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Translating Le coup de la girafe: A Register Analysis of Fictional Orality
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2 |
Negotiating a Punctuated Landscape: A Study of Asyndetic Translation Based on Relevance Theory
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Masson, Renée. - : Université d'Ottawa / University of Ottawa, 2018
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Traduction officielle, minorité et complexités sociolinguistiques : les enjeux de la traduction au Nouveau-Brunswick
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Translation and Chaos: Poetry Translators' Agency in a Non-Hegemonic Network. A Digital Humanities Approach.
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From Acadian to Africadian, Translation and Analysis of Georgette LeBlanc’s Amédé: A Case Study in Translating Sociolect
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Dow, Eric. - : Université d'Ottawa / University of Ottawa, 2018
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6 |
Des canadiens français aux québécois : se nommer à l’épreuve du territoire?
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7 |
On Beş Köpek, Turkish Translation and Analysis of André Alexis's Modern Fable Fifteen Dogs
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8 |
Humour as a Political Tool: Translating Stories from Sherman Alexie's Ten Little Indians into Turkish
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Translating and Representing Citizens’ Quotations of the Syrian Humanitarian Disaster in English-Language Newspapers: A Narrative Approach
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Jaber, Fadi. - : Université d'Ottawa / University of Ottawa, 2017
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11 |
“LEGALLY BINDED AND LINGUISTICALLY BOUNDED: THE QUIJOTE, FORBIDDEN SEX AND THE LAW IN TRANSLATION”
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Charron, Marc. - : Негосударственное высшее профессиональное образовательное учреждение Уральский гуманитарный институт, 2013
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Translation and Analysis of Suzanne Myre’s Short Story Collection Mises à mort: A Case Study in Translating the Short Story Cycle
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Abstract:
In translation studies, the short story cycle has been largely overlooked as an object of study in prose translation. This thesis serves as a case study on the practice of translating the short story cycle, using my translation of Suzanne Myre’s 2007 short story collection Mises à mort as a paradigm. The thesis comprises four sections: the first is devoted to a discussion of the short story cycle, a modernist form of the short story collection. It is a hybrid subgenre, balancing elements of both the traditional short story collection, characterized by heterogeneity, and the novel, characterized by homogeneity. In this first section, I examine a few definitions of the cycle, then I discuss the subgenre according to a four-part criteria established by Gerald Lynch: ‘character,’ ‘place,’ ‘theme’ and ‘style or tone.’ In the second section, I provide an analysis of Mises à mort within the framework of short story cycle criteria; an examination of the characters, setting, overarching themes and stylistic parallels serves to demonstrate how and why I ultimately interpreted the collection as a short story cycle. The third section is my complete translation of the work. In the fourth and final section, I discuss what implications my interpretation of Mises à mort as a cycle had for my translation thereof, and what unique challenges it presented. I compare my first draft, produced in the mindset that I was translating a traditional collection, to my final draft, revised to accommodate the cohesiveness of the work. This thesis serves to demonstrate how a translator can accommodate for the dual nature of the short story cycle, simultaneously maintaining the discreteness and interconnectedness of the stories.
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Keyword:
Literary translation; Mises à mort; short story cycle; short story cycle translation; Suzanne Myre; translation studies
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URL: https://doi.org/10.20381/ruor-2928 http://hdl.handle.net/10393/24019
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13 |
*Translation and the Bouchard-Taylor Commission: Translating Images, Translating Cultures, Translating Québec
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14 |
Traduire la "dominicanidad" de Junot Diaz dans "The Sun, the Moon, the Stars" et "Wildwood"
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Parent, Diane. - : Université d'Ottawa / University of Ottawa, 2013
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15 |
Translation as a Catalyst for the Russification of Ukrainian under Imperial and Soviet Rule
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