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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Page: 1 2 Hits 1 – 20 of 29 1 Changing sounds in a changing city: an acoustic phonetic investigation of real-time change over a century of Glaswegian. Lawson, Eleanor; Stuart-Smith, Jane; Rathcke, Tamara V. - : Cambridge University Press, 2017 BASE Show details 2 How Truncating Are ‘Truncating Languages'? Evidence from Russian and German Rathcke, Tamara V.. - : Karger, 2017 BASE Show details 3 On the Tail of the Scottish Vowel Length Rule in Glasgow Stuart-Smith, Jane H. [Verfasser]; Rathcke, Tamara V. [Verfasser]. - Konstanz : KOPS Universität Konstanz, 2016 DNB Subject Category Language Show details 4 The beauty in a beast: Minimising the effects of diverse recording quality on vowel formant measurements in sociophonetic real-time studies Rathcke, Tamara V; Stuart-Smith, Jane; Torsney, Bernard. - : Elsevier, 2016 BASE Show details 5 Then, What is Charisma? The Role of Audio-visual Prosody in L1 and L2 Political Speeches Hiroyuki, Tanaka; Rathcke, Tamara V. - 2016 BASE Show details 6 Glasgow Gloom or Leeds Glue? Dialect-Specific Vowel Duration Constrains Lexical Segmentation and Access Rathcke, Tamara V; Smith, Rachel. - : KARGER, 2016 BASE Show details 7 On the Tail of the Scottish Vowel Length Rule in Glasgow Stuart-Smith, Jane H.; Rathcke, Tamara V. In: Language and Speech ; 59 (2016), 3. - S. 404-430. - Sage. - ISSN 0023-8309. - eISSN 1756-6053 (2016) BASE Show details 8 Rhythm class perception by expert phoneticians Rathcke, Tamara V.; Smith, Rachel. - : International Phonetic Association, 2015 BASE Show details 9 Speech Timing and Linguistic Rhythm: On the Acoustic Bases of Rhythm Typologies Rathcke, Tamara V; Smith, Rachel. - 2015 BASE Show details 10 On the Tail of the Scottish Vowel Length Rule in Glasgow Rathcke, Tamara V; Stuart-Smith, Jane. - : Sage, 2015 BASE Show details 11 The private life of stops: VOT in a real-time corpus of spontaneous Glaswegian Rathcke, Tamara V; Macdonald, Rachel; Sonderegger, Morgan. - : De Gruyter, 2015 BASE Show details 12 A real-time study of plosives in Glaswegian using an automatic measurement algorithm: Change or age-grading? Stuart-Smith, Jane; Sonderegger, Morgan; Rathcke, Tamara V. - : John Benjamins, 2015 BASE Show details 13 The role of stress in syllable monitoring Arvaniti, Amalia; Rathcke, Tamara V.. - : International Phonetic Association, 2015 BASE Show details 14 Communicative Rhythms in Brain and Behaviour Smith, Rachel; Rathcke, Tamara V; Cummins, Fred. - : Royal Society, 2014 BASE Show details 15 Introduction: Communicative Rhythms in Brain and Behaviour Smith, Rachel; Rathcke, Tamara V; Cummins, Fred. - : Royal Society, 2014 BASE Show details 16 When speech sounds like music Falk, Simone; Rathcke, Tamara V.; Dalla Bella, Simone. - : American Psychological Association, 2014 Abstract: Repetition can boost memory and perception. However, repeating the same stimulus several times in immediate succession also induces intriguing perceptual transformations and illusions. Here, we investigate the Speech to Song Transformation (S2ST), a massed repetition effect in the auditory modality, which crosses the boundaries between language and music. In the S2ST, a phrase repeated several times shifts to being heard as sung. To better understand this unique cross-domain transformation, we examined the perceptual determinants of the S2ST, in particular the role of acoustics. In 2 Experiments, the effects of 2 pitch properties and 3 rhythmic properties on the probability and speed of occurrence of the transformation were examined. Results showed that both pitch and rhythmic properties are key features fostering the transformation. However, some properties proved to be more conducive to the S2ST than others. Stable tonal targets that allowed for the perception of a musical melody led more often and quickly to the S2ST than scalar intervals. Recurring durational contrasts arising from segmental grouping favoring a metrical interpretation of the stimulus also facilitated the S2ST. This was, however, not the case for a regular beat structure within and across repetitions. In addition, individual perceptual abilities allowed to predict the likelihood of the S2ST. Overall, the study demonstrated that repetition enables listeners to reinterpret specific prosodic features of spoken utterances in terms of musical structures. The findings underline a tight link between language and music, but they also reveal important differences in communicative functions of prosodic structure in the 2 domains. Keyword: M Music and Books on Music; P Philology. Linguistics URL: https://doi.org/10.1037/a0036858 https://kar.kent.ac.uk/42796/ BASE Hide details 17 On the Neutralizing Status of Truncation in Intonation: A Perception Study of Boundary Tones in German and Russian Rathcke, Tamara V. - : Science Direct, 2013 BASE Show details 18 Disambiguating the Scope of Negation by Prosodic Cues in Three Varieties of German Baumann, Stefan; Rathcke, Tamara V. - : Elsevier, 2013 BASE Show details 19 Exploring Timing in Accents of British English Rathcke, Tamara V; Smith, Rachel. - 2011 BASE Show details 20 Responding to Accents after Experiencing Interactive or Mediated Speech Rathcke, Tamara V; Li Santi, Francesco; Stuart-Smith, Jane. - 2011 BASE Show details Page: 1 2

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