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1
Etymology and Identity in the Appendix Tibulliana
Maltby, Robert. - : EUT Edizioni Università di Trieste, 2021
Abstract: The paper investigates the use of etymologising in the Appendix Tibulliana and concludes that its purpose to link the probably late first-century AD author of this work with the great elegists of an earlier generation, namely Propertius, Ovid and, in particular, Tibullus. This etymologising takes place at the level both of common nouns and of proper names, with plays on the fictitious character names Lygdamus, Neaera and Cerinthus. In both cases the practice is firmly anchored in the literary techniques of Tibullus and the other elegists. The manipulation of earlier elegiac etymologising and of the previous literary identities of these character names provides the whole work with a structural unity and a specific chronological focus, and so lends weight to arguments for a single unitary author.
Keyword: Appendix Tibulliana; elegiac poetry; etymology
URL: https://doi.org/10.13137/2464-8760/32057
http://hdl.handle.net/10077/32057
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2
On a Simile in Statius Achilleid 1.178-181 and Its Programmatic Intent ; Su una similitudine in Stazio Achilleide 1.178–181 e suo intento programmatico
In: Myrtia; Vol. 35 (2020): Myrtia; 319-346 ; Myrtia; V. 35 (2020): Myrtia; 319-346 ; 1989-4619 ; 0213-7674 (2020)
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3
Encountering maternal silence: writing strategies for negotiating margins of mother/ing in contemporary Canadian prairie women's poetry
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4
Ahavatuulien armoilla : itkuvirsiä aunuksesta
Virtaranta, Helmi; Virtaranta, Pertti. - Helsinki : Suomalais-Ugrilainen Seura, 1999
MPI-SHH Linguistik
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5
Ah, ha; tumulus, thalamus: two counter-poems, the first, an elegy upon Edward late Earl of Dorset; The second, an epithalamium to the Lord M. of [Dor]chester.
Howell, James, 1594?-1666.. - : London, :: Printed for Humphrey Moseley, and are to be sold at his shop at the Prince's Armes in St Paul's Church-yard.,, 1653. : Ann Arbor, MI, 1653. : Oxford (UK) :: Text Creation Partnership, 1653
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6
Poetry of Lost Loss: a Study of the Modern Anti-Consolatory Elegy.
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