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Hits 4.021 – 4.038 of 4.038
4021 |
Personality patterns and psycholinguistic differences in response to music
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4023 |
Music perception with current signal processing strategies for cochlear implants
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4024 |
Quantitative analysis of the relationship between linguistic tones and melody in jingju using music scores
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4025 |
Information extraction for knowledge base construction in the music domain
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4026 |
A rule-based approach to extracting relations from music tidbits
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4028 |
In my name and the name of all people who live in misery: rap in the wake of revolution in Tunisia and Egypt
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4029 |
Carn Mor de Chlachan Beaga, A Large Cairn from Small Stones: Multivocality and Memory in Cape Breton Gaelic Singing
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4030 |
Revealing Our Commonessence: A Collaborative Self-study Involving Choral Music Educators
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4031 |
The Recorded Voice and the Mediated Body in Contemporary Canadian Electroacoustic Music
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4032 |
Stylizing Lives: Selected Discourses in Instrumental Music Education
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4033 |
Mediating between the Humanities and the Sciences: Gadamer on the Inner Voice ; Médiation entre les sciences humaines et les sciences : Gadamer sur la voix intérieure
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4036 |
Musikaren egituraren ulermen gaitasuna eta adimen anitzak ; La competencia de la comprensión estructural en música y las inteligencias múltiples
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4037 |
Audiological and electrophysiological assessment of professional orchestral musicians
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In: Revista CEFAC, Vol 22, Iss 2
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Abstract:
ABSTRACT Purpose: to verify whether the frequent musical exposure can impair peripheral and central auditory pathway responses in professional orchestral musicians. Methods: 45 male individuals from 19 to 40 years old participated in the study. They were divided into two groups: one comprising 30 orchestral musicians who played strings or wind instruments, and another with 15 nonmusicians. The two groups were submitted to both conventional and high-frequency pure-tone audiometry, transient-evoked otoacoustic emissions, and frequency-following response. The results were subjected to descriptive and inferential statistical analysis, using the one-way ANOVA unmatched samples parametric test, with a 5% significance level. Results: no significant differences were observed between the hearing thresholds in both conventional and high-frequency audiometry and frequency-following response. However, there were statistically significant differences between transient-evoked otoacoustic emission responses, with lower responses to musicians in comparison to the nonmusician group. Conclusion: the results suggest that frequent musical exposure experienced by orchestral musicians can impair the cochlear hair cells’ function. Therefore, audiological monitoring is important to detect subclinical impairments.
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Keyword:
cochlea; electrophysiology; hearing; hearing loss; music; Otorhinolaryngology; P1-1091; Philology. Linguistics; RF1-547
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URL: https://doaj.org/article/f0d37d840d244bf09d2183f9e770fe9a https://doi.org/10.1590/1982-0216/202022216319
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4038 |
Otoacoustic emissions in young adults exposed to drums noise of a college band
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In: Revista CEFAC, Vol 19, Iss 5, Pp 645-653
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