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Emotions, corpus, enseignement
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In: Séminaire DIPRALANG ; https://hal.archives-ouvertes.fr/hal-03622247 ; Séminaire DIPRALANG, Jovan Kostov; Elodie Lang, Jan 2022, Montpellier, France (2022)
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La cançó improvisada: una eina per fomentar la interculturalitat a l’aula de CLE ; La canción improvisada: una herramienta para fomentar la interculturalitat en el aula de CLE
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In: Teixir xarxa, fer camí. Aportacions presentsal futur de la catalanística ; https://hal.archives-ouvertes.fr/hal-03525964 ; Teixir xarxa, fer camí. Aportacions presents al futur de la catalanística, pp.77-91, 2022 (2022)
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#Bittersweet: Positive, negative, and mixed emotions in twitter posts ...
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Выражение эмоций грамматическими средствами японского языка: особенности изучения ... : Representation of emotions by grammar in Japanese language: features of its study ...
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Women and Emotional Variabilities: Reading of the Delicate Complexes 'Subjecting Asha-Binodini' in Tagore's Chokher Bali ...
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Women and Emotional Variabilities: Reading of the Delicate Complexes 'Subjecting Asha-Binodini' in Tagore's Chokher Bali ...
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| 10 |
Linking Categorical and Dimensional Approaches to Assess Food-Related Emotions
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In: Foods; Volume 11; Issue 7; Pages: 972 (2022)
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| 11 |
Tearas Feollon: Tears and Weeping in Old English Literature
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In: Humanities; Volume 11; Issue 2; Pages: 54 (2022)
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Abstract:
This contribution surveys the range of images of weeping in Old English literature, concentrating particularly on weeping due to suffering, grief and unhappiness, and on tears of compunction, but examining other types of weeping as well, including supplicatory and sympathetic weeping (these latter are found in prose but not in poetry). Taking account of contemporary theory, the study understands weeping to be a physical manifestation of distress, but also to function as a social gesture, as reflected in the circumstance that most weeping in Old English is public rather than private. It is noted that saints do not normally weep in the literature despite the suffering they typically endure, and also that in traditional Old English poetry weeping is seen as not appropriate for men, or at least for men in the prime of life. Some of the most interesting instances of weeping in Old English, however, are to be found in episodes that appear to contradict or problematize such expectations, as is illustrated by the examination of a number of relevant examples. The references to weeping cited in this study are in the majority of cases based on Latin models, and reflect the wider Christian literary tradition in the early Middle Ages, rather than being specific to Anglo-Saxon England; but, in both religious and secular works, Old English writers are shown to be thoughtful and imaginative in their treatment of weeping and to deploy images of it to forceful emotive effect.
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Keyword:
Anglo-Saxon culture; emotions; hagiography; Latin literature; medieval Christian tradition; Old English literature; Old English poetry; Old English prose
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URL: https://doi.org/10.3390/h11020054
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| 12 |
Affective State Recognition in Livestock—Artificial Intelligence Approaches
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In: Animals; Volume 12; Issue 6; Pages: 759 (2022)
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The Natural, Artificial, and Social Domains of Intelligence: A Triune Approach
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In: Proceedings; Volume 81; Issue 1; Pages: 2 (2022)
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| 14 |
Emotion and Reason in Political Language
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In: The Economic Journal, 132 (643) (2022)
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Aproximaciones de la relación entre estados emocionales y felicidad ... : Approchement to the relationship between emotions and happiness ...
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Loyalty and Secret Intelligence: Anglo-Dutch Cooperation during World War II
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In: Politics and Governance ; 6 ; 4 ; 159-167 ; Interdisciplinary Approaches to Studying Emotions within Politics and International Relations (2022)
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Reduced cross-modal affective priming in the L2 of late bilinguals depends on L2 exposure.
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| 20 |
Correlação entre traços de personalidade e emoções de realização com engajamento e desempenho em MOOCS
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