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ЧАНД МУЛОҲИЗА ДАР БОРАИ ЯК ВОҲИДИ ФРАЗЕОЛОГӢ ... : SOME CONSIDERATIONS CONCERNING ONE PHRASEOLOGICAL UNIT ...
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Новые данные о речевом дыхании по результатам онлайновой магнитно-резонансной томографии легких ... : New data on speech breathing upon results from online Magnetic Resonance Imaging ...
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USING A “PROSING POEM” STRATEGY IN TEACHING POETRY IN THE EFL CONTEXT OF INDONESIA
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In: TEFLIN Journal, Vol 33, Iss 1, Pp 201-219 (2022) (2022)
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Poets, poetry and poeticism in Balzac’s work ; Poètes, poésie et poéticité dans l'oeuvre d'Honoré de Balzac
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In: https://tel.archives-ouvertes.fr/tel-03470368 ; Linguistique. Université de Lyon, 2021. Français. ⟨NNT : 2021LYSE2039⟩ (2021)
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Rhyming in the context of the phonological awareness of pre-school children ; Rima v kontekstu fonološke ozaveščenosti predšolskih otrok
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In: CEPS Journal 11 (2021) 1, S. 115-138 (2021)
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Rhyming in the context of the phonological awareness of pre-school children ... : Rima v kontekstu fonološke ozaveščenosti predšolskih otrok ...
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СЕМАНТИКА БЕЛОГО ЦВЕТА В СТИХОТВОРЕНИИ Р. РОЖДЕСТВЕНСКОГО «КЛАДБИЩЕ ПОД ПАРИЖЕМ» ... : ON THE SEMANTICS OF WHITE COLOR IN R. ROZHDESTVENSKY'S "A CEMETERY NEAR PARIS" ...
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ТЕМА РОДИНЫ И ПРИРОДЫ КАК ДОМИНАНТА ПОЭЗИИ ДЖАБРАИЛА АЛБАКОВА ... : THE THEME OF HOMELAND AND NATURE AS THE DOMINANT OF DZHABRIL ALBAKOV’S POETRY ...
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ТЕМА РОДИНЫ И НАРОДА В ПОЭТИЧЕСКОМ МИРЕ САИДА ЧАХКИЕВА ... : THE THEME OF THE MOTHERLAND AND THE PEOPLE IN THE POETIC WORLD OF SAID CHAKHKIEV ...
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Gêneros textuais no palco da sala de aula : reflexões a partir de um projeto de leitura e escrita no Ensino Fundamental
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La poesía de Julio Martínez Mesanza: un ejemplo de épica en la actualidad
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HOPELESSNESS IN J. C. DAWN'S SELECTED POEMS
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In: Language Literacy: Journal of Linguistics, Literature, and Language Teaching, Vol 5, Iss 1, Pp 213-220 (2021) (2021)
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Typographical Voices: Poetic Reflections on the Pātea Freezing Works
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Convergencia de circunstancias en el asentamiento de la expresión del poema extenso en Cuba, Puerto Rico y la República Dominicana
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In: ISSN: 1023-0890 ; istmica ; https://hal.archives-ouvertes.fr/hal-03581369 ; istmica, université du Costa Rica 2020 (2020)
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Le Tombeau de Vasco ... : Sur Au seul souci de voyager de Mallarmé ...
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ФОНЕТИЧЕСКАЯ КОНСТРУКЦИЯ И ПРЕДМЕТНО-ЛОГИЧЕСКОЕ ЗНАЧЕНИЕ СЛОВА В ВОКАЛЬНОМ ПРОИЗВЕДЕНИИ ... : Phonetic construction and subject-logical meaning of a word in a vocal work ...
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Nothing Orphic, Nothing Foreign
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In: UNLV Theses, Dissertations, Professional Papers, and Capstones (2020)
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Abstract:
Nothing Orphic, Nothing Foreign is a serial long poem in three parts grounded in the narration of a lyric “I,” the never singular, always multifarious, voice operating out of the depersonalization and distancing felt in the work of language-centered writing and the expressionism of Conceptual poetry. This lyric “self” establishes the self-similarity of the work in its continual patterning and rephrasing that express the constantly shifting depths of focus, tonal registers, modes of expression, and compositional strategies. The poem is a mosaic, a constellation, where the lyric “you” becomes an estranged figure, seen but unheard, heard but unseen, distant and yet forever close, moments shared shatter through the interpretive grasping of the mind or the cracks and crevices in the nature of language itself. The dissertation draws on the innovative traditions stemming out of Modernism, specifically the historical consciousness showcased in the orientation to and utilization of the past in the work of Eliot, Pound, and Zukofsky, where the differing citations and allusions are constantly slipping between the authentic and the satirical. Nothing Orphic, Nothing Foreign presents a layering through language of the mediation between consciousness and the natural world; where interpretation of the event or object removes the experiencer from the experience, affirming an exhilarating and inspiring epistemological skepticism which finds its reconciliation in reaching toward the Divine. The appearance of order and randomness and their interaction, both thematically and compositionally, continually separate and unite the commonness and authenticity of expression in natural speech, the codification of written language, and, ultimately, the transcendence of silence.
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Keyword:
Conceptual poetry; English Language and Literature; Lyric; Serial long poem
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URL: https://digitalscholarship.unlv.edu/thesesdissertations/3897 https://digitalscholarship.unlv.edu/cgi/viewcontent.cgi?article=4901&context=thesesdissertations
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El árabe “yā” (یا) y su uso en castellano medieval. Problemas de interpretación y traducción ; The arabic “yā” (یا) and its use in medieval Spanish. Problems of interpretation and translation
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