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New measures to chart toddlers' speech perception and language development : a test of the lexical restructuring hypothesis
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102 |
Benefits of sign language interpreting and text alternatives for deaf students' classroom learning
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103 |
Slow speech enhances younger but not older infants' perception of vocal emotion
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107 |
On-line experimental methods to evaluate text-to-speech (TTS) synthesis : effects of voice gender and signal quality on intelligibility, naturalness and preference
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108 |
The role of audiovisual speech and orthographic information in nonnative speech production
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109 |
Comparing action gestures and classifier verbs of motion : evidence from Australian sign language, Taiwan sign language, and nonsigners' gestures without speech
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111 |
The delayed trigger voice key : an improved analogue voice key for psycholinguistic research
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112 |
Lexical tone and pitch perception in tone and non-tone language speakers
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113 |
Comparing action gestures and classifier verbs of motion: Evidence from Australian Sign Language, Taiwan Sign Language, and non-signers' gestures without speech
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In: Faculty of Education - Papers (Archive) (2005)
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114 |
Auditory-visual speech integration by prelinguistic infants : perception of an emergent consonant in the McGurk effect
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115 |
Issues in the development of auditory-visual speech perception : adults, infants, and children
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116 |
The effect of script on poor readers' sensitivity to dynamic visual stimuli
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117 |
Language specific speech perception and the onset of reading
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118 |
The effect of auditory-visual information and orthographic background in L2 acquisition
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119 |
Periods of speech perception development and their vestiges in adulthood
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120 |
Absolute pitch and lexical tones : tone perception by non-musician, musician and absolute pitch non-tonal language speakers
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Abstract:
In this paper we investigate whether musically trained non-tonal language speakers perceive lexical tone better than their non-musician counterparts. Three groups of English language speakers, non-musicians, musicians, and musicians with absolute pitch (n=24, N=72), were tested for same/different discrimination of Central Thai tone pairs. These were presented in three separate conditions: as speech (on the syllable [ba]), as filtered speech, or as violin sounds. Non-musicians discriminated tones better in music than in filtered speech, and better in each of these than in speech. Musicians without absolute pitch showed the same pattern of results but were better in all three contexts compared with the non-musicians. On the other hand absolute pitch musicians were equally good in all three contexts, and better overall than the other musicians and the non-musicians. It is concluded that speech and music perception are not independent: musical training and absolute pitch ability may affect speech perception.
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Keyword:
200404 - Laboratory Phonetics and Speech Science; absolute pitch; music perception; musicians; speech perception; tone (phonetics)
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URL: http://handle.uws.edu.au:8081/1959.7/37113
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