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Vedantic Basis and Praxis of the Integral Advaita of Sri Aurobindo
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In: Monsoon: South Asian Studies Association Journal (2022)
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| 2 |
Tusha Hiti: The Origin and Significance of the Name
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In: Monsoon: South Asian Studies Association Journal (2022)
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| 3 |
Diversity, Equity, and Inclusion: Perspectives from Contemporary India and 6th Century Jain Yoga
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In: Monsoon: South Asian Studies Association Journal (2022)
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| 4 |
Ganges in Indian Sculpture and Literature: Mythology and Personification
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In: Monsoon: South Asian Studies Association Journal (2022)
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| 5 |
Digital and Spatial Humanities Mapping: Eurasia-Pacific Early Trade and Belief Linkages
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In: Monsoon: South Asian Studies Association Journal (2022)
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| 11 |
Invective Gaze - Das digitale Bild und die Kultur der Beschämung
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In: 99 ; Edition Medienwissenschaft ; 206 (2022)
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| 12 |
The Telegram Chronicles of Online Harm
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In: Journal of Open Humanities Data; Vol 7 (2021); 8 ; 2059-481X (2021)
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| 13 |
A Telegram Corpus for Hate Speech, Offensive Language, and Online Harm
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In: Journal of Open Humanities Data; Vol 7 (2021); 9 ; 2059-481X (2021)
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| 14 |
Amy Street: Story of the Telegram ...
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Abstract:
In my role as an artist, I have on many occasions tested the boundaries of familial, collegial, and random subjects in the public context who have interacted with my creative works. This exploration of the boundaries of where technology intersects with life is evident in the artworks and installations where reasons for the presence or launch of an artwork adopt an ambiguous realm. In this recording of William Wilson Hayes, Eleanor Hayes, and Alexander Hayes on the 14th September 2006 at my home at 24 Amy Street Erskineville in Sydney, Australia the boundaries of permission and consent are explored, then within the ensuing conversation, a revealing historical recount emerges of the role of recorded sound within Family connections. long before podcasting was ever invented. In fact in this podcast episode, the substrate that is spoken of includes magnetic analog tapes and ‘spool-to-spool’ tape recorders back as early as 1964, with recordings sent from one part of the world to another - the ‘telling’ gram. ...
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Keyword:
130201 Creative Arts, Media and Communication Curriculum and Pedagogy; 190203 Electronic Media Art; 190299 Film, Television and Digital Media not elsewhere classified; 190502 Fine Arts incl. Sculpture and Painting; 190504 Performance and Installation Art; 200102 Communication Technology and Digital Media Studies; 200212 Screen and Media Culture; 200405 Language in Culture and Society Sociolinguistics; 209999 Language, Communication and Culture not elsewhere classified; 220203 History and Philosophy of Engineering and Technology; Art; FOS Arts arts, history of arts, performing arts, music; FOS Educational sciences; FOS Languages and literature; FOS Media and communications; FOS Other humanities; FOS Philosophy, ethics and religion; Performing Arts
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URL: https://dx.doi.org/10.6084/m9.figshare.16598075
https://figshare.com/articles/media/Amy_Street_Story_of_the_Telegram/16598075
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| 18 |
LINGUISTIC EXPERTISE DEVELOPMENT TRAJECTORIES: FROM CREATIVE FREEDOM TO CENSORSHIP ...
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| 19 |
A modest proposal for conducting future research on media portrayals of Islam and Muslims in Indonesia ...
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| 20 |
A modest proposal for conducting future research on media portrayals of Islam and Muslims in Indonesia ...
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