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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Hits 1 – 16 of 16 1 [Review untitled to: Claudia Lainka: Analysing Masculinities : Konstruktionen von Männlichkeit bei D. H. Lawrence und John Cowper Powys] ... Funk, Wolfgang. - : Berlin : Walter de Gruyter, 2014 BASE Show details 2 Tactility and modernity: the sense of touch in D. H. Lawrence, Alfred Stieglitz, Walter Benjamin, and Maurice Merleau-Ponty Takamura, Mineo. - 2011 BASE Show details 3 Modernism and cross -gender collaboration: W. B. Yeats, Marianne Moore, and D. H. Lawrence. McDonald, Russell C.. - 2007 BASE Show details 4 D. H. Lawrence and narrative design Elliott, John. - : University of St Andrews, 2006. : The University of St Andrews, 2006 BASE Show details 5 Thinking sex : D.H. Lawrence, Radclyffe Hall and the socialization of modern texts Balzer, David.. - : McGill University, 2001 BASE Show details 6 Thinking sex : D.H. Lawrence ; Radclyffe Hall and the socialization of modern texts Balzer; David.. - : McGill University, 2001 BASE Show details 7 The sound of silence Kanwar, Anju. - New York [u.a.] : Lang, 1999 BLLDB UB Frankfurt Linguistik Show details 8 The shape of openness : Bakhtin, Lawrence, laughter Leone, Matthew J. (Matthew Joseph). - : McGill University, 1992 BASE Show details 9 The shape of openness : Bakhtin ; Lawrence ; laughter Leone; Matthew J. (Matthew Joseph). - : McGill University, 1992 BASE Show details 10 Prágmatica literaria, estilística y sociolingüística [Microforma]: variedades socio-dialectales e idiolectales en los primeros cuentos de D.H. Lawrence, (1907-1912) / Juan Camilo Conde Silvestre. Conde Silvestre, Juan Camilo. - : Murcia : Universidad, Secretariado de Publicaciones e Intercambio Científico, 1990 BASE Show details 11 Laughing dogs, scheming infants, and the facts of life Buchler, Ira In: Semiotica. - Berlin ; Boston : De Gruyter Mouton 48 (1984) 3-4, 319-343 BLLDB Show details 12 Die Funktion der Register in den drei Versionen von Lady Chatterley's lover von D. H. Lawrence Pritscher, Ursula F.. - Würzburg : Königshausen & Neumann, 1982 UB Frankfurt Linguistik Show details 13 Dialekt und Register in "Lady Chatterley's Lover" Ostheeren, Klaus In: Festschrift für Karl Schneider. - Amsterdam [u.a.] : Benjamins (1982), 517-533 BLLDB Show details 14 L' univers sémantique de The rainbow de D. H. Lawrence Negriolli, Claude. - Lille : Univ. III, 1976 UB Frankfurt Linguistik Show details 15 Form in D. H. Lawrence's poetry : an analysis of syntactic structures Grady, Naomi G.. - : Northern Illinois University, 1973 Abstract: Includes bibliographical references. ; This study is concerned with the prosodic use of linguistic patterns to create poetic form. In it I describe D.H. Lawrence's major poetic techniques, indicating what the distinctive features of his style are and analyzing how his poetry is formed. Lawrence's prosody, the craft he used to create formal patterns in his poems, is based on syntax. By using syntactic structures artistically Lawrence gives rhythm to his poetry, the rhetorical placement of sentence elements contributing to the meaning and to the emotional effect of the poems as well. Lawrence's great technical achievement as a poet was to blend the rhythms of speech with the rhythms of emotion and experience, transferring them to a particular kind of poetic syntax which this study defines. In Chapters One and Two, I discuss what Lawrence's poetry is like, showing how all aspects of it are governed by rhythm; then I give a sampling of how Lawrence's poetry has been received. I comment particularly on how critics with a formalist viewpoint fail to realize that Lawrence's poetry has structure, but structure displayed as a result of syntactical patterning rather than patterning of meter or rhyme scheme. In Chapter Two, I discuss my methodology for analyzing Lawrence's poetry, showing how the system used to analyze style is based on a generative-structuralist approach to grammatical and syntactical analysis. An important factor in Lawrence's technique is his use of cumulative sentences, and I indicate how such sentences, when used effectively, can help a poet expand his technical capabilities. In the last two chapters, I discuss selected samples of Lawrence's poetry taken from two periods in his career: his early years, when he tended to overuse certain syntactic structures, in some poems, and then the years after 1920, after his distinctive poetic style had matured. The findings from my analysis of Lawrence's poems, an accounting of clausal and modifying segments for each poem analyzed, are discussed and tabulated in the Conclusion to this paper. ; M.A. (Master of Arts) Keyword: 1885-1930; D. H. (David Herbert); Lawrence URL: https://commons.lib.niu.edu/handle/10843/24442 BASE Hide details 16 Deutschland in der Sicht von D. H. Lawrence und T. S. Eliot : eine Studie zum angloamerikanischen Deutschlandbild des 20. Jahrhunderts Galinsky, Hans. - Mainz : Verl. der Akad. der Wiss. und der Literatur, 1956 Institut für Empirische Sprachwissenschaft UB Frankfurt Linguistik Show details

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