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Measuring sign complexity: Comparing a theory-driven and a data-driven approach.
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In: ISSN: 1868-6354 ; Laboratory Phonology : Journal of the Association for Laboratory Phonology ; https://hal.archives-ouvertes.fr/hal-03509734 ; Laboratory Phonology : Journal of the Association for Laboratory Phonology, De Gruyter, In press (2022)
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When eleven does not equal 11: Investigating exactness at a number’s upper bound
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In: PLoS One (2022)
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Domain-initial effects on C-to-V and V-to-V coarticulation in French: A corpus-based study
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In: ISSN: 0095-4470 ; EISSN: 1095-8576 ; Journal of Phonetics ; https://hal.archives-ouvertes.fr/hal-03497631 ; Journal of Phonetics, Elsevier, 2021, 87, pp.101057. ⟨10.1016/j.wocn.2021.101057⟩ (2021)
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Processing of Prosody and Semantics in Sepedi and L2 English
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In: ISSN: 0090-6905 ; EISSN: 1573-6555 ; Journal of Psycholinguistic Research ; https://halshs.archives-ouvertes.fr/halshs-03082244 ; Journal of Psycholinguistic Research, Springer Verlag, 2021, 50 (3), pp.681-706. ⟨10.1007/s10936-020-09746-z⟩ (2021)
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A bio-inspired geometric model for sound reconstruction
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In: ISSN: 2190-8567 ; Journal of Mathematical Neuroscience ; https://hal.archives-ouvertes.fr/hal-02531537 ; Journal of Mathematical Neuroscience, BioMed Central, 2021, 11 (1), pp.2. ⟨10.1186/s13408-020-00099-4⟩ (2021)
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Revealing pragmatic processes through a one-word answer: When the French reply Si
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In: ISSN: 0749-596X ; EISSN: 1096-0821 ; Journal of Memory and Language ; https://hal.archives-ouvertes.fr/hal-03494087 ; Journal of Memory and Language, Elsevier, 2021, 120, pp.104245. ⟨10.1016/j.jml.2021.104245⟩ (2021)
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An auditory cortex model for sound processing
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In: Geometric Science of Information ; GSI 2021: Geometric Science of Information ; https://hal.archives-ouvertes.fr/hal-03160486 ; GSI 2021: Geometric Science of Information, Jul 2021, Paris, France. ⟨10.1007/978-3-030-80209-7_7⟩ ; https://gsi2021.site.calypso-event.net/ (2021)
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Durational effects of boundaries in Italian fricatives
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In: Proceedings of the 12th International Seminar on Speech Production (ISSP2020) ; International Seminar on Speech Production (ISSP 2020) ; https://hal-univ-paris.archives-ouvertes.fr/hal-03431859 ; International Seminar on Speech Production (ISSP 2020), Dec 2020, New Haven, CT, United States. pp.118 - 121 (2020)
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Why is gemination contrast prevalently binary? Insights from Moroccan Arabic
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In: Radical: A journal of Phonology ; https://hal.archives-ouvertes.fr/hal-02369162 ; Radical: A journal of Phonology, 2019 (2019)
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Processing focus and accent across dialects.
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In: Proceedings of the19th International Congress of Phonetic Sciences (ICPhS), ; The 19th International Congress of Phonetic Sciences (ICPhS) ; https://hal.archives-ouvertes.fr/hal-02925402 ; The 19th International Congress of Phonetic Sciences (ICPhS), Aug 2019, Melbourne, Australia. pp. 2272-2276 (2019)
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Less predictable and faster : Predictability and duration in Embedding and Sisterhood
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Prosody of classic garden path sentences: The horse raced faster when embedded
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In: Proceedings of the The 9th Conference of Speech Prosody ; The 9th Conference of Speech Prosody ; https://hal.archives-ouvertes.fr/hal-02925400 ; The 9th Conference of Speech Prosody, Jun 2018, Poznań, Poland. pp. 284-288 (2018)
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Speech Style Effects on Local and Non-local Coarticulation in French
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In: Studies on Speech Production (11th International Seminar, ISSP 2017, Tianjin, China, October 16-19, 2017, Revised Selected Papers) ; https://hal.archives-ouvertes.fr/hal-02427702 ; Studies on Speech Production (11th International Seminar, ISSP 2017, Tianjin, China, October 16-19, 2017, Revised Selected Papers), pp.121-133, 2018, ⟨10.1007/978-3-030-00126-1_12⟩ (2018)
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Doubler les consonnes en chant baroque français : un cas de gémination expressive ?
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In: Actes des 32èmes Journées d’Études sur la Parole ; XXXIIe Journées d’Études sur la Parole ; https://hal.archives-ouvertes.fr/hal-01858422 ; XXXIIe Journées d’Études sur la Parole, Jun 2018, Aix-en-Provence, France. pp.19-27, ⟨10.21437/JEP.2018-3⟩ ; https://jep2018.sciencesconf.org/ (2018)
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Abstract:
International audience ; Doubling the consonants in French Baroque singing: Is it a case of expressive gemination? What are the acoustic cues of consonant doubling, a technique mainly described in the 18th century in French vocal baroque music, for expressive purposes? Do these markers assimilate to gemination? We recorded 5 Baroque singers producing a song by Lully in speech and song modalities, with and without consonants doubling. The analysis of the duration of the doubled consonants compared to that of the word of these 50mn productions was carried out, then analyzed statistically according to the modality (sung vs. spoken), the condition (with vs. without doubling) and the type of consonant ((/s,f,v/, /l,m/, /r/, and /p,t,k,b,d,g/). Our results show a significant increase in the relative consonantal duration with the doubling, especially for singing, but varying XXXIIe Journées d'Études sur la Parole 4-8 juin 2018, Aix-en-Provence, France according to the singer and the type of consonant. In singing and in speech, the preceding vowel is shorter when it is followed by a doubled consonant than when it is not. MOTS-CLES : doublement consonantique, gémination, chant baroque, français, expressivité. ; Quels sont les marqueurs acoustiques du doublement de consonnes, technique décrite au XVIII ème siècle en musique baroque vocale française, à des fins expressives ? Ces marqueurs s'assimilent-ils à la gémination ? Nous avons enregistré 5 chanteurs baroques produisant un air de Lully en parole et chant, sans et avec doublement consonantique. La durée des consonnes doublées rapportée à celle du mot de ces 50mn de productions a été mesurée, puis analysée statistiquement en fonction de la modalité (chanté vs. parlé), de la condition (avec doublement vs. sans doublement) et du type de consonne (/s,f,v/, /l,m/, /r/, et /p,t,k,b,d,g/). Nos résultats montrent une augmentation significative de la durée relative consonantique avec le doublement, surtout pour le chant, mais variant selon le chanteur et le type consonantique. En chant et parole, la voyelle précédente est plus courte quand elle est suivie d'une consonne doublée que quand elle ne l'est pas.
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Keyword:
[SHS.ART]Humanities and Social Sciences/Art and art history; [SHS.LANGUE]Humanities and Social Sciences/Linguistics; Baroque vocal technique; chant baroque; consonant doubling; doublement consonantique; expressivité; expressivity; français; French; gémination
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URL: https://hal.archives-ouvertes.fr/hal-01858422/document https://hal.archives-ouvertes.fr/hal-01858422 https://doi.org/10.21437/JEP.2018-3 https://hal.archives-ouvertes.fr/hal-01858422/file/Pillot%20Schweitzer%20et%20al.%20JEP%202018.pdf
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16 |
Prosody of classic garden path sentences : The horse raced faster when embedded
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Non-local temporal adjustments caused by length contrasts: the case of Japanese
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In: Phonetics and Phonology in Europe 2017: PaPE 2017 ; https://halshs.archives-ouvertes.fr/halshs-01735014 ; Phonetics and Phonology in Europe 2017: PaPE 2017, Jun 2017, Cologne, Germany (2017)
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Speech-style based effects on local and non-local coarticulation in French
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In: Proceedings of the 11th International Seminar on Speech Production (ISSP) conference (2017) ; https://hal.archives-ouvertes.fr/hal-02436291 ; Proceedings of the 11th International Seminar on Speech Production (ISSP) conference (2017), Oct 2017, Tianjin, China (2017)
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How are four-level length distinctions produced? Evidence from Moroccan Arabic
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In: INTERSPEECH 2017 ; https://hal.archives-ouvertes.fr/hal-01686019 ; INTERSPEECH 2017, Aug 2017, Stockholm, Sweden, France (2017)
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