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Dubbing ...
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Abstract:
This entry is concerned with dubbing as a modality of audiovisual translation. Here, our main objective is to present a thorough analysis of dubbing, taking into account every aspect that influences the entire process, including historical, professional, technical and contextual elements. For this purpose, we start by defining dubbing and delimiting its regular use and standardised processes in the main ‘dubbing countries’, as these nations are commonly known. We then describe the most important characteristics of dubbing with special emphasis on the aspects related to the synchronisation stage, which, in our opinion, is the phase that best characterises this modality and distinguishes it from any other. This phase is based on striking a balance among the different types of synchrony (character, content and visual synchrony, i.e., lip sync, kinetic synchrony, and isochrony). We present some of the most common translation problems, which have the greatest influence on the final choice of linguistic elements ...
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URL: https://zenodo.org/record/6366359 https://dx.doi.org/10.5281/zenodo.6366359
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Traductologie, terminologie et traduction
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In: https://hal.archives-ouvertes.fr/hal-03161204 ; Classiques Garnier, 2021, Collection Translatio, 978-2-406-11223-5 ; https://classiques-garnier.com/ (2021)
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A Plurilingual Approach to English Language Teaching from an Ecological Perspective: An international comparative study
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In: TDX (Tesis Doctorals en Xarxa) (2020)
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Diseño de un programa de subtitulación de vídeos pedagógicos
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In: TDX (Tesis Doctorals en Xarxa) (2019)
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Coger el toro por los cuernos vs. den Stier bei den Hörnern packen: análisis contrastivo de la competencia fraseológica de los jóvenes españoles y alemanes
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In: TDX (Tesis Doctorals en Xarxa) (2015)
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La importància de la variació lingüística en la traducció
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In: Quaderns: revista de traducció; 1998: Núm.: 2; 83-95 (1998)
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