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Invective Gaze - Das digitale Bild und die Kultur der Beschämung
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In: 99 ; Edition Medienwissenschaft ; 206 (2022)
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| 2 |
Sexualität - Geschlecht - Affekt: Sexuelle Scripts als Palimpsest in literarischen Erzähltexten und zeitgenössischen theoretischen Debatten
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In: Gender Studies ; 326 (2021)
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| 4 |
Visualising Anthropocene Extinctions: Mapping affect in the works of Naeemah Naeemaei
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In: Animal Studies Journal (2021)
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| 5 |
Becoming-Pite: An Application of Deleuzian Theory to Chrystal Pite’s Choreography
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In: Undergraduate Honors Thesis Collection (2020)
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| 6 |
Understanding the human in stakeholder theory : a phenomenological approach to affect-based learning
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In: ISSN: 1350-5076 ; Management Learning ; https://hal.archives-ouvertes.fr/hal-03188192 ; Management Learning, SAGE Publications, 2020 (2020)
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| 7 |
Peculiar Attunements: How Affect Theory Turned Musical [Table of Contents]
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In: Philosophy & Theory (2020)
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| 8 |
Affekt Macht Netz: Auf dem Weg zu einer Sozialtheorie der Digitalen Gesellschaft
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In: 22 ; Digitale Gesellschaft ; 358 (2020)
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| 9 |
Jewish Refugee Women, Transnational Coalition Politics, and Affect in Ebe Cagli Seidenberg’s Come ospiti: Eva ed altri
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In: California Italian Studies, vol 9, iss 1 (2019)
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| 10 |
The Suffering Joker and the Cruel Joke: Nabokov's and Bellow's Dark Laughter
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In: CLCWeb: Comparative Literature and Culture (2019)
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| 11 |
Recognizing the Assemblage: Palestinian Bedouin of the Naqab in Dialectic with Israeli Law
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| 12 |
Autonomic arousal in a foreign language in the context of decision making
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In: Proceedings of the Linguistic Society of America; Vol 4 (2019): Proceedings of the Linguistic Society of America; 24:1–5 ; 2473-8689 (2019)
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| 13 |
Salty feel ...
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Abstract:
My practice looks at the potential of sculpture to create an extension of experience, while generating new experience. My inspirations are the natural world, the body, affect theory, sciences, linguistics, literature and mythology. The idea of the impression is omnipresent in the work - the impressions left by human passage, by past experiences or by the natural world. Natural and artificial, machine-made and crafted, micro and macro, past and present are often combined or mirror each other in the work. I create spaces where reality, perception, memory and the imaginary meet and merge. When installed together, the sculptures are in conversation. They are connected in space, forms, concepts, narratives and processes ...
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Keyword:
Affect theory; Arts; Body; Descriptive writing; Fine arts; FOS Languages and literature; Installation; Linguistics; Mythology; Narratives; Nature; Sculpture
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URL: https://dx.doi.org/10.26153/tsw/1484
https://repositories.lib.utexas.edu/handle/2152/74364
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| 14 |
Reframing the figure of the sexual child/teen in Argentine cinema: Affect, sexuality and agency
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| 16 |
Embodying hope: intercultural encounters in the (b)orderdands of volunteer tourism
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| 17 |
Forces of Chaos and Anarchy: Rock Music, the New Left and Social Movements, 1964 to 1972
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| 18 |
Feine Unterschiede in den Bedeutungen ... : Affektive Wahrnehmung und soziale Varianz ...
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| 19 |
Gender and dominance in action: World view and emotional affect in language processing and use
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| 20 |
Legible Grief: Discursive Liminality in Twentieth Century Literatures of Trauma
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