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15
Hits 1 – 20 of 283
1
Beckett's and Murakami's 'Vaguened' Worlds
Byrne Keane, Alicia Paula
. - : Trinity College Dublin. School of English. Discipline of English, 2022
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2
The body and its figuration in Sony Labou and Sami Tchak ; Enjeux et figurations du Corps chez Sony Labou Tansi et Sami Tchak
Ndoukou-Ndoukou, Urbain
. - : HAL CCSD, 2021
In: https://tel.archives-ouvertes.fr/tel-03537246 ; Linguistique. Université de Limoges, 2021. Français. ⟨NNT : 2021LIMO0041⟩ (2021)
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3
Queerness in Translation: Women’s Homoerotics and Gender Play in pre- and post-Revolutionary Iran
Rahmani, Mariam
. - : eScholarship, University of California, 2021
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4
Profession of the Unseen: Postcolonial Scholar Poets and the Formation of World Literature ...
: University of Virginia, 2021
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5
Subjectivities in Decolonisation: The Post-Independence Film and Novel in Africa and South Asia ...
Jilani, Sarah
. - : Apollo - University of Cambridge Repository, 2021
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6
H-deletion and H-insertion in Nigerian Englishes: their sociolinguistic and extralinguistic constraints and their enregisterment as the ‘H-factor’ ...
Adeolu, Elizabeth Olushola
. - : The University of Edinburgh, 2021
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7
French Muslim Youth’s Perception of their Cultural Identity in a Post-Charlie Hebdo Reality in the 19th Arrondissement.
Bernard, Gaelle Flora
In: FIU Electronic Theses and Dissertations (2021)
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8
Collaging cultures : curating Italian studies
Duncan, Derek Egerton
. - 2021
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9
Subjectivities in Decolonisation: The Post-Independence Film and Novel in Africa and South Asia
Jilani, Sarah
. - : University of Cambridge, 2021. : Kings, 2021
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10
H-deletion and H-insertion in Nigerian Englishes: their sociolinguistic and extralinguistic constraints and their enregisterment as the ‘H-factor’
Adeolu, Elizabeth Olushola
. - : The University of Edinburgh, 2021
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11
Cartografias Subalternas: travessias epistemológicas para a Ciência da Informação ; Subaltern Cartographies: epistemological paths for Information Science
Müller, Jéssica Paola Macedo
;
Sousa, Rodrigo Silva Caxias de
. - 2021
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12
Cultural identity revisited: Early twentieth-century women’s work of cultural preservation (Maria Cristina Mena, Humishuma, Sui Sin Far and The Daughters of Hawai’i)
Arab, Teresa Fernandez
. - : University of Kansas, 2021
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13
Echoing + Resistant Imagining: Filipino Student Writing Under American Colonial Rule
Jimenez, Florianne
In: Doctoral Dissertations (2021)
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14
Voyage des enfants de la postcolonie vers l’ailleurs-paradis : Récits de migration et imagination africaine de l’Occident dans Le ventre de l’Atlantique de Fatou Diome
Mapangou, Dacharly
In: Voix Plurielles; Vol. 18 No. 2 (2021); 219-232 ; 1925-0614 (2021)
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15
Construction, evolution and questioning of identity in Nigerian contemporary fiction ; Construction, évolution et questionnements identitaires dans la littérature nigériane contemporaine
Danaila, Ioana
. - : HAL CCSD, 2020
In: https://tel.archives-ouvertes.fr/tel-02927341 ; Littératures. Université Grenoble Alpes [2020-.], 2020. Français. ⟨NNT : 2020GRALL005⟩ (2020)
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16
Des Black Panthers à l’Arabian Panther : quand Médine en appelle aux leaders du passé pour mener son combat. Une étude de « Self Defense »
GENDRON, Catherine
In: ATeM (Archives Textes et Musique) ; https://hal.archives-ouvertes.fr/hal-03118240 ; ATeM (Archives Textes et Musique), IUP ( Innsbruck University Press), 2020, Chansons hors-la-loi, 5 (1) ; https://atem-journal.com/ojs2/index.php/ATeM/issue/view/2020_1 (2020)
Abstract:
International audience ; In the 2000s, as French society was experiencing a rise in postcolonial demands, politicised French rappers focused their writing on themes such as the history of relationships between Europe and Africa, slavery, colonisation, and the history of immigration. Médine, who is one of these rappers, is committed to defending the cause of victims of exclusion. His keen interest in history makes him think that we have much to learn from the past so as not to repeat the same mistakes in the present. He has made it his duty to keep alive our collective memory and warn us against some official truncated versions of history. His rap “Self Defense”, from the album Arabian Panther (2008), features historical leaders who fought against various forms of oppression and defended their people’s rights.Throughout this rap, Médine establishes a close link between these leaders’ fights and his own, bringing their people together in a kind of symbolic ‘community of the oppressed’. Mixing provocation and political demands all along his rap, he draws our attention to his call for the duty of remembrance, which he finally legitimises by quoting the Taubira law promoting the recognition of the slave trade and slavery as a crime against humanity and asking for the inclusion of these historical facts in school and university curricula. ; Dans les années 2000, alors que la société française connaissait une montée des revendications postcoloniales, les rappeurs français politisés ont axé leur écriture sur des thèmes tels que l'histoire des relations entre l'Europe et l'Afrique, l'esclavage, la colonisation et l'histoire de l'immigration. Médine, qui est l'un de ces rappeurs, s'engage à défendre la cause des victimes de l'exclusion. Son vif intérêt pour l'histoire lui fait penser que nous avons beaucoup à apprendre du passé pour ne pas répéter les mêmes erreurs dans le présent. Il s'est fait un devoir de garder vivante notre mémoire collective et de nous mettre en garde contre certaines versions officielles et tronquées de l'histoire. Son rap "Self Defense", tiré de l'album Arabian Panther (2008), met en scène des leaders historiques qui ont lutté contre diverses formes d'oppression et défendu les droits de leur peuple.A travers ce rap, Médine établit un lien étroit entre les combats de ces leaders et les siens, rassemblant ces peuples dans une sorte de "communauté des opprimés" symbolique.
Keyword:
[SHS.LITT]Humanities and Social Sciences/Literature
;
[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts
;
[SHS.SOCIO]Humanities and Social Sciences/Sociology
;
Arabian Panthers
;
chanson
;
collective memory
;
devoir de mémoire
;
duty of remembrance
;
histoire
;
Médine
;
mémoire collective
;
musique
;
postcolonial demands
;
Rap
;
Rap music
;
revendications postcoloniales
;
Self Defense
URL:
https://hal.archives-ouvertes.fr/hal-03118240
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17
In the Name of Shakespeare: (En)Gendering India through Translation
Rao, Anandi
. - : eScholarship, University of California, 2020
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18
Book Review: Bandia, Paul F., ed., Writing and Translating Francophone Discourse: Africa, The Caribbean, Diaspora, Amsterdam-New York: Rodopi, 2014.
Brisset, Frédérique
In: Writing and Translating Francophone Discourse: Africa, The Caribbean, Diaspora ; https://hal.archives-ouvertes.fr/hal-02543875 ; Writing and Translating Francophone Discourse: Africa, The Caribbean, Diaspora, 2020 (2020)
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19
From Jamaica to Cuba: the languages of revolutions and revolts ...
Premat, Christophe
. - : Stockholm University, 2020
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20
From Jamaica to Cuba: the languages of revolutions and revolts ...
Premat, Christophe
. - : Stockholm University, 2020
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