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1
Spontaneous Production Rates in Music and Speech
In: Front Psychol (2021)
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2
Electrical Brain Responses Reveal Sequential Constraints on Planning during Music Performance
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3
Auditory N1 reveals planning and monitoring processes during music performance
Mathias, Brian; Palmer, Caroline; Gehring, William J.. - : Max Planck Institute of Cognitive Neuroscience, 2017. : Wiley Periodicals, Inc., 2017
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4
The Role of Tapping in Improving Connected Speech Comprehension of a Non-Native Variety of English
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5
Singing emotionally : a study of pre-production, production, and post-production facial expressions
Quinto, Lena R; Thompson, William F; Kroos, Christian. - : Frontiers Research Foundation, 2014
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6
Auditory–motor learning influences auditory memory for music
In: Memory & cognition. - Heidelberg [u.a.] : Springer 40 (2012) 4, 567-578
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7
Inhibitory Control and L2 Proficiency Modulate Bilingual Language Production: Evidence from Spontaneous Monologue and Dialogue Speech
Pivneva, Irina; Palmer, Caroline; Titone, Debra. - : Frontiers Research Foundation, 2012
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8
Listeners feel the beat: Entrainment to English and French speech rhythms [<Journal>]
Lidji, Pascale [Verfasser]; Palmer, Caroline [Sonstige]; Peretz, Isabelle [Sonstige].
DNB Subject Category Language
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9
Listeners feel the beat: Entrainment to English and French speech rhythms
Abstract: Can listeners entrain to speech rhythms? Monolingual speakers of English and French and balanced English–French bilinguals tapped along with the beat they perceived in sentences spoken in a stress-timed language, English, and a syllable-timed language, French. All groups of participants tapped more regularly to English than to French utterances. Tapping performance was also influenced by the participants’ native language: English-speaking participants and bilinguals tapped more regularly and at higher metrical levels than did French-speaking participants, suggesting that long-term linguistic experience with a stress-timed language can differentiate speakers’ entrainment to speech rhythm.
Keyword: Brief Report
URL: https://doi.org/10.3758/s13423-011-0163-0
http://www.ncbi.nlm.nih.gov/pubmed/21912999
http://www.ncbi.nlm.nih.gov/pmc/articles/PMC3219863
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10
Speed, Accuracy, and Serial Order in Sequence Production
In: Cognitive science. - Hoboken, NJ : Wiley-Blackwell 31 (2007) 1, 63-98
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11
Speed, Accuracy, and Serial Order in Sequence Production
In: Cognitive science. - Hoboken, NJ : Wiley-Blackwell 31 (2007) 1, 63
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12
Suppression effects on musical and verbal memory
In: Memory & cognition. - Heidelberg [u.a.] : Springer 35 (2007) 4, 640-650
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13
Suppression effects on musical and verbal memory
In: Memory & cognition. - Heidelberg [u.a.] : Springer 35 (2007) 4, 640-650
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14
Auditory feedback and memory for music performance: Sound evidence for an encoding effect
In: Memory & cognition. - Heidelberg [u.a.] : Springer 31 (2003) 1, 51-64
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15
Auditory feedback and memory for music performance : sound evidence for an encoding effect
In: Memory & cognition. - Heidelberg [u.a.] : Springer 31 (2003) 1, 51-64
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16
Auditory feedback and memory for music performance: Sound evidence for an encoding effect
In: Memory & cognition. - Heidelberg [u.a.] : Springer 31 (2003) 1, 51-64
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17
Incremental planning in sequence production
In: Psychological review. - Washington, DC [u.a.] : American Psychological Association 110 (2003) 4, 683-712
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18
Perceiving temporal regularity in music
In: Cognitive science. - Hoboken, NJ : Wiley-Blackwell 26 (2002) 1, 1-38
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19
Episodic memory for musical prosody
In: Journal of memory and language. - Amsterdam [u.a.] : Elsevier 45 (2001) 4, 526-545
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20
Episodic Memory for Musical Prosody
In: Journal of memory and language. - Amsterdam [u.a.] : Elsevier 45 (2001) 4, 526-545
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