| 21 |
Aproximación neurocinemática al corte como articulador fílmico
|
|
|
|
In: TDX (Tesis Doctorals en Xarxa) (2020)
|
|
BASE
|
|
Show details
|
|
|
| 23 |
Aproximación neurocinemática al corte como articulador fílmico
|
|
|
|
BASE
|
|
Show details
|
|
|
| 24 |
Negative content enhances stimulus-specific cerebral activity during free viewing of pictures, faces, and words
|
|
|
|
BASE
|
|
Show details
|
|
|
| 25 |
Psycholinguistic Features of Representation of Emotions by the Concept of «Fear» ; Психолінгвістичні особливості репрезентації емоцій за допомогою концепту «страх»
|
|
|
|
In: Problems of modern psychology; No. 48 (2020): Problems of modern psychology; 206-227 ; Проблеми сучасної психології; № 48 (2020): Проблеми сучасної психології; 206-227 ; 2663-6956 ; 2227-6246 ; 10.32626/2227-6246.2020-48 (2020)
|
|
BASE
|
|
Show details
|
|
|
| 26 |
Cinematic equivalence in subtitling : a case study of the biographical drama Forever Enthralled
|
|
|
|
BASE
|
|
Show details
|
|
|
| 27 |
From the perspective of the object in semiotics : Deleuze and Peirce
|
|
|
|
BASE
|
|
Show details
|
|
|
| 28 |
"Ew, Ew, the Body!": Submerged Racialization in American 21st-Century Children's Animation
|
|
|
|
BASE
|
|
Show details
|
|
|
| 29 |
A social constructionist approach to female entrepreneurs' media representation and experiences in Saudi Arabia
|
|
|
|
BASE
|
|
Show details
|
|
|
| 30 |
Stranded, Isolated, Cloistered, and Confined: Women Queering Space in Twenty-First Century Italian Cinema
|
|
|
|
BASE
|
|
Show details
|
|
|
| 31 |
Stranded, Isolated, Cloistered, and Confined: Women Queering Space in Twenty-First Century Italian Cinema ...
|
|
|
|
BASE
|
|
Show details
|
|
|
| 32 |
‘I wouldn’t trust no words written down on no piece of paper’: Jim Jarmusch’s Dead Man, Jacques Derrida and the critique of logocentrism
|
|
|
|
BASE
|
|
Show details
|
|
|
| 34 |
'English, motherfucker, do you speak it?': Pulp Fiction and the future of film-philosophy
|
|
|
|
BASE
|
|
Show details
|
|
|
| 36 |
Von Hiroshima bis Panmunjeom - Medienbilder und die soziale Problemkonstruktion von Atomwaffen
|
|
|
|
BASE
|
|
Show details
|
|
|
| 37 |
Subtitle assessment at SBS TV Australia : application of the FAR model
|
|
Han, Jing (R13238). - : Sweden, Stockholm University, 2019
|
|
BASE
|
|
Show details
|
|
|
| 38 |
Constraints and challenges in subtitling Chinese films into English
|
|
Han, Jing (R13238). - : China, Foreign Language Teaching and Research Press, 2019
|
|
BASE
|
|
Show details
|
|
|
| 39 |
Describing Pictures in Improving the Students’ Ability in Writing
|
|
|
|
In: ELT Worldwide: Journal of English Language Teaching, Vol 6, Iss 1, Pp 83-92 (2019) (2019)
|
|
BASE
|
|
Show details
|
|
|
| 40 |
L'agir documentaire, une politique du détail. À partir du cas de #SoyonsHumains
|
|
|
|
In: Communication & langages, N 199, 1, 2019-05-02, pp.91-113 (2019)
|
|
BASE
|
|
Show details
|
|
|
|
|
