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Imagining Performances: Entangled Temporalities and Corporalities in Drag King Encounters
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In: The Oxford Handbook of Language and Sexuality ; https://halshs.archives-ouvertes.fr/halshs-03648889 ; The Oxford Handbook of Language and Sexuality, 2022, ⟨10.1093/oxfordhb/9780190212926.013.71⟩ (2022)
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訓民正音創製と仏教政策 ; The creation of Hunminjeongeum and Buddhism policy
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Tusha Hiti: The Origin and Significance of the Name
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In: Monsoon: South Asian Studies Association Journal (2022)
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Once a Villain Always a Villain: Edmund's "Reformation" in King Lear, 5.3.241-2
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In: Studies in Arts and Humanities ; 1 ; 5-13 (2021)
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The Presence of María de Velasco in Pinar’s Juego trobado, in the Carajicomedia, and in La novela del licenciado Vidriera by Cervantes
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In: Magnificat Cultura i Literatura Medievals; Vol. 8 (2021); 33-55 ; 2386-8295 (2021)
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Authoral labyrinths: the film adaptation of In the tall grass, by Stephen King and Joe Hill ; Labirintos autorais: a adaptação fílmica de In the tall grass, de Stephen King e Joe Hill
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In: Travessias; Vol. 15 No. 2 (2021); 34-54 ; Travessias; Vol. 15 Núm. 2 (2021); 34-54 ; Travessias; v. 15 n. 2 (2021); 34-54 ; 1982-5935 (2021)
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Abstract:
This paper aims to carry out a study on the adaptive strategies used in the remediation process of the short story “In the tall grass” (2012), by Stephen King and Joe Hill, to the cinematic language of streaming. To this end, we propose to do an immanent reading based on the formal and thematic aspects of the two works: changes and permanence of narrative elements, formal and symbolic continuities and ruptures, in addition to the choices and cinematographic language resources mobilized by the adapter Vincenzo Natali, as well as their (possible) motivations. For that, we are based on the theories about the adaptation process proposed by Stam (2000), Bolter and Grusin (2000), Ondaatje (2002) and Hutcheon (2013). Based on the analysis, we conclude that, with the task of not only reconfiguring a literary work for the audiovisual engagement mode, but, in addition, expanding a short narrative to a full length feature film, Natali uses strategies related to the adaptability of the source material and the market acceptability of his film, namely: expanding the roles of secondary and tertiary characters; adding an archetypal hero as the main protagonist; expanding the story's scenarios, inserting sci fi and slasher horror tropes. In addition, many elements of cinematographic syntax are used to convey to the screen the tension and oppression of the locus horribilis portrayed in the short story, such as: aerial shots of the tall grass; extreme close-ups in pieces of nature; open frames to establish the location of the characters. ; O presente artigo tem por objetivo realizar um estudo sobre as estratégias adaptativas empregadas no processo de remidiação do conto “In the tall grass” (2012), de Stephen King e Joe Hill, para a linguagem cinematográfica do streaming. Para tanto, nos propomos a realizar uma leitura imanente pautada nos aspectos formais e temáticos das duas obras: alterações e permanências de elementos narrativos, rupturas e continuidades formais e simbólicas, além das escolhas e recursos da linguagem cinematográfica empregados pelo adaptador Vincenzo Natali, bem como suas (possíveis) motivações. Para tanto, nos embasamos nas teorias acerca do processo de adaptação propostas por Stam (2000), Bolter e Grusin (2000), Ondaatje (2002) e Hutcheon (2013). A partir da análise, concluimos que, com a tarefa de não apenas reconfigurar uma obra literária para o modo de engajamento audiovisual mas, além disso, expandir uma narrativa curta para a duração de um filme longa-metragem, Natali lança mão de estratégias voltadas para a adaptabilidade do material-fonte e para a aceitabilidade mercadológica de seu filme, a saber: ampliação da participação dos personagens secundários e terciários; adição de um herói arquetípico como protagonista; ampliação dos cenários do conto, inserção de elementos sci-fi e do horror slasher. Ademais, muitos elementos da sintaxe cinematográfica são utilizados para transportar para a tela a tensão e a opressão do locus horribilis retratado no conto, tais como: tomadas aéreas do matagal; planos-detalhe em elementos da natureza; quadros abertos para estabelecer a localização dos personagens.
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Keyword:
Adaptação; Adaptation; Cinema; Stephen King; Streaming
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URL: http://e-revista.unioeste.br/index.php/travessias/article/view/27644
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Proverbial rhetoric for civil and human rights by four African American heroes : Frederick Douglas, Martin Luther King, Jr., John Lewis, Barack Obama
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BLLDB
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UB Frankfurt Linguistik
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Царь Артавазд и анаграмма его имени в древнеармянской эпической песне ; King Artavasdes and the Anagram of his Name in the Ancient Armenian Epic
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The Genealogy of the Theater of Absurd in Jarry's Ubu the King
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In: Applied Linguistics Research Journal, Vol 4, Iss 1, Pp 46-52 (2020) (2020)
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Distich and Antiphonal Singing:Origination Epic and Heroic Epic of the Miao People ... : Дистих и антифонное пение: Происхождение Эпос и Героический Эпос из народа Мяо ...
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Wu, X.. - : Вестник Северо-Восточного федерального университета имени М.К. Аммосова. Vestnik of North-Eastern Federal University. Серия “Эпосоведение. Epic studies”, 2019
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ИМЕНА СОБСТВЕННЫЕ В ПОЭТИКЕ ДРЕВНЕАНГЛИЙСКОГО НАРРАТИВА (СЕМАНТИКО-СИНТАКСИЧЕСКИЙ АСПЕКТ) ... : Proper Names in the Poetics of the Old English Narrative (A Semantic and Syntactic Aspect) ...
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“Reddimus urbem”: civic order and public politics at the end of Norman Sicily
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Imaginario social, crisis y miedo en King Kong (1933) ; Social imaginary, crisis and fear in King Kong (1933)
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| 18 |
Photograph of LEPI panelists
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In: Voices in Dangerous Times: Language Endangerment & Political Instability, March 22, 2019. Washington, DC (2019)
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Photograph of LEPI panelists
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In: Voices in Dangerous Times: Language Endangerment & Political Instability, March 22, 2019. Washington, DC (2019)
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Photograph of LEPI panelists
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In: Voices in Dangerous Times: Language Endangerment & Political Instability, March 22, 2019. Washington, DC (2019)
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