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Exegi Monumentum Revolutionis – On Eisenstein’s "October" ...
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Cinema: Films made by women screen writers, directors, and producers in Islamic cultures: Commercial films: Pakistan ...
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Cinema: Films made by women screen writers, directors, and producers in Islamic cultures: Commercial films: Pakistan ...
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25 |
Geschichtsbild und historisches Denken bei Pier Paolo Pasolini
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27 |
Souls and Shamans: The Kaleidoscopic Vision of Malcolm Lowry
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28 |
INTIMATE INDIGENEITIES: ASPIRATIONAL AFFECTIVE SOLIDARITY IN 21 ST CENTURY INDIGENOUS MEXICAN REPRESENTATION
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In: Theses and Dissertations--Hispanic Studies (2019)
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Cinema: Films made by women screen writers, directors, and producers in Islamic cultures: Commercial films: Pakistan ...
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31 |
Cinema: Films made by women screen writers, directors, and producers in Islamic cultures: Commercial films: Pakistan ...
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32 |
Radical Social Ecology as Deep Pragmatism: A Call to the Abolition of Systemic Dissonance and the Minimization of Entropic Chaos
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In: Student Theses 2015-Present (2018)
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History's Perilous Pleasures: Experiencing Antiquity in the Postwar Hollywood Epic
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In: Dissertations - ALL (2018)
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Christian Metz and the mediatization
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In: ESSACHESS - Journal for Communication Studies ; 10 ; 1 ; 239-253 ; Rhetoric and Peace at Crossroads: Public and Civic Discourse, Culture and Communication Perspectives (2018)
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36 |
A Robin Redbreast in an Iron Cage: Revisiting the Intellectual Movement of Dissent in Iran between the 1953 Coup and the 1979 Revolution
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Abdolmaleki, Kara. - : University of Alberta. Department of Modern Languages and Cultural Studies., 2018
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The Creation of a ‘People’s Hero’: Vasilii Ivanovich Chapaev and the Fate of Soviet Popular History
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In: Morton, Jason Read. (2017). The Creation of a ‘People’s Hero’: Vasilii Ivanovich Chapaev and the Fate of Soviet Popular History. UC Berkeley: History. Retrieved from: http://www.escholarship.org/uc/item/4b0946m7 (2017)
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Fantasmas da escrita ; Ghosts of writingAmor de perdição and the epistolary cinema of Manoel de Oliveira ; Amor de perdição e o cinema epistolar de manoel de oliveira
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