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Prosodic Boundary Prediction Model for Vietnamese Text-To-Speech
In: Proc. Interspeech 2021 ; Interspeech 2021 ; https://hal.archives-ouvertes.fr/hal-03329116 ; Interspeech 2021, Aug 2021, Brno, Czech Republic. pp.3885-3889, ⟨10.21437/interspeech.2021-125⟩ (2021)
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Prosodic Disambiguation Using Chironomic Stylization of Intonation with Native and Non-Native Speakers
In: Proceedings Interspeech 2021 ; Interspeech 2021 ; https://hal.archives-ouvertes.fr/hal-03329111 ; Interspeech 2021, Aug 2021, Brno (virtual), Czech Republic. pp.516-520, ⟨10.21437/Interspeech.2021-182⟩ (2021)
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Perceptual equivalence of the Liljencrants-Fant and linear-filter glottal flow models
In: ISSN: 0001-4966 ; EISSN: 1520-8524 ; Journal of the Acoustical Society of America ; https://hal.archives-ouvertes.fr/hal-03322875 ; Journal of the Acoustical Society of America, Acoustical Society of America, 2021, 150 (2), pp.1273-1285. ⟨10.1121/10.0005879⟩ ; https://doi.org/10.1121/10.0005879 (2021)
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Voks: Digital instruments for chironomic control of voice samples
In: ISSN: 0167-6393 ; EISSN: 1872-7182 ; Speech Communication ; https://hal.archives-ouvertes.fr/hal-03009712 ; Speech Communication, Elsevier : North-Holland, 2020, 125, pp.97 - 113. ⟨10.1016/j.specom.2020.10.002⟩ (2020)
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Les instruments chanteurs
In: ISSN: 1263-8072 ; Acoustique et Techniques : trimestriel d'information des professionnels de l'acoustique ; https://hal.archives-ouvertes.fr/hal-02025861 ; Acoustique et Techniques : trimestriel d'information des professionnels de l'acoustique, Neuilly-sur-Seine : Centre d'information et de documentation sur le bruit, 2019, 89, pp.36-43 (2019)
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T-Voks: the Singing and Speaking Theremin
In: NIME 2019 International Conference on New Interfaces for Musical Expression ; https://hal.archives-ouvertes.fr/hal-02197063 ; NIME 2019 International Conference on New Interfaces for Musical Expression, UFRGS, Jun 2019, Porto Alegre, Brazil. pp.110-115 ; http://www.nime.org/proceedings/2019/nime2019_022.pdf (2019)
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T-Voks: the Singing and Speaking Theremin ...
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T-Voks: the Singing and Speaking Theremin ...
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Les instruments chanteurs
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10
Paradigmatic variation of vowels in expressive speech: Acoustic description and dimensional analysis
In: ISSN: 0001-4966 ; EISSN: 1520-8524 ; Journal of the Acoustical Society of America ; https://hal.archives-ouvertes.fr/hal-01914497 ; Journal of the Acoustical Society of America, Acoustical Society of America, 2018, 143, pp.109-122. ⟨10.1121/1.5018433⟩ (2018)
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11
Jouer avec les doubles artificiels de la voix: Cantor digitalis et Vokinesis.Conférence-concert
In: La voix à double tranchant ; https://hal.archives-ouvertes.fr/hal-02009009 ; La voix à double tranchant, Solipsy, pp.185-203, 2018, Voix et psychanalyse 2017, 978-2-84932-106-5 (2018)
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12
Le contrôle des instruments chanteurs
In: Congrès Français d’Acoustique, CFA 2018 ; https://hal.archives-ouvertes.fr/hal-02008980 ; Congrès Français d’Acoustique, CFA 2018, Apr 2018, Le Havre, France. pp.1249-1255 (2018)
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13
Le contrôle des instruments chanteurs
D'Alessandro, Christophe; Feugère, Lionel; Perrotin, Olivier. - : Société Française d'Acoustique, 2018
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14
Adjusting the Frame: Biphasic Performative Control of Speech Rhythm
In: Proceedings of Interspeech 2017 ; https://hal.sorbonne-universite.fr/hal-01672232 ; Proceedings of Interspeech 2017, Aug 2017, Stockholm, Sweden. pp.864-868 (2017)
Abstract: International audience ; Performative time and pitch scaling is a new research paradigm for prosodic analysis by synthesis. In this paper, a system for real-time recorded speech time and pitch scaling by the means of hands or feet gestures is designed and evaluated. Pitch is controlled with the preferred hand, using a stylus on a graphic tablet. Time is controlled using rhythmic frames, or constriction gestures, defined by pairs of control points. The " Arsis " corresponds to the constriction (weak beat of the syllable) and the " Thesis " corresponds to the vocalic nucleus (strong beat of the syllable). This biphasic control of rhythmic units is performed by the non-preferred hand using a button. Pitch and time scales are modified according to these gestural controls with the help of a real-time pitch synchronous overlap-add technique (RT-PSOLA). Rhythm and pitch control accuracy are assessed in a prosodic imitation experiment: the task is to reproduce intonation and rhythm of various sentences. The results show that inter-vocalic durations differ on average of only 20 ms. The system appears as a new and effective tool for perfor-mative speech and singing synthesis. Consequences and applications in speech prosody research are discussed.
Keyword: [INFO.INFO-HC]Computer Science [cs]/Human-Computer Interaction [cs.HC]; [INFO.INFO-SD]Computer Science [cs]/Sound [cs.SD]; [INFO.INFO-TS]Computer Science [cs]/Signal and Image Processing; [SHS.LANGUE]Humanities and Social Sciences/Linguistics; [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts
URL: https://hal.sorbonne-universite.fr/hal-01672232/document
https://hal.sorbonne-universite.fr/hal-01672232/file/delalez-dalessandro-IS17.pdf
https://hal.sorbonne-universite.fr/hal-01672232
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15
Vokinesis: Syllabic Control Points For Performative Singing Synthesis ...
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Vokinesis: Syllabic Control Points For Performative Singing Synthesis ...
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17
Vocal effort modification for singing synthesis
In: INTERSPEECH 2016 ; Annual Conference of the International Speech Communication Association (INTERSPEECH 2016) ; https://hal.archives-ouvertes.fr/hal-01712564 ; Annual Conference of the International Speech Communication Association (INTERSPEECH 2016), Sep 2016, San Francisco, United States. pp.1235-1239, ⟨10.21437/Interspeech.2016-1096⟩ (2016)
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18
Emergence de la vocalité : la glossolalie et le musical
In: colloque L’émergence en musique : dialogue des sciences ; https://hal.archives-ouvertes.fr/hal-01712656 ; colloque L’émergence en musique : dialogue des sciences, 2016, Université de Versailles Saint Quentin, France (2016)
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19
Seeing, listening, drawing: interferences between sensorimotor modalities in the use of a tablet musical interface
In: ISSN: 1544-3558 ; ACM Transactions on Applied Perception ; https://hal.sorbonne-universite.fr/hal-01672241 ; ACM Transactions on Applied Perception, Association for Computing Machinery, 2016, 14 (2), pp.1 - 19. ⟨10.1145/2990501⟩ (2016)
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20
Target Acquisition vs. Expressive Motion: Dynamic Pitch Warping for Intonation Correction
In: ISSN: 1073-0516 ; EISSN: 1557-7325 ; ACM Transactions on Computer-Human Interaction ; https://hal.sorbonne-universite.fr/hal-01672238 ; ACM Transactions on Computer-Human Interaction, Association for Computing Machinery, 2016, 23 (3), pp.17. ⟨10.1145/2897513⟩ (2016)
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