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Hits 281 – 297 of 297
281
Rap et politique
Fayolle, Vincent
;
Masson-Floch, Adeline
In: Mots. Les langages du politique, n 70, 3, 2002-11-01, pp.6-6 (2002)
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282
Sociocultural and historical contexts of African American English
Lanehart, Sonja L.
. - Amsterdam [u.a.] : John Benjamins Pub. Co., 2001
UB Frankfurt Linguistik
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283
Sociocultural and historical contexts of African American English
Wolfram, Walt
(Mitarb.);
Mufwene, Salikoko S.
(Mitarb.);
Wyatt, Toya A.
(Mitarb.). - Amsterdam [u.a.] : Benjamins, 2001
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UB Frankfurt Linguistik
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284
Textsorten und Fankulturen
Androutsopoulos, Jannis K.
In:
Zur Kulturspezifik von Textsorten. - Tübingen : Stauffenburg-Verl.
(2001), 33-50
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285
Was geht'n? : Newz von der Szene
Androutsopoulos, Jannis K.
;
Kallmeyer, Werner
In:
Sprachreport. - Mannheim : Leibniz-Institut für Deutsche Sprache
16 (2000) 4, 2-8
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OLC Linguistik
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286
"Flippin the script"/"Blowin up the spot": puttin' hip-hop online in (African) America and South Africa
Richardson, Elaine B.
;
Lewis, Sean
In:
Global literacies and the World-Wide Web. - London [u.a.] : Routledge
(2000), 251-276
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287
Jugendsprache : linguistische und soziolinguistische Perspektiven = Langue des jeunes
Augenstein, Susanne
(Mitarb.);
Conein, Bernard
(Mitarb.);
Neuland, Eva
(Mitarb.). - Frankfurt am Main [u.a.] : Lang, 1998
BLLDB
UB Frankfurt Linguistik
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288
[rεp] oder [rap]? : Aneignung und Umkodierung der Hip-Hop-Kultur in Italien
Scholz, Arno
In:
Jugendsprache. - Frankfurt am Main [u.a.] : Lang
(1998), 233-257
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289
Hip-Hop-Slang : englisch-deutsch
Fab 5 Freddy
;
Christoph, Ralph
(Übers.). - Frankfurt am Main : Eichborn, 1995
UB Frankfurt Linguistik
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290
Advanced Chemistry, Hip Hop pur aus Heidelberg: Ein Interview mit Linguist ...
Yakpo, Kofi
. - : Zenodo, 1993
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291
Advanced Chemistry, Hip Hop pur aus Heidelberg: Ein Interview mit Linguist ...
Yakpo, Kofi
. - : Zenodo, 1993
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292
Sprache und Kreativität in Raptexten : eine vergleichende Analyse von Wortspielen in Raptexten auf Englisch, Standarddeutsch und verschiedenen österreichischen Dialekten
Lhotta, Katharina
(VerfasserIn)
IDS Mannheim
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293
December 2011‘Bättre folk ’ – Critical Sociolinguistic Commentary in Finnish Rap Music
Elina Westinen
In: http://www.tilburguniversity.edu/upload/6282e6ff-cc1b-4309-a2c5-320ba74554b6_tpcs paper16.pdf
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294
El hip hop, bailado y traducido : aproximación de la cultura al público hispanohablante
Quiñones Ruiz, Claudia
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295
Rap music in minority languages in secondary education: a case study of Catalan rap
Aliagas, Cristina
. - : De Gruyter
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296
Rapping in Catalan in class and the empowerment of the learner
Aliagas, Cristina
;
Fernández i Gayà, Júlia Alba
;
Llonch, Pau
. - : Taylor & Francis (Routledge)
Abstract:
Despite the well-known educational possibilities afforded by Rhythm And Poetry (RAP) for the development of musical, lyrical and critical skills [Morrell, E., & Duncan-Andrade, J. M. R. (2002). Promoting Academic Literacy with Urban Youth through Engaging Hip-hop Culture. The English Journal, 91(6), 88–92. Retrieved from http://www.jstor.org/stable/821822; Hill, M. L. (2009). Beats, Rhymes, and Classroom Life: Hip Hop Pedagogy and the Politics of Identity. New York, NY: Teachers College Press; Low, B. E. (2011). Slam School: Learning Through Conflict in the Hip-Hop and Spoken Word Classroom. Chicago, IL: Stanford University Press], it remains a lyrical genre often excluded from Catalan secondary education. This paper focuses on a four-day series of rap workshops given in 2012 by a famous local Catalan rap artist in a multicultural and multilingual state school in Catalonia. It analyses the impact that the workshops had, above all in terms of classroom engagement, linguistic empowerment and textual ‘agency’ [Moje, E. B., & Lewis, C. (2007). Examining Opportunities to Learn Literacy: The role of critical sociocultural literacy research. In E. B. Moje, C. Lewis, & P. Enciso (Eds.), Reframing sociocultural research on literacy: identity, agency and power (pp. 15–48). Mahwah, N. J.: Lawrence Erlbaum], on a range of students with varying degrees of command of the Catalan language and with different degrees of experience with rap music. Through the classroom activity described herein, we show the pedagogical opportunities that rap music offers as a hybrid text in-between oral and written codes that makes it a powerful vehicle for self-expression, whilst enabling the acknowledgement of real uses of languages and genres related to the cultural practices of urban students, in the classroom. In particular, we argue that bridging Catalan rap culture to the goals of the school curriculum, especially in highly multilingual and multicultural school contexts, helps to promote the socialisation of the Catalan language in and beyond the school. ; This work was supported by: the Secretary for Universities and Research of the Ministry of Economy and Knowledge of the Government of Catalonia and the Co-funding programme of the Marie Curie Actions of the 7th R&D Framework Programme of the European Union (Beatriu de Pinós 2011-A,2013–2016). Moreover, Cristina Aliagas is part of a R&D project financed by the Ministry of Science and Innovation in Spain for the period 1–1–2012 to 31–12–2014:‘School 2.0: Digital literacy practices. Materials, classroom activity and online linguistic resources’ (EDU2011–28381; directed by Dr Daniel Cassany at Pompeu Fabra University. We are grateful to Casa de la Música (The Music house) in Manresa for partially funding the workshop, and to the families who also paid a part of it.
Keyword:
Hip-hop pedagogy
;
Linguistic empowerment
;
Secondary education
;
Third space theory
;
Youth vernacular literacies
URL:
https://doi.org/10.1080/07908318.2016.1132658
http://hdl.handle.net/10230/27436
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297
de skin off my blk Poster
UWB Marketing
In: University of Washington Libraries
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