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A fine-grained recognition of Named Entities in ELTeC collection using cascades
In: Final Action Event of COST Action Distant Reading for European Literary History ; https://hal.archives-ouvertes.fr/hal-03615219 ; Final Action Event of COST Action Distant Reading for European Literary History, Christof Schöch, Apr 2022, Krakow, Poland ; https://www.distant-reading.net/events/conference-programme/ (2022)
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2
Schism and Suppression: Early Threats to the Esperanto Language, and Resulting Impacts on International Acceptance
In: Young Historians Conference (2022)
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3
Words Matter: A Linguistic Analysis of Cluniac Views on the Use and Abuse of Violent Force
In: Dissertations and Theses (2022)
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4
A New Translation of the Kjolmen inscription ...
Gheorghiu, Alexandru. - : Zenodo, 2022
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5
A new translation of the Ezerovo ring: and the first correct translation ...
Gheorghiu, Alexandru. - : Zenodo, 2022
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6
A new translation of the Ezerovo ring: and the first correct translation ...
Gheorghiu, Alexandru. - : Zenodo, 2022
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7
A New Translation of the Kjolmen inscription ...
Gheorghiu, Alexandru. - : Zenodo, 2022
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8
A new translation of the Ezerovo ring: and the first correct translation ...
Gheorghiu, Alexandru. - : Zenodo, 2022
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9
Intersectional Silencing in the Archive: Salaria Kea and The Spanish Civil War
In: Languages, Literatures, and Linguistics (2022)
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10
Yiddish, or Jewish German? : the Holocaust, the Goethe-Institut and Germany’s neglected obligation to peace and the common cultural heritage
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11
Russia-My History: The Amazing Transformations of a History Exhibit in Post-Crimean Russia
In: Doctoral Dissertations (2022)
Abstract: This dissertation examines Russia—My History, a recent state-affiliated multimedia exhibit, as a case study in post-imperial and postsocialist nation building at a critical juncture in Russian history. In 2014, Russia annexed the Ukrainian peninsula of Crimea. The ensuing controversy, both at home and abroad, called for a new vision of Russia’s political community and its history. Russia—My History answered that call. Started in 2013 as a Church-affiliated temporary exhibit on one of Russia’s royal dynasties, after the annexation, My History grew and transformed into a countrywide chain of 25 permanent “history parks,” covering “all” of Russian history and formally approved by the Ministry of Education as an interactive supplement to the public-school curriculum in history. Despite the strong appearance that My History is a top-down, state-led nation-building project, a closer analysis reveals a different view. I argue that My History has been produced—with the support of the state—by an informally connected network of “patriotically-minded” political entrepreneurs promoting somewhat different ideological projects and allied in opposition to the Western liberal order. My dissertation examines My History as both the product of this collaboration—a diachronic vision of Russia’s political community—and as an illustration of the paradoxical and contingent ways in which this community is constructed in the contentious post-Crimean era. The study is based on several rounds of ethnographic and digital-ethnographic fieldwork and brings together theories of nationalism and empire, Foucauldian genealogy, performance studies, and Bakhtinian narrative analysis. The purpose of the study is to deconstruct My History, retracing the institution’s genealogy and its product’s continuous revisions. The dissertation offers three analytical chapters, which answer three seemingly simple questions: who made My History; what stories it tells; and how it tells these stories. The first chapter examines My History as a cultural institution that gradually emerges at the intersection of interests promoted by state and non-state actors and in response to changing political circumstances. The other two explore the simultaneous transformations of My History’s fragmented museum performances and narratives, which reveal their authors’ conflicting ideologies and projects and illustrate political struggle hidden behind the imposing façade of a state-affiliated institution.
Keyword: Bakhtinian dialogism; Communication Technology and New Media; Critical and Cultural Studies; Eastern European Studies; Foucauldian genealogy; Linguistic Anthropology; museum studies; Organizational Communication; performance studies; Political Theory; politics of history; Public History; Russian nation building; Social and Cultural Anthropology; Social Influence and Political Communication; Soviet and Post-Soviet Studies
URL: https://scholarworks.umass.edu/dissertations_2/2441
https://scholarworks.umass.edu/cgi/viewcontent.cgi?article=3534&context=dissertations_2
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12
The Gaelic Background of Old English Poetry before Bede
In: Richard Rawlinson Center Series (2022)
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13
Wild Wales: How Cultural Discrimination Transformed Merlin from Brittonic Legends to French Arthurian Romances
In: Senior Projects Spring 2021 (2021)
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14
The Dragoman Renaissance: Diplomatic Interpreters and the Routes of Orientalism
Rothman, E. Natalie. - : Cornell University Press, 2021
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15
An Ethnography of Russian Language Teaching in Bulgarian Schools During Socialism (1944-1989): Textbooks and Memories
In: Slavic Studies Honors Papers (2021)
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16
Toward a Leftist Realpolitik and Folkloric
Oveisy, Fouâd. - : eScholarship, University of California, 2021
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17
Von A wie Aspekt bis Z wie Zdvořilost. Ein Kaleidoskop der Slavistik für Tilman Berger zum 65. Geburtstag ...
Unkn Unknown. - : Tübingen Library Publishing, 2021
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18
El romance de El cautiverio de Guarinos ; The ballad of El cautiverio de Guarinosfrom the 16th century chapbooks to the modern oral tradition ; de los pliegos sueltos a la tradición oral moderna
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European Literary Text Collection (ELTeC): April 2021 release with 14 collections of at least 50 novels. ...
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European Literary Text Collection (ELTeC): April 2021 release with 14 collections of at least 50 novels. ...
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