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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Page: 1 2 3 Hits 1 – 20 of 44 1 Idiomatic Through and Through: Metaphor, Translation, and World in Derrida Foster, Evan. - 2018 BASE Show details 2 Barthes : A Biography Samoyault, Tiphaine [Verfasser]; Culler, Jonathan [Verfasser eines Geleitworts]; Brown, Andrew [Übersetzer]. - New York : John Wiley & Sons, 2017 DNB Subject Category Language Show details 3 Literaturtheorie : Eine kurze Einführung Culler, Jonathan [Verfasser]. - Ditzingen : Reclam Verlag, 2014 DNB Subject Category Language Show details 4 Reflexive Figurality In The Poetry Of Blake, Wordsworth, Ashbery And A.R. Ammons Zukovic, Brad. - 2014 BASE Show details 5 Insubordinate Gestures And The Ends Of Life: The Aesthetics Of Gesture In Henri Michaux, CéSar Vallejo, And Diamela Eltit Yannakakis, Paloma. - 2014 BASE Show details 6 Apparatus Poetica: The Question Of Technology In Mid-Twentieth-Century American Poetry Slater, Avery. - 2014 BASE Show details 7 The Sense Of A Beginning: Theory Of The Literary Opening Buch Leander, Niels. - 2012 Abstract: This dissertation is the first comprehensive study in English of the literary opening and its impact on modern literary criticism. It thus fills an astounding gap in Anglo-American criticism, which has neglected openings and instead focused on endings, as exemplified by Frank Kermode's The Sense of an Ending (1967). Through a study of the constant formal challenges of novelistic openings, primarily during modernism, this dissertation illustrates the significance of the opening in literary creation and in literary criticism. Chapter 1 analyses how openings attempt to lend authority from natural beginnings as well as from cosmologies, which leads to the conclusion that the beginning of a story is also a story of the beginning. Chapter 2 examines literary openings more closely from a formal and narrative point of view, thereby outlining a th eory of openings based on linguistic considerations such as pragmatic conventions and cooperative rules. The chapter establishes a taxonomy of openings based on five -signals[DOUBLE VERTICAL LINE] of the opening. In particular, the chapter develops the concept of -perspectival abruptness[DOUBLE VERTICAL LINE], which is to be differentiated from the temporal abruptness known as in medias res. -Perspectival abruptness[DOUBLE VERTICAL LINE] is presented as a tool for the critic and the literary historian to understand the particular nature of modern fiction. Chapter 3 focuses on the modern opening and literature's higher sense of selfawareness. In particular, through discussions of notably Roland Barthes and Edward Said, the chapter investigates how the modern opening has transformed modern criticism through the concept of intertextuality. In chapter 4, Paul Valéry's mockery of the novelistic opening serves to illustrate more concretely the influence of intertextuality on literary openings. The epilogue expounds on the ideological schism between Anglo-American and French criticism with regard to literary openings. It concludes that openings can only be fully understood in their relations to linguistic and literary conventions. The dissertation includes an appendix that outlines the existing criticism on literary openings until today. Keyword: Beginning; Literary opening; Novels URL: https://hdl.handle.net/1813/29432 BASE Hide details 8 That Teenage Feeling: Affect And Queer Adolescence In The Mid-Twentieth Century American Novel Metzler, Jessica. - 2011 BASE Show details 9 Afterword: Theory Now and Again Culler, Jonathan. - : Duke University Press, 2011 BASE Show details 10 Roy Harris: Saussure and his interpreters [Rezension] Culler, Jonathan D. In: Language. - Washington, DC : Linguistic Society of America 82 (2006) 4, 915-918 BLLDB OLC Linguistik Show details 11 Writing and revising the disciplines LaCapra, Dominick (Mitarb.); Rawlings, Hunter R. (Mitarb.); Culler, Jonathan D. (Mitarb.). - Ithaka, NY [u.a.] : Cornell Univ. Press, 2002 BLLDB UB Frankfurt Linguistik Show details 12 Structuralist poetics : structuralism, linguistics and the study of literature Culler, Jonathan D.. - : Routledge, 2002 BLLDB UB Frankfurt Linguistik Show details 13 Philosophy and Literature: The Fortunes of the Performative Culler, Jonathan In: Poetics today. - Durham, NC : Duke Univ. Press 21 (2000) 3, 503-520 OLC Linguistik Show details 14 Philosophy and literature : the fortunes of the performative Culler, Jonathan D. In: Poetics today. - Durham, NC : Duke Univ. Press 21 (2000) 3, 503-519 BLLDB Show details 15 Dekonstruktion : Derrida und die poststrukturalistische Literaturtheorie Culler, Jonathan D.. - Neuausg., 8. - 10. Tsd. - Reinbek bei Hamburg : Rowohlt-Taschenbuch-Verl., 1999 IDS Mannheim Show details 16 Interprétation et surinterprétation Cometti, Jean-Pierre (Übers.); Rorty, Richard (Mitarb.); Eco, Umberto. - Paris : presses Univ. de France, 1996 BLLDB UB Frankfurt Linguistik Show details 17 In defense of overinterpretation Culler, Jonathan In: Interpretation and overinterpretation (Cambridge, 1994), p. 109-123 MPI für Psycholinguistik Show details 18 Interpretation and overinterpretation Eco, Umberto; Rorty, Richard; Culler, Jonathan. - Cambridge : Cambridge University Press, 1994 MPI für Psycholinguistik Show details 19 Interpretation and Overinterpretation Eco, Umberto; Rorty, Richard; Culler, Jonathan... In: The journal of aesthetics and art criticism. - Hoboken, NJ : Wiley 51 (1993) 4, 632-633 OLC Linguistik Show details 20 The structure of complex words Empson, William; Culler, Jonathan. - Cambridge, MA : Harvard University Press, 1989 MPI für Psycholinguistik Show details Page: 1 2 3

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