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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Page: 1 2 3 4 5 Hits 1 – 20 of 95 1 Vedantic Basis and Praxis of the Integral Advaita of Sri Aurobindo Banerji, Debashish In: Monsoon: South Asian Studies Association Journal (2022) BASE Show details 2 Tusha Hiti: The Origin and Significance of the Name Shimkhada, Deepak In: Monsoon: South Asian Studies Association Journal (2022) BASE Show details 3 Diversity, Equity, and Inclusion: Perspectives from Contemporary India and 6th Century Jain Yoga Chapple, Christopher Key In: Monsoon: South Asian Studies Association Journal (2022) BASE Show details 4 Ganges in Indian Sculpture and Literature: Mythology and Personification Rao, Nalini In: Monsoon: South Asian Studies Association Journal (2022) BASE Show details 5 Digital and Spatial Humanities Mapping: Eurasia-Pacific Early Trade and Belief Linkages Sitnikov, Igor; Blundell, David In: Monsoon: South Asian Studies Association Journal (2022) BASE Show details 6 No One Likes Straight Men More Than Other Straight Men Stringer, Sadie In: Georgia Southern University Research Symposium (2022) BASE Show details 7 Theme-based Second Language Learning through Multimodal Experimental Animation Xu, Yuan; Li, Bailu In: Chinese Language Teaching Methodology and Technology (2021) BASE Show details 8 International Bilingual Journal of Culture, Anthropology and Linguistics ... Pal, Patitpaban. - : Open Science Framework, 2021 BASE Show details 9 Amy Street: Story of the Telegram ... Hayes, Alexander. - : figshare, 2021 BASE Show details 10 Amy Street: Story of the Telegram ... Hayes, Alexander. - : figshare, 2021 BASE Show details 11 Criticizing Past and Modern Ideology Through Twisted Comedy Series: A Case of "Comrade Detective" Winczewski, Damian; Czapnik, Slawomir In: Class, Race and Corporate Power (2021) BASE Show details 12 Can you see what I see? Differing perspectives between low and micro-budget filmmakers and film development agencies Fair, James In: Studies in Arts and Humanities ; 5 ; 2 ; 65-79 (2021) BASE Show details 13 Don’t Tell Her: Ancient Buddhist Metaphysics as depicted in Lulu Wang’s “The Farewell” Morgan, Kate In: Far West Popular Culture Association Annual Conference (2021) BASE Show details 14 Cinematic Representation of Ethnic Minorities in PRC and Postcolonialism Lu, Xinyu In: CLCWeb: Comparative Literature and Culture (2020) BASE Show details 15 Why I Write in Yiddish Alkalay-Gut, Karen In: CLCWeb: Comparative Literature and Culture (2020) BASE Show details 16 Poetry in Response to the “Disengagement Plan”: Identity, Poetics and Politics Wolf-Monzon, Tamar In: CLCWeb: Comparative Literature and Culture (2020) BASE Show details 17 Readymade or Made [to be] Ready, Replicant or Surplus: Social Reproduction and the Biopolitics of Abstraction Prefigured in Contemporary Art Mansoor, Jaleh In: CLCWeb: Comparative Literature and Culture (2020) BASE Show details 18 Shopping for Vibrators with my Abuela… #Space #Representation and #Latinidad in @JanetheVirgin Guarino, Maria In: Masters Theses (2020) BASE Show details 19 An Acquaintance of Interest Márquez Todeschini, Diego In: Senior Projects Spring 2019 (2019) BASE Show details 20 An Acquaintance of Interest Márquez Todeschini, Diego In: Senior Projects Spring 2019 (2019) Abstract: An Acquaintance of Interest was born out of the combination of two elements: 1. A love/hate relationship of Latin American politics. Complete with its extremes, and rationale-defying histories. 2. An absolute love for portrayals of political intrigue and espionage in both fiction and non-fiction media. For me, An Acquaintance of Interest serves as a form of release from political impotence. An impotence that fills me in equal terms with anger and hope; anger at the current state of the region, and the unfortunate cast of characters that either by total ignorance, or facetious compliance, promote and perpetuate the worst idiosyncrasies of the Latin American political mindset. And a hope that one day we can overcome these idiosyncrasies, and that we can see past the Cold War-era narratives that still dictate (or rather, are maliciously used to manipulate) the collective subconscious. An Acquaintance of Interest represents freedom from years of internal tension between unbridled political idealism, and acid cynicism: two emotions that perfectly describe my relationship with Latin American politics, and two emotions portrayed by the characters of Lucas and Rodrigo in the film. The narrative of the film was created with these emotions in mind, and mixed with specific sensibilities and forms of the much-beloved espionage and political intrigue genres. Said genres have been vital in my formation as a filmmaker, especially that of the espionage film, which I consider one of the purest forms of cinema, due to the endless possibilities of deception and narrative heft that can be carried out through visual language and dialogue in film. In An Acquaintance of Interest, there are traces of Ian Fleming’s Bond escapism, as well as the complexities and linguistic nuances of John LeCarré. Graham Greene’s Our Man in Havana provides the basic plot through-line, as well as some of the small, specific moments of humour in the film. The results never veer to the campy, adventurous form of a Bond film, but they also do not cross the super bleak, borderline a-cinematic world of Le Carré espionage. It merely attempts to underline the “magical” , as Gabriel Garcia Marquez would put it, qualities of Latin American politics and history: A history of contradictions, deceptions, devotions, and an endless string of “what ifs”, stretching from the Panama Canal, and all of its geopolitical importance, to Ushuaia; a city still reeling from the trauma of the Falklands War. Keyword: Caribbean Languages and Societies; Diego; espionage; Film Production; international intrigue; International Relations; Latin American Studies; Marquez; Other Film and Media Studies; political film; post colonial intrigue; post colonialism; Screenwriting URL: https://digitalcommons.bard.edu/cgi/viewcontent.cgi?article=1099&context=senproj_s2019 https://digitalcommons.bard.edu/senproj_s2019/311 BASE Hide details Page: 1 2 3 4 5

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