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Invective Gaze - Das digitale Bild und die Kultur der Beschämung
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In: 99 ; Edition Medienwissenschaft ; 206 (2022)
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| 2 |
Sexualität - Geschlecht - Affekt: Sexuelle Scripts als Palimpsest in literarischen Erzähltexten und zeitgenössischen theoretischen Debatten
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In: Gender Studies ; 326 (2021)
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Visualising Anthropocene Extinctions: Mapping affect in the works of Naeemah Naeemaei
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In: Animal Studies Journal (2021)
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Becoming-Pite: An Application of Deleuzian Theory to Chrystal Pite’s Choreography
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In: Undergraduate Honors Thesis Collection (2020)
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Understanding the human in stakeholder theory : a phenomenological approach to affect-based learning
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In: ISSN: 1350-5076 ; Management Learning ; https://hal.archives-ouvertes.fr/hal-03188192 ; Management Learning, SAGE Publications, 2020 (2020)
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| 7 |
Peculiar Attunements: How Affect Theory Turned Musical [Table of Contents]
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In: Philosophy & Theory (2020)
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| 8 |
Affekt Macht Netz: Auf dem Weg zu einer Sozialtheorie der Digitalen Gesellschaft
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In: 22 ; Digitale Gesellschaft ; 358 (2020)
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| 9 |
Jewish Refugee Women, Transnational Coalition Politics, and Affect in Ebe Cagli Seidenberg’s Come ospiti: Eva ed altri
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In: California Italian Studies, vol 9, iss 1 (2019)
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Abstract:
Writing across and beyond borders evokes at once the human aspiration to connectedness and the reality of a divided world invested in particular interests. For Ebe Cagli Seidenberg, the act of writing emanates from the Fascist racial laws of 1938, which forced her – a young Jewish Italian woman – to leave her native Italy and find refuge in the United States. The production of a five-volume series entitled Ciclo dell’esilio obbligato [Cycle of the Forced Exile, 1975-91] is a testament to that unwanted separation and the implications that borders have on processes of self and communal identity, hybridization and exclusion. Come ospiti: Eva ed altri (1991) is the last volume of Ciclo and the focus of this essay. The novel is a portrayal of a small community of European refugees gathered in the hills of Berkeley, California. This essay explores two different articulations of coalition politics and borders in Come ospiti: the first one emphasizes affect, gender and class relationships, and the destructive effects of silencing and social masking, especially in relation to women and motherhood. On another level, and perhaps as a counterpoint to the impermanent female alliances of the story, coalition politics is articulated through the quest for literary interlocutors across national and linguistic borders. The result, I contend, is a liminal literary space molded on a national tradition but set to achieve a transnational status.
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Keyword:
Affect theory; coalition politics; Italian American; Italian Jewish; Italian Literature; Italians in California; Race and ethnicity; Racial laws; Refugees; Transnational literature; Women Studies
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URL: https://escholarship.org/uc/item/0p82z5nn
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| 10 |
The Suffering Joker and the Cruel Joke: Nabokov's and Bellow's Dark Laughter
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In: CLCWeb: Comparative Literature and Culture (2019)
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| 11 |
Recognizing the Assemblage: Palestinian Bedouin of the Naqab in Dialectic with Israeli Law
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| 12 |
Autonomic arousal in a foreign language in the context of decision making
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In: Proceedings of the Linguistic Society of America; Vol 4 (2019): Proceedings of the Linguistic Society of America; 24:1–5 ; 2473-8689 (2019)
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| 14 |
Reframing the figure of the sexual child/teen in Argentine cinema: Affect, sexuality and agency
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| 16 |
Embodying hope: intercultural encounters in the (b)orderdands of volunteer tourism
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| 17 |
Forces of Chaos and Anarchy: Rock Music, the New Left and Social Movements, 1964 to 1972
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| 18 |
Feine Unterschiede in den Bedeutungen ... : Affektive Wahrnehmung und soziale Varianz ...
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| 19 |
Gender and dominance in action: World view and emotional affect in language processing and use
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| 20 |
Legible Grief: Discursive Liminality in Twentieth Century Literatures of Trauma
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