circe, Fedra y Medea en Claribel Alegría: ni brujas ni locas
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In: Estudios Románicos; Vol. 31 (2022) ; Études Romanes; Vol. 31 (2022) ; Studi Romanici; V. 31 (2022) ; 1989-614X ; 0210-4911 (2022)
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Abstract:
We analyze the renewal of feminine paradigms from the rewriting of myths carried out by Claribel Alegría (1924-2018) in her poetic work. Through the verses of this Nicaraguan-Salvadoran author, we study the representation of various mythical characters, who distance themselves from the dialectics that present the woman in love as a witch and mad, characterized by the use of trickery and for being an irrational person. The voices of Circe, Phaedra and Medea, three women belonging to the tradition of Greco-Roman mythology and genealogically linked, are presented in dramatic monologues that examine the paradigm of the dangerous lover. The absence of previous studies on this topic and its relevance for literary representation of women today justify our contribution. ; Analizamos la renovación de paradigmas femeninos a partir de la reescritura de los mitos llevada a cabo por Claribel Alegría (1924-2018) en su obra poética. A través de los versos de esta autora nicaragüense-salvadoreña, estudiamos la representación de diversos personajes míticos, que se alejan de las dialécticas que presentan a la mujer enamorada como bruja y loca, que utiliza sus malas artes y que es irracional. Las voces de Circe, Fedra y Medea, tres mujeres pertenecientes a la tradición de la mitología grecolatina y vinculadas genealógicamente, se presentan en monólogos dramáticos que revisan el paradigma de la enamorada peligrosa. La ausencia de estudios previos sobre este tema y su relevancia para la representación literaria de la mujer hoy justifican nuestra aportación.
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Keyword:
Claribel Alegría; Classical reception; Dramatic monologue; Enamorada; Feminism; Feminismo; Lover; Mito; Monólogo dramático; Myth; Recepción cl´ásica
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URL: https://doi.org/10.6018/ER.491681
https://revistas.um.es/estudiosromanicos/article/view/491681
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Postmodern rendition of myth in Ashbery's ‘Syringa’ ; Interpretação pós-moderna do mito na ‘Syringa’ de Ashbery
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In: Acta Scientiarum. Language and Culture; Vol 44 No 1 (2022): Jan.-June; e56365 ; Acta Scientiarum. Language and Culture; v. 44 n. 1 (2022): Jan.-June; e56365 ; 1983-4683 ; 1983-4675 (2022)
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Inchoativity at RABEARIVELO ; Inchoativité chez RFABEARIVELO
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In: https://hal.archives-ouvertes.fr/hal-03420135 ; 2021 (2021)
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THE WORD OF THE DEVIL : POSTULATION OF TOTALITY AGAINST ITS PROHIBITION ; LA PAROLE DU DIABLE : POSTULATION DE LA TOTALITÉ CONTRE SON INTERDIT
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In: ISSN: 2706-6312 ; EISSN: 2708-0633 ; Akofena - Revue scientifique des Sciences du Langage, Lettres, Langues & Communication, ; https://hal.archives-ouvertes.fr/hal-03571788 ; Akofena - Revue scientifique des Sciences du Langage, Lettres, Langues & Communication, , L3DL-CI, Université Félix Houphouët-Boigny, 2021 (2021)
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СЕМАНТИЧЕСКАЯ ХАРАКТЕРИСТИКА ИМЕН ЖЕНСКИХ ПЕРСОНАЖЕЙ В КИТАЙСКОЙ МИФОЛОГИИ ... : SEMANTIC CHARACTERISTICS OF NAMES OF FEMALE CHARACTERS IN CHINESE MYTHOLOGY ...
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АНТИЧНЫЙ ШАМАНИЗМ И МИФ У ИСТОКОВ ФИЛОСОФСКО-ПОЭТИЧЕСКОГО ДИСКУРСА ... : ANCIENT SHAMANISM AND MYTH AT THE ORIGINS OF PHILOSOPHICAL AND POETIC DISCOURSE ...
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Shared Poetic and Narrative Diction in Indo-European Epics: A Computational Analysis ...
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THE ART OF SPEAKING ODESSAN: ISAAC BABEL’S ODESSAN PHRASEOLOGISMS AS 'FIXED UNITS OF LINGUISTIC ART' IN TELE-CINEMATIC CONTEXT
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In: Мова; No. 35 (2021) ; Мова; № 35 (2021) ; 2414-9489 ; 2307-4558 (2021)
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Dreadful Dolls: Female Power in Carol Ann Duffy
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In: Linguae &. Rivista di Lingue e Culture Moderne, Vol 19, Iss 2, Pp 71-85 (2021) (2021)
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Myth-biography of a creative act ; Mythe-biographie d'un acte créatif
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In: https://tel.archives-ouvertes.fr/tel-03267094 ; Art et histoire de l'art. Université de Strasbourg, 2020. Français. ⟨NNT : 2020STRAC032⟩ (2020)
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THE MOTIF OF RESURRECTION AND INTERTEXTUALITY ... : МОТИВ ВОСКРЕСЕНИЯ И ИНТЕРТЕКСТУАЛЬНОСТЬ ...
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Lajci, S.. - : Russian Linguistic Bulletin, 2020
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MOTIFS OF WORLD MYTHOLOGY IN THE WORKS OF A.S. PUSHKIN ... : MOTIFS OF WORLD MYTHOLOGY IN THE WORKS OF A.S. PUSHKIN ...
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MODERN STATE OF MYTHOPOETICS DEFINITION COMPREHENSION ; СОВРЕМЕННЫЙ ЭТАП ОСМЫСЛЕНИЯ ДЕФИНИЦИИ «МИФОПОЭТИКА» ; СУЧАСНИЙ СТАН ОСМИСЛЕННЯ ДЕФІНІЦІЇ «МІФОПОЕТИКА»
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In: Humanitarian Education in Technical Universities; № 41 (2020); 85-93 ; Гуманитарное образование в технических высших учебных заведениях; № 41 (2020); 85-93 ; Гуманітарна освіта у технічних вищих навчальних закладах; № 41 (2020); 85-93 (2020)
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Speaking to Say, Not to Lie: The Language of Myth ; Hablar para decir, no para mentir: la lengua del mito
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In: El Futuro del Pasado; Vol. 11 (2020); 151-170 ; 1989-9289 ; 10.14201/fdp.202011 (2020)
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The Quinqui Myth. Memory and Repression of Youth Cultures in the post-Franco Transition ; El mito quinqui. Memoria y represión de las culturas juveniles en la transición postfranquista
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In: Kamchatka. Revista de análisis cultural.; Núm. 16 (2020): Quinquis, yonkis y pandilleros. Imaginar, representar, contar la marginalidad urbana; 11-53 ; 2340-1869 (2020)
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