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Spanish Dialectal Variation in the Foreign Language Classroom: Students' Attitudes, Instructors' Beliefs and Teaching Practices, and Treatment of Variation in Textbooks
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Spanish Dialectal Variation in the Foreign Language Classroom: Students' Attitudes, Instructors' Beliefs and Teaching Practices, and Treatment of Variation in Textbooks
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Microplanning and Linguistic Realization for Natural Language Generation in a Biomedical Domain
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Puerto Rican Bilingual Professionals Parents: Their Expectations, Motivations, and Practices in Support of their Children's Education and Their Perceptions of Their Children's School.
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Mining API Specifications from Source Code for Improving Software Reliability
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Design of Etiquette for Patient Robot Interaction in a Medicine Delivery Task
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Bodies Upon the Gears: Late Capitalism and Middle-Class Radicalism in the United States, 1960-1980.
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Bilingualism, Wage Differentials and the Minimum Wage--Three Essays in the Economics of Labor and Health
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Latino English in North Carolina: A Comparison of Emerging Communities
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Early Elementary School Predictors of a Learning Disability in Reading
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Understanding Paul Laurence Dunbar: A Life and Career in Context
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Hardware-Software Codesign of a Large Vocabulary Continuous Speech Recognition system.
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The Satanic Self in Chaucer, Milton, and Beckett
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Abstract:
The Satanic self is the autonomous, linguistically constructed subject who cannot support itself but who rebels against any external support. According to Foucault, the autonomous subject should be reconsidered as a function of discourse. This anxiety over the autonomous and autonymous subject is not new, but has antecedents far back in literary history. Chaucer's The Pardoner's Tale, The Parson's Tale, Milton's Paradise Lost, and Beckett's The Unnamable recapitulate the historical progress of the development and decline of the self-authoring subject, a progress of dislocation of significance from—in order—objects, language, and finally the subject itself. The first two writers show how to avert what Anthony Low calls the "disastrous fall into nihilistic subjectivity," while the third can present no such redemption. The withdrawl of meaning through profane kenosis is inextricably linked to the long, slow disappearance of God from Western European cultural consciousness. The rejection of God is the rejection of the traditional grounds of Western subjectivity.
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Keyword:
Anthony Low; Canterbury Tales; confession; fall of man; Geoffrey Chaucer; God; identity; John Milton; linguistically constructed self; meaning; medieval; Michel Foucault; modernism; Paradise Lost; Pardoner's Tale; Parson's Tale; postmodernism; renaissance; Samuel Beckett; Satan; self; significance; St. Augustine; subjectivity; The Unnamable; Thomas Aquinas
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URL: http://www.lib.ncsu.edu/resolver/1840.16/2495
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The (De)Evolution of the Irish Anti-hero from Oisin's Fabled Isle to McDonagh's Lonesome West
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Common Irregularity: Comparative Analysis of the Use of Irregular Verb Forms Across Vernacular Dialects
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It's Greek to Me: The Politics and Shape of Greek-American Identity
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Regional /o/ in North Carolina: A Cartographic Analysis of a Feature of the Southern Vowel Shift
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