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    • Centre d'Analyse et de Mathématique sociales (CAMS) (2)
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    • Institut de Recherche et Coordination Acoustique / Musique (IRCAM)-Université Pierre et Marie Curie - Paris 6 (UPMC)-Centre National de la Recherche Scientifique (CNRS)-Institut de Recherche et Coordination Acoustique / Musique (IRCAM)-Université Pierre et Marie Curie - Paris 6 (UPMC)-Centre National de la Recherche Scientifique (CNRS) (2)
    • Nika, Jérôme (2)
    • Représentations musicales (Repmus) (2)
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    • École des hautes études en sciences sociales (EHESS)-Centre National de la Recherche Scientifique (CNRS) (2)
    • ANR-09-SSOC-0068,IMPROTECH,Technologies et musiques improvisées(2009) (1)
    • ANR-12-CORD-0009,INEDIT,INteractivité dans l'Ecriture De l'Interaction et du Temps(2012) (1)
    • ANR-14-CE24-0002,DYCI2,Dynamiques créatives de l'interaction improvisée(2014) (1)
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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Hits 1 – 2 of 2 1 ImproteK: introducing scenarios into human-computer music improvisation Nika, Jérôme; Chemillier, Marc; Assayag, Gérard In: ACM Computers in Entertainment ; https://hal.archives-ouvertes.fr/hal-01380163 ; ACM Computers in Entertainment, 2017, ⟨10.1145/3022635⟩ (2017) BASE Show details 2 Planning Human-Computer Improvisation Nika, Jérôme; Echeveste, José-Manuel; Chemillier, Marc; Giavitto, Jean-Louis In: International Computer Music Conference ; https://hal.archives-ouvertes.fr/hal-01053834 ; International Computer Music Conference, Sep 2014, Athens, Greece ; http://icmc14-smc14.net (2014) Abstract: International audience ; Improvisation intrinsically carries a dialectic between spontaneity/reactivity and long-term planning/organization. This paper transposes this dialectic to interactive human-computer improvisation where the computer has to interleave various generative processes. They require different levels of prior knowledge, and follow a coarser improvisation plan driven by real-time interactions with the musicians. We propose a time-aware extensible architecture allowing the temporal coordination of different improvisation strategies. It integrates various generative strategies capitalizing on the system Improtek into the high-level structure provided by the language associated to the score follower Antescofo. The resulting framework manages the musical events, the triggering of generative processes at different time scales and the declarative specification of improvisation plans driven by the occurrence of complex events. Keyword: [INFO.INFO-AI]Computer Science [cs]/Artificial Intelligence [cs.AI]; [INFO.INFO-DS]Computer Science [cs]/Data Structures and Algorithms [cs.DS]; [INFO.INFO-LG]Computer Science [cs]/Machine Learning [cs.LG]; [INFO.INFO-MM]Computer Science [cs]/Multimedia [cs.MM]; [INFO.INFO-OH]Computer Science [cs]/Other [cs.OH]; [INFO.INFO-SD]Computer Science [cs]/Sound [cs.SD]; [INFO.INFO-TS]Computer Science [cs]/Signal and Image Processing; [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts; Heuristic function construction; Machine Improvisation; Markov processes; Music retrieval; Performing arts; Planning; Programming Language; Real-time system architecture; Scheduling; Sound and Music Computing URL: https://hal.archives-ouvertes.fr/hal-01053834 https://hal.archives-ouvertes.fr/hal-01053834v2/file/NIka_Revised2.pdf https://hal.archives-ouvertes.fr/hal-01053834v2/document BASE Hide details

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