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Reception of political concepts of the European Enlightenment in Russia of the XVIII century ... : Рецепция политических понятий европейского Просвещения в России XVIII столетия ...
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Negotiations of the "New World": the omnipresence of "Global" as a political phenomenon
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Selchow, Sabine. - : transcript Verlag, 2020. : DEU, 2020. : Bielefeld, 2020
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In: Global Studies ; 234 (2020)
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Die Lipovaner - Russische Altgläubige als religiöse und sprachlich-kulturelle Minderheit im rumänischen und ukrainischen Donaudelta
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A Translation of Dominik Nagl’s Grenzfälle with an Introductory Analysis of the Translation Process
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In: Masters Theses (2020)
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Oral History Interview with Shaykh Momodou Ceesay on October 24, 2020
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In: Dream Storytelling Interviews (2020)
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The Politics of English in Sri Lanka: Perspectives from Postcolonial Anglophone Literature
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Anver, Gazala. - : The University of Sydney, 2019. : Department of English, 2019. : Faculty of Arts and Social Sciences, School of Literature, Art and Media, 2019
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A STUDY ON THE REGISTER OF POLITY
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In: LET: Linguistics, Literature and English Teaching Journal, Vol 9, Iss 1, Pp 22-51 (2019) (2019)
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Bible Translation and Language Elaboration : The Igbo Experience ...
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One Belt, Competing Metaphors: The Struggle Over Strategic Narrative in English-Language News Media
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Aichinger, Wittgenstein und die Sprache in "Die größere Hoffnung"
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Funktionaler Analphabetismus: Forschungsperspektiven und Diskurslinien
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Kleint, Steffen. - : W. Bertelsmann Verlag, 2017. : DEU, 2017. : Bielefeld, 2017
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In: Studientexte für Erwachsenenbildung ; 103 (2017)
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CONSTRUCTING BLACK MASCULINITY IN OLIVER PARKER’S OTHELLO (1995)
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In: Studies in Linguistics, Culture, and FLT, Vol 2, Pp 101-118 (2017) (2017)
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Abstract:
This paper examines Oliver Parker’s Othello (1995), an excellent American filmic production of Shakespeare’s play. The article also offers a reading to Oliver Parker’s film production of Othello (1995) where the story offers yet an opportunity to explore anti-Black sentiment in the American society with focus on black masculinity. Othello is therefore portrayed as “indolent, playful, sensuous, imitative, subservient, good natured, versatile, unsteady in their purpose… they may but be compared to children, grown up in the stature of adults while retaining a childlike mind”. This article is particularly interested in how Parker’s Othello fetishizes the black male body through exploiting the racialist dogmas about black Americans. Heavily punctuated with flashbacks, this production constructs a two-fold narrative; one approaching the plot from a traditional perspective whereas the other dealing with a rightly African American subjectivity. In conclusion, although Oliver Parker’s rendition of Shakespeare’s Othello preserves much of Shakespeare’s poetry, it is however a new mediatising form produced at an age “the white elite uses filmic representations of African Americans” as means to control and even contain race relations in the USA.
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Keyword:
black bodies; black masculinity; Language and Literature; P; racism; shakespeare; the politics of screening
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URL: https://doaj.org/article/0e5db013060d40f3b660a81dcc6ef947 https://doi.org/10.46687/SILC.2017.v02.009
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The Political Communications of Iranian Green Resistance Movement of 2009: A Critical Discourse Analysis
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ВАЗЪИ АМАЛКАРДИ ЗАБОНИ ТОҶИКӢ ДАР ҶХШ БУХОРО ВА БАЪЗЕ МАСОИЛИ СИЁСАТИ ЗАБОНӢ
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ВАХХОБОВ ТОЛИБ. - : Худжандский государственный университет им. академика Б. Гафурова, 2015
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Romani pupils in Slovakia. Trapped between Romani and Slovak languages ...
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Romani pupils in Slovakia. Trapped between Romani and Slovak languages
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In: ZEP : Zeitschrift für internationale Bildungsforschung und Entwicklungspädagogik 38 (2015) 1, S. 18-23 (2015)
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