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Anàlisi traductològica i comparada d'una narració cèlebre japonesa, "La tomba de les llumenetes" d'Akiyuki Nosaka
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| 202 |
Found in translation : evolving approaches for the localization of japanese video games
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| 203 |
Anàlisi de l'emissió de sèries d'animació japoneses als mitjans de comunicació catalans
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| 204 |
Más que nombres : analizando las traducciones de los antropónimos de la serie de videojuegos "Animal Crossing"
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| 205 |
Italo Calvino in Japan, Japan in Italo Calvino. A Cross-cultural Encounter
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| 206 |
La Formulación de Peticiones en Correos Electrónicos del Ámbito Profesional Hispano-Japonés
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In: TDX (Tesis Doctorals en Xarxa) (2021)
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| 207 |
Online Pronunciation Tutoring for Japanese Learners of English
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| 208 |
La Formulación de Peticiones en Correos Electrónicos del Ámbito Profesional Hispano-Japonés
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| 209 |
SUGGESTIVNESS OF THE “OFUDESAKI” TEXT: INTENTION OR FORTUITOUSNESS? ; СУГГЕСТИВНОСТЬ ТЕКСТА «ОФУДЭСАКИ»: УМЫШЛЕННОСТЬ ИЛИ СЛУЧАЙНОСТЬ? ; СУГЕСТИВНІСТЬ ТЕКСТУ «ОФУДЕСАКІ»: УМИСНІСТЬ ЧИ ВИПАДКОВІСТЬ?
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In: Opera in linguistica ukrainiana; No. 28 (2021) ; Записки з українського мовознавства; № 28 (2021) ; 2415-7562 ; 2414-0627 (2021)
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| 210 |
A Cross-Linguistic Comparison of Screen Translations of Names in Hayao Miyazaki’s Animated Films ; Передача имен собственных в переводах мультфильмов Хаяо Миядзаки: сопоставительный аспект
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| 211 |
Pilgrimage and spirit possession: Reconnecting senses, discourse and subjectivity on Mt Kiso Ontake
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| 212 |
Postwar Japanese Humor: Dark Humor and Laughter After the Little Boy
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Abstract:
Thesis (Ph.D.)--University of Washington, 2021 ; This dissertation discusses dark humor in postwar Japanese culture, and examines the ways in which humor was used to assuage or avoid cultural trauma. This study provides a framework for understanding normative postwar Japanese literary and mass-media humor, and clarifies the relationship between conventional and dark humor. By looking at three exemplary works of humor, one conventional, one which embraces the superficial aspects of “dark humor,” and one which wholly gives itself over to the chaos of “dark humor” as both a humor-making device and a governing structural principle, this study sheds light on the various humor practices of postwar Japanese written culture.To show how normative humor helped Japanese readers turn away from postwar trauma, this study closely analyzes the seminal four-panel comic Sazaesan. Written by Hasegawa Machiko (1920-1992)– one of Japan’s, if not the world’s, greatest female cartoonists, Sazaesan adroitly depicts the various cultural crises plaguing everyday life in postwar Japan. By consistently availing herself of inclusive punchlines, Hasegawa’s Sazaesan manages to depict conflict without engaging in it. Though she may direct readers’ attention to some specific cultural problem in the first panel, by the fourth she has turned readers towards universally human and broad punchlines. In this way, Hasegawa helped readers in the midst of their crises without undermining political and social systems which allowed these conditions to occur. In his “Lessons in Immorality,” Mishima Yukio (1925-1970) uses shocking punchlines and controversial anecdotes to advocate for an overturning of the order of things. But while Mishima adopts some of the more obvious methods of dark humor – obscenity, cruel humor, shock, and absurdity, in the end he is unable to leverage humor successfully to argue for his vision of a new Japan built with a novel, Mishima-made morality. Last, this study reads Nosaka Akiyuki’s (1930- 2015) The Pornographers as an exemplary work of dark humor. A work which uses humor to undermine contemporary Japanese society, culture, and literature, The Pornographers embraces and humorously depicts the chaos of an unmoored world. Ultimately, Nosaka successfully uses humor to depict the impotence of literature to affect change in reality, and presents a uniquely humorous and pessimistic depiction of postwar Japan.
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Keyword:
Asian languages and literature; Asian literature; Dark Humor; Hasegawa Machiko; Japanese Humor; Mishima Yukio; Nosaka Akiyuki; Postwar Japanese Literature
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URL: http://hdl.handle.net/1773/48150
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«Латынь из моды вышла ныне»: камбун в современной японской школе ; “But Latin’s Not in Fashion Now”. Kanbun at Contemporary Japanese Secondary School
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| 214 |
Japanese perceptual epenthesis is modulated by transitional probability
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| 215 |
Perceived phonological overlap in second-language categories : the acquisition of English /r/ and /l/ by Japanese native listeners
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| 216 |
Using design thinking as an approach to creative and communicative engagement in the English as a Foreign Language (EFL) classroom
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In: Journal of University Teaching & Learning Practice (2021)
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| 217 |
Learning Japanese in Comparison to Romantic and Germanic Languages
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In: Chancellor’s Honors Program Projects (2021)
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| 218 |
An Evaluative Case Study of Japanese Undergraduate Students’ Changes in Intercultural Competence as Learning Outcomes in Malaysia and Thailand
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| 219 |
At the Intersection of Script and Literature: Writing as Aesthetic in Modern and Contemporary Japanese-language Literature
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| 220 |
REALITY AND IDEOLOGY: THE USE OF GENDER INDEXING FEATURES IN REALITY TV
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In: Theses and Dissertations--Linguistics (2021)
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