| 21 |
Aproximación neurocinemática al corte como articulador fílmico
|
|
|
|
In: TDX (Tesis Doctorals en Xarxa) (2020)
|
|
BASE
|
|
Show details
|
|
|
| 23 |
Aproximación neurocinemática al corte como articulador fílmico
|
|
|
|
BASE
|
|
Show details
|
|
|
| 24 |
Negative content enhances stimulus-specific cerebral activity during free viewing of pictures, faces, and words
|
|
|
|
BASE
|
|
Show details
|
|
|
| 25 |
Psycholinguistic Features of Representation of Emotions by the Concept of «Fear» ; Психолінгвістичні особливості репрезентації емоцій за допомогою концепту «страх»
|
|
|
|
In: Problems of modern psychology; No. 48 (2020): Problems of modern psychology; 206-227 ; Проблеми сучасної психології; № 48 (2020): Проблеми сучасної психології; 206-227 ; 2663-6956 ; 2227-6246 ; 10.32626/2227-6246.2020-48 (2020)
|
|
BASE
|
|
Show details
|
|
|
| 26 |
Cinematic equivalence in subtitling : a case study of the biographical drama Forever Enthralled
|
|
|
|
BASE
|
|
Show details
|
|
|
| 27 |
From the perspective of the object in semiotics : Deleuze and Peirce
|
|
|
|
BASE
|
|
Show details
|
|
|
| 28 |
"Ew, Ew, the Body!": Submerged Racialization in American 21st-Century Children's Animation
|
|
|
|
BASE
|
|
Show details
|
|
|
| 29 |
A social constructionist approach to female entrepreneurs' media representation and experiences in Saudi Arabia
|
|
|
|
BASE
|
|
Show details
|
|
|
| 30 |
Stranded, Isolated, Cloistered, and Confined: Women Queering Space in Twenty-First Century Italian Cinema
|
|
|
|
BASE
|
|
Show details
|
|
|
| 31 |
Stranded, Isolated, Cloistered, and Confined: Women Queering Space in Twenty-First Century Italian Cinema ...
|
|
|
|
BASE
|
|
Show details
|
|
|
| 32 |
‘I wouldn’t trust no words written down on no piece of paper’: Jim Jarmusch’s Dead Man, Jacques Derrida and the critique of logocentrism
|
|
|
|
BASE
|
|
Show details
|
|
|
| 34 |
'English, motherfucker, do you speak it?': Pulp Fiction and the future of film-philosophy
|
|
|
|
Abstract:
In recent years, film scholars have been increasingly preoccupied with questions as to how films can ‘be’ or ‘do’ or ‘be used for’ philosophy. From the ‘be used for’ position, films are seen as mere examples or jumping-off points to philosophy ‘proper’; from the ‘be’ position, films are seen as philosophy, as simply another form of philosophical argumentation; and from the ‘do’ position, films are seen as examples or illustrations of preexisting philosophical positions/protocols. In this essay, I will operate primarily from the ‘do’ position and explore how Quentin Tarantino ‘does’ ordinary language philosophy. Renowned for his innovative and influential dialogue, I intend to shine a light on a neglected aspect of Tarantino’s writing style and examine, with reference to the work of ordinary language philosophers such as Ludwig Wittgenstein, J.L. Austin, and Stanley Cavell, the argumentative protocols discernible in Pulp Fiction (1994). More specifically, I will analyze the famous ‘foot massage argument’, utilizing such concepts as ‘projective imagination’ and ‘explaining the syntactics’ versus ‘demonstrating the semantics’, in the hopes of indicating the fecundity of the continued study of Tarantino’s justly famous dialogue. I also intend to broaden my investigation to consider, in light of responses to this material during the IFVCR Network conference and in light of current discussions within film studies, the disciplinary implications vis-à-vis film-philosophy of conducting such ordinary language investigations of dialogue and communication in film.
|
|
Keyword:
B Philosophy (General); GV Recreation Leisure; NX Arts in general; PE English; PN1993 Motion Pictures
|
|
URL: http://orca.cf.ac.uk/119835/1/bb%20Barrowman.pdf
https://jomec.cardiffuniversitypress.org/articles/abstract/10.18573/jomec.183/
http://orca.cf.ac.uk/119835/
|
|
BASE
|
|
Hide details
|
|
|
| 36 |
Von Hiroshima bis Panmunjeom - Medienbilder und die soziale Problemkonstruktion von Atomwaffen
|
|
|
|
BASE
|
|
Show details
|
|
|
| 37 |
Subtitle assessment at SBS TV Australia : application of the FAR model
|
|
Han, Jing (R13238). - : Sweden, Stockholm University, 2019
|
|
BASE
|
|
Show details
|
|
|
| 38 |
Constraints and challenges in subtitling Chinese films into English
|
|
Han, Jing (R13238). - : China, Foreign Language Teaching and Research Press, 2019
|
|
BASE
|
|
Show details
|
|
|
| 39 |
Describing Pictures in Improving the Students’ Ability in Writing
|
|
|
|
In: ELT Worldwide: Journal of English Language Teaching, Vol 6, Iss 1, Pp 83-92 (2019) (2019)
|
|
BASE
|
|
Show details
|
|
|
| 40 |
L'agir documentaire, une politique du détail. À partir du cas de #SoyonsHumains
|
|
|
|
In: Communication & langages, N 199, 1, 2019-05-02, pp.91-113 (2019)
|
|
BASE
|
|
Show details
|
|
|
|
|
