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Framing right-wing populist satire: the case-study of Ghisberto's cartoons in Italy
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In: Punctum: International Journal of Semiotics ; 6 ; 2 ; 29-55 ; Semiotics of Political Communication (2022)
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Abuse Practice of Power in Orwell’s Animal Farm
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In: Studies in Literature and Language; Vol 24, No 1 (2022): Studies in Literature and Language; 65-72 ; 1923-1563 ; 1923-1555 (2022)
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SATIRE LANGUAGE STYLE BY BU TEJO IN THE SHORT FILM “TILIK”
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In: LiNGUA: Jurnal Ilmu Bahasa dan Sastra; Vol 16, No 2 (2021): LiNGUA; 261 - 270 ; 2442-3823 ; 1693-4725 (2022)
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ТРАДИЦИИ АШУГСКОЙ ПОЭЗИИ В ТВОРЧЕСТВЕ ХАЗАРЧИ ГАДЖИЕВА ... : TRADITIONS OF ASHUGH POETRY IN THE WORKS OF KHAZARCHI GADZHIEV ...
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Образ и имидж: соотношение понятий ... : Image: Ratio of Concepts ...
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Шакак Хайат, Х.М.. - : Автономная некоммерческая организация высшего образования «Российский новый университет», 2021
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ANTHROPOMORPHIC AND ZOOMORPHIC SEMIOTIC CODES OF MIKHAIL BULGAKOV'S SATIRE ...
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ANTHROPOMORPHIC AND ZOOMORPHIC SEMIOTIC CODES OF MIKHAIL BULGAKOV'S SATIRE ...
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| 9 |
The Cringe and the Sneer: Structures of Feeling in Veep
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In: Humanities ; Volume 10 ; Issue 4 (2021)
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| 10 |
Karneval von Teana (Basilikata) ... : Carnival of Teana (Baslicata) ...
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Karneval von Teana (Basilikata) ... : Carnival of Teana (Baslicata) ...
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| 12 |
Power and satire in the front-page images of Mariano Rajoy: visual motifs as political humour
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In: European Journal of Humour Research, 2021, vol.9, núm. 3 ; Articles publicats (D-H) (2021)
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LINGUAPRAGMATIC MEANS OF SATIRICAL METHODS REALISATION IN BRITISH MEDIA DISCOURSE ; ЛІНГВОПРАГМАТИЧНІ ЗАСОБИ РЕАЛІЗАЦІЇ САТИРИЧНИХ МЕТОДІВ У БРИТАНСЬКОМУ МЕДІЙНОМУ ДИСКУРСІ
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In: Записки з романо-германської філології; № 1(46) (2021) ; Writings in Romance-Germanic Philology; No. 1(46) (2021) ; 2518-7627 ; 2307-4604 (2021)
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| 14 |
Синтаксическая организация стихотворных сочинений А. Д. Кантемира ; Syntactic Organisation of A. D. Kantemir’s Poems
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| 15 |
Memes de Internet en tiempos de confinamiento por Covid-19 en Polonia
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In: Comunicar: Revista científica iberoamericana de comunicación y educación, ISSN 1134-3478, Nº 67, 2021, pags. 75-85 (2021)
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Abstract:
Poland was one of the countries that was hit by the Covid-19 pandemic in 2020, and its government imposed restrictions to combat the spreading of the virus. The Internet and social media became outlets for people’s reactions to the events that unfolded, including the lockdown. A part of this reaction came in the form of creating and sharing memes – an expression of digital participatory culture. This paper aims to analyze how Covid-19 was communicated and narrated through Internet memes and how they presented the pandemic and actors responsible for fighting it. 1,763 memes from six media platforms were analyzed using content analysis with framing elements and a comparative narrative analysis. The results show that the memes provided a form of commentary on the situation experienced by Poles. The most common category of memes was “bans and orders”, involving restrictions that were often criticized and ridiculed as pointless. The main characters within the memes were ordinary citizens, often portrayed in a comedic way as careless in regards to the virus and violating the restrictions. They were also presented as victims of the police and the government. Furthermore, the people responsible for fighting the pandemic were portrayed as incompetent and imposing needlessly severe restrictions and penalties for not abiding by them. ; Polonia fue uno de los países golpeados por la pandemia del Covid-19 en 2020, cuyo gobierno impuso restricciones para combatir la propagación del virus. Internet y las redes sociales se convirtieron en un escape para las reacciones de las personas a estos eventos, incluido el confinamiento. Una parte de esta reacción vino en forma de creación y difusión de memes, una expresión de la cultura digital y participativa. El presente estudio tiene como objetivo analizar cómo el Covid-19 fue comunicado y narrado a través de los memes en Internet y cómo fue presentada la pandemia y los responsables de combatirla. Fueron analizados 1.763 memes de seis medios empleando un análisis de contenidos con elementos de enmarque y análisis comparativo narrativo. Los resultados muestran que los memes fueron una forma de expresión sobre la situación vivida por los polacos. La categoría más popular fue la de «prohibiciones y órdenes», aludiendo a las restricciones que frecuentemente fueron criticadas y ridiculizadas como inútiles. El personaje principal de los memes fueron los ciudadanos, frecuentemente retratados de una manera cómica como personas irresponsables en cuanto al virus y violaciones de las restricciones. También fueron presentados como víctimas de la policía y el gobierno. Además, las personas responsables de combatir la pandemia fueron retratadas como incompetentes, al imponer restricciones y sanciones excesivamente estrictas por no obedecerlas.
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Keyword:
confinamiento; Covid-19; cultura participativa; lockdown; memes; participatory culture; protestas; protests; sátira; satire
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URL: https://dialnet.unirioja.es/servlet/oaiart?codigo=7831212
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| 16 |
“Never in my life have I heard such a load of absolute nonsense. Wtf.” Political satire on the handling of the COVID-19 crisis
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In: Russian Journal of Linguistics, Vol 25, Iss 3, Pp 767-788 (2021) (2021)
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| 17 |
Dirk ex Machina: Douglas Adams’ Saga and Holistic Detection as Religious Satire
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In: Linguae &. Rivista di Lingue e Culture Moderne, Vol 20, Iss 2, Pp 25-47 (2021) (2021)
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| 18 |
Introduction ... : Les Nefs des fous : traduction, imitation et contestation ...
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Factions: acts of worldbuilding on social media platforms ...
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certa clara affero? Senecas Apocolocyntosis und die Zeichensprache des Principats ... : certa clara affero? Senecas Apocolocyntosis und die Zeichensprache des Principats ...
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