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1
New directions in cognitive grammar and style
Harrison, Chloe (Herausgeber); Giovanelli, Marcello (Herausgeber); Nuttall, Louise (Herausgeber). - Sydney : Bloomsbury Academic, 2021
BLLDB
UB Frankfurt Linguistik
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2
“28 Palestinians Die”:A Cognitive Grammar Analysis of Mystification in Press Coverage of State Violence on the Gaza Border.
Hart, Christopher. - : Bloomsbury, 2021
BASE
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3
Wolfing down the Twilight series: Metaphors for reading in online reviews
Nuttall, Louise; Harrison, Chloe. - : Bloomsbury, 2020
BASE
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4
'The truth is we're watching each other': Voiceover narration as 'split-self' presentation in The Handmaid's Tale TV series
Harrison, Chloe. - 2020
BASE
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5
Cognitive Grammar and reconstrual:Re-experiencing Margaret Atwood's 'The Freeze-Dried Groom'
Harrison, Chloe; Nuttall, Louise. - : John Benjamins, 2019
BASE
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6
Cognitive grammar in stylistics : a practical guide
Giovanelli, Marcello; Harrison, Chloe. - Sydney : Bloomsbury Academic, 2018
BLLDB
UB Frankfurt Linguistik
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7
Re-reading in Stylistics
BASE
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8
Cognitive poetics
In: The Bloomsbury companion to cognitive linguistics (London, 2015), p. 218-233
MPI für Psycholinguistik
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9
Cognitive grammar in literature
Harrison, Chloe (Hrsg.). - Amsterdam [u.a.] : Benjamins, 2014
BLLDB
UB Frankfurt Linguistik
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10
Constructing a text-world for The Handmaid's Tale
Nuttall, Louise. - : John Benjamins, 2014
BASE
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11
Cognitive Grammar in Literature
Harrison, Chloe; Nuttall, Louise; Stockwell, Peter. - : John Benjamins, 2014
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12
Cognitive Poetics
Harrison, Chloe; Stockwell, Peter. - : Bloomsbury, 2014
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13
Cognitive Grammar in Literature
Harrison, Chloe; Stockwell, Peter; Nuttall, Louise. - : John Benjamins, 2014
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14
Conceptual proximity and the experience of war in Siegfried Sassoon’s ‘A working party'
Giovanelli, Marcello. - : John Benjamins, 2014
Abstract: Santanu Das (2007) has argued that the defining characteristics of first-world war poetry are the stark movement away from epic forms, and the refashioning of verse as a type of ‘missive from the trenches’, both of which shift the perspective of the reading experience from distance to proximity. In this chapter, I offer a way of explaining this interpretation both generally, and specifically through analysing Siegfried Sassoon’s (1917) ‘A Working Party’. My analysis focuses on the distribution of complex temporal and atemporal profiles, the texture afforded by reference point relationships and the subsequent authorial manipulation and control over dominions, and the point-of view effects associated with pronoun use. I suggest that paying close attention to these can explain a reading experience that illuminates at close-hand the horrific intimacy of the trench.
URL: https://doi.org/10.1075/lal.17
http://eprints.nottingham.ac.uk/34032/
https://benjamins.com/#catalog/books/lal.17/main
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15
Cognitive poetics
Harrison, Chloe; Stockwell, Peter. - : Bloomsbury Academic, 2014
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